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Mediático features studies of Latin(o/a/x) American, Spanish & Portuguese film/media cultures. It is co-edited by Dolores Tierney & Catherine Grant.

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Dossier on Indigenous filmmaking from Abya Yala Part I: Tzotzil, Mapuche, Zapotec. Filmic Practice Otherwise.

Dossier on Indigenous filmmaking from Abya Yala Part I: Tzotzil, Mapuche, Zapotec. Filmic Practice Otherwise.

February 4, 2019
dtierney
Film, Latin American Indigenous, photography

In response to the recent interest in Indigenous languages on screen prompted by Roma (Cuarón, 2018) and Pájaros de verano (Gallego and Guerra, 2018), today,…

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Special Dossier on Roma: Broken Memory, Voice and Visual Storytelling.

Special Dossier on Roma: Broken Memory, Voice and Visual Storytelling.

December 24, 2018
dtierney
Film

*by Pedro Ángel Palou It is a tough task for a critic to define a masterpiece, or to grant the stature of classic to a…

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Special Dossier on Roma: Children of Women? Alfonso Cuarón’s love letter to his nana

Special Dossier on Roma: Children of Women? Alfonso Cuarón’s love letter to his nana

December 24, 2018
dtierney
Film

by Deborah Shaw* Roma the latest film by Alfonso Cuarón has attracted much media attention for many reasons: it has already won a number of…

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Special Dossier on Roma: Recuerda, Notes on Alfonso Cuarón's Roma

Special Dossier on Roma: Recuerda, Notes on Alfonso Cuarón’s Roma

December 24, 2018
dtierney
Film

*By Roberto Ortiz It is a cold Friday morning in Mexico City and a handsome dark-skinned young man stands on the Alvaro Obregón avenue strip…

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Special Dossier on Roma: The Paradoxes of Cinephilia in the Age of Netflix

Special Dossier on Roma: The Paradoxes of Cinephilia in the Age of Netflix

December 24, 2018
dtierney
Film

By Belén Vidal* Alfonso Cuarón’s Roma is much more than the newest sensation from Latin American cinema, more than 2018’s film-event, topping end-of-year polls such…

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Special Dossier on Roma: Memories of C/Leo - On Auteurism and Roma

Special Dossier on Roma: Memories of C/Leo – On Auteurism and Roma

December 24, 2018
dtierney
Film

by Jeffrey Middents* The press surrounding the release of Roma has emphasized its autobiographical qualities, elements that Alfonso Cuarón himself has confirmed in interviews throughout…

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Special Dossier on Alfonso Cuaron's Roma: Class Trouble

Special Dossier on Alfonso Cuaron’s Roma: Class Trouble

December 24, 2018
dtierney
Film

*Ignacio M. Sánchez Prado Alfonso Cuarón’s Roma, like his previous two Mexican films, is troubled by class. This is a criticism and a praise. Class…

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Special Dossier on Roma: Feminism and Intimate/Emotional Labor

Special Dossier on Roma: Feminism and Intimate/Emotional Labor

December 24, 2018
dtierney
Film

By Olivia Cosentino* This take on Roma avoids both hyperbolic latitudes and hyperbolic criticisms, with the following exception: Roma is not about you.[i] Personal nostalgia…

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Introduction to the Special Dossier on Roma (Alfonso Cuaron)

Introduction to the Special Dossier on Roma (Alfonso Cuaron)

December 24, 2018
dtierney
Film

Edited by Dolores Tierney* and Guest Editor Olivia Cosentino Today, after its wins for Best Screenplay and Best Director at the Golden Globes Mediático reups…

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Special Dossier on Roma: Watching Roma In Mexico City

Special Dossier on Roma: Watching Roma In Mexico City

December 24, 2018
dtierney
Film

by Paul Julian Smith* In her interview with Alfonso Cuarón in Letras Libres, Mexico City-based critic Fernanda Solórzano begins by saying that “all conversations lead…

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    Special Dossier on Roma: Children of Women? Alfonso Cuarón’s love letter to his nana
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