In response to the recent interest in Indigenous languages on screen prompted by Roma (Cuarón, 2018) and Pájaros de verano…
*by Pedro Ángel Palou It is a tough task for a critic to define a masterpiece, or to grant the…
by Deborah Shaw* Roma the latest film by Alfonso Cuarón has attracted much media attention for many reasons: it has…
*By Roberto Ortiz It is a cold Friday morning in Mexico City and a handsome dark-skinned young man stands on…
By Belén Vidal* Alfonso Cuarón’s Roma is much more than the newest sensation from Latin American cinema, more than 2018’s…
by Jeffrey Middents* The press surrounding the release of Roma has emphasized its autobiographical qualities, elements that Alfonso Cuarón himself…
*Ignacio M. Sánchez Prado Alfonso Cuarón’s Roma, like his previous two Mexican films, is troubled by class. This is a…
By Olivia Cosentino* This take on Roma avoids both hyperbolic latitudes and hyperbolic criticisms, with the following exception: Roma is…
Edited by Dolores Tierney* and Guest Editor Olivia Cosentino Today, after its wins for Best Screenplay and Best Director at…
by Paul Julian Smith* In her interview with Alfonso Cuarón in Letras Libres, Mexico City-based critic Fernanda Solórzano begins by…
