Category Archives: Update to a SEQUENCE

In her inaugural essay on maternal melodrama for SEQUENCE Two, Sue Thornham discusses Lynne Ramsay’s critical reappraisal of mother-love in WE NEED TO Continue ReadingPresenting SEQUENCE 2.2: Pam Cook on Todd Haynes’ MILDRED PIERCE as maternal melodrama→

Sometimes considered under the name of “slow cinema” or “the new silent cinema” […] post-cinematic atavism is not limited to Continue ReadingPublication of SEQUENCE 1.3 & 1.4, 2014→

“An Allegory of a ‘Therapeutic’ Reading of a Film: Of MELANCHOLIA” by Rupert Read We are delighted to announce the Continue ReadingPublication of SEQUENCE 1.2, 2014→

… Continue ReadingeReading for the End of the World!→