In early February 2019 Mediático presented the first introductory post of a series of entries on Indigenous filmmaking and language…
In response to the recent interest in Indigenous languages on screen prompted by Roma (Cuarón, 2018) and Pájaros de verano…
Today, Mediático is delighted to present a thoughtful essay on Quijotes Negros (Sandino Burbano 2016) which won Best International Picture in the…
*by Pedro Ángel Palou It is a tough task for a critic to define a masterpiece, or to grant the…
by Deborah Shaw* Roma the latest film by Alfonso Cuarón has attracted much media attention for many reasons: it has…
*By Roberto Ortiz It is a cold Friday morning in Mexico City and a handsome dark-skinned young man stands on…
By Belén Vidal* Alfonso Cuarón’s Roma is much more than the newest sensation from Latin American cinema, more than 2018’s…
by Jeffrey Middents* The press surrounding the release of Roma has emphasized its autobiographical qualities, elements that Alfonso Cuarón himself…
*Ignacio M. Sánchez Prado Alfonso Cuarón’s Roma, like his previous two Mexican films, is troubled by class. This is a…
By Olivia Cosentino* This take on Roma avoids both hyperbolic latitudes and hyperbolic criticisms, with the following exception: Roma is…
