Today’s post in our series on lesbian cinematic spaces is from Rachel Tavernor, our Reframe colleague, and is sure to be of interest to our readers in Brighton this week:
Followed by Q&A with the producer, Alex Juhasz
Duke’s at the Komedia, Thursday 16th May, at 6pm
You can now reserve your seat on the Duke’s at the Komedia website.
A funny, mysterious and humane generational anthem, THE OWLS is an experimental thriller/film noir about four “Older-Wiser-Lesbians” who accidentally kill a young lesbian and try to get away with it. Raised in the shadow of “pathological lesbian” films like THE FOX, THE CHILDREN’S HOUR and THE KILLING OF SISTER GEORGE, the OWLs once embraced the utopian vision of Lesbian Nation. Now, approaching middle age, the revolution has eluded their dreams. Caught between a culture that still has no place for them, and a younger generation indifferent to their contributions, the OWLs face an emotionally complex set of circumstances that have yet to be compassionately and truthfully addressed.
THE OWLS’ screenplay is by Sarah Schulman (best known for her novels AFTER DELORES and PEOPLE IN TROUBLE), is based on a story by writer/director/professor Cheryl Dunye (THE WATERMELON WOMAN, SHE DON’T FADE, STRANGER INSIDE), and stars some of the most popular underground artists in Lesbian Cinema, including Guinevere Turner (GO FISH, The L Word, AMERICAN PSYCHO), V.S. Brodie (GO FISH), Lisa Gornick (TICK-TOCK LULLABYE) and Deak Evgenikos (The ITTY BITTY TITTY COMMITTE).
2010 | USA | 66 min.
Director Cheryl Dunye
Writers Sarah Schulman, Cheryl Dunye
Producers Candi Guterres, Ernesto M. Foronda, Alexandra Juhasz, Augusta Einarsdottir, Cheryl Dunye
Co-Producers Molly Sturdevant, Skip Snow
Cinematographer Alison Kelly
Cast Guinevere Turner, V.S. Brodie, Lisa Gornick, Deak Evgenikos