Presenting SEQUENCE 2.2: Pam Cook on Todd Haynes’ MILDRED PIERCE as maternal melodrama

In her inaugural essay on maternal melodrama for SEQUENCE Two, Sue Thornham discusses Lynne Ramsay’s critical reappraisal of mother-love in WE NEED TO TALK ABOUT KEVIN, analysing in detail the film’s exploration of Continue ReadingPresenting SEQUENCE 2.2: Pam Cook on Todd Haynes’ MILDRED PIERCE as maternal melodrama

Publication of SEQUENCE 1.3 & 1.4, 2014

Sometimes considered under the name of “slow cinema” or “the new silent cinema” […] post-cinematic atavism is not limited to art-house or independent films. Indeed three of the nominees for Continue ReadingPublication of SEQUENCE 1.3 & 1.4, 2014

Publication of SEQUENCE 1.2, 2014

“An Allegory of a ‘Therapeutic’ Reading of a Film: Of MELANCHOLIA” by Rupert Read We are delighted to announce the publication of a response to Steven Shaviro’s magisterial article “MELANCHOLIA, Continue ReadingPublication of SEQUENCE 1.2, 2014

eReading for the End of the World!

Continue ReadingeReading for the End of the World!