Mediático
Menu
  • Home
  • About Mediático
    • Contribute
  • Film
  • Television
  • New media
  • Radio
  • Journalism

Mediático features studies of Latin(o/a/x) American, Spanish & Portuguese film/media cultures. It is co-edited by Dolores Tierney & Catherine Grant.

MEDIÁTICO ON FACEBOOK

MEDIÁTICO ON FACEBOOK

MEDIÁTICO ON TWITTER

My Tweets
Browse: Home   /   Coloniality
Against (Coloniality in) Anglophone Film Criticism: Bardo, False Chronicles of a Handful of Truths/Bardo, falsa crónica de unas cuantas verdades (Alejandro González Iñárritu, 2022)

Against (Coloniality in) Anglophone Film Criticism: Bardo, False Chronicles of a Handful of Truths/Bardo, falsa crónica de unas cuantas verdades (Alejandro González Iñárritu, 2022)

July 4, 2023
dtierney
Film

Today at Mediático, for once, we are not, delighted. We are deeply sad at the loss of the great Ana M. López, who was very…

Read Article →
So, why hasn’t J-Lo been nominated for any of the BIG film industry awards?

So, why hasn’t J-Lo been nominated for any of the BIG film industry awards?

February 3, 2020
dtierney
Film, latinx

Today at Mediático, the morning after both her and Shakira’s amazing Super Bowl half-time show that also featured reggaeton artists Bad Bunny and J Balvin…

Read Article →

SUBSCRIBE TO MEDIÁTICO

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

MEDIÁTICO POPULAR ENTRIES

  • Belén Vidal on the International San Sebastian Film Festival
    Belén Vidal on the International San Sebastian Film Festival
  • Letter from Madrid: Bienvenidos al Lolita and El tiempo entre costuras
    Letter from Madrid: Bienvenidos al Lolita and El tiempo entre costuras
  • Class and Gender in Muylaert’s A que horas ela volta? and Mãe só há uma
    Class and Gender in Muylaert’s A que horas ela volta? and Mãe só há uma
  • De la sospecha a la aventura: hacer historia feminista del cine en América Latina
    De la sospecha a la aventura: hacer historia feminista del cine en América Latina
  • The Revolutionary Resonance of Praxis: Zapatismo as Public Pedagogy
    The Revolutionary Resonance of Praxis: Zapatismo as Public Pedagogy
  • “I like what you dislike / I like what you fear”*: On Vedettes, Night Life, Beauty, and Aging in Bellas de noche / Beauties of the Night (María José Cuevas, 2016)
    “I like what you dislike / I like what you fear”*: On Vedettes, Night Life, Beauty, and Aging in Bellas de noche / Beauties of the Night (María José Cuevas, 2016)
  • Subtitling ¡Vámonos, Bárbara! (Bárbara, Let’s Go!, Bartolomé 1978): Film History and Feminism
    Subtitling ¡Vámonos, Bárbara! (Bárbara, Let’s Go!, Bartolomé 1978): Film History and Feminism
  • Violence as narrative function or, some thoughts on why HELI divides critics
    Violence as narrative function or, some thoughts on why HELI divides critics
  • Adrian Goycoolea's film ¡VIVA CHILE MIERDA! now free-to-view online!
    Adrian Goycoolea's film ¡VIVA CHILE MIERDA! now free-to-view online!
  • Small Festivals, Youth, and the Monterrey International Film Festival
    Small Festivals, Youth, and the Monterrey International Film Festival

OTHER REFRAME WEBSITES

Copyright © 2026

Powered by Oxygen Theme.

  • Home
  • About Mediático
  • Film
  • Television
  • New media
  • Radio
  • Journalism