In early February 2019 Mediático presented two of a series of entries on Indigenous filmmaking and language from Abya Yala that will be published over the…
In early February 2019 Mediático presented the first introductory post of a series of entries on Indigenous filmmaking and language from Abya Yala that will be…
In response to the recent interest in Indigenous languages on screen prompted by Roma (Cuarón, 2018) and Pájaros de verano (Gallego and Guerra, 2018), today,…
Today, Mediático is delighted to present a thoughtful essay on Quijotes Negros (Sandino Burbano 2016) which won Best International Picture in the Mar de Plata Fantasy Film…
*by Pedro Ángel Palou It is a tough task for a critic to define a masterpiece, or to grant the stature of classic to a…
by Deborah Shaw* Roma the latest film by Alfonso Cuarón has attracted much media attention for many reasons: it has already won a number of…
*By Roberto Ortiz It is a cold Friday morning in Mexico City and a handsome dark-skinned young man stands on the Alvaro Obregón avenue strip…
By Belén Vidal* Alfonso Cuarón’s Roma is much more than the newest sensation from Latin American cinema, more than 2018’s film-event, topping end-of-year polls such…
by Jeffrey Middents* The press surrounding the release of Roma has emphasized its autobiographical qualities, elements that Alfonso Cuarón himself has confirmed in interviews throughout…
*Ignacio M. Sánchez Prado Alfonso Cuarón’s Roma, like his previous two Mexican films, is troubled by class. This is a criticism and a praise. Class…
