In alphabetical order by author surname:
- Álvarez López, Cristina (with Adrian Martin), ‘The One and the Many: Making Sense of Montage in the Audiovisual Essay’ [Frankfurt Papers]’
- Álvarez López, Cristina, ‘On SMALL GESTURES’/’From Idea to Concept [Extract]’, as curated at [in]Transition, 1.3, 2014
- Álvarez López, Cristina, (with Catherine Grant, Carlos Losilla, Adrian Martin, Manu Yáñez ), ‘Roundtable Discussion [Frankfurt Papers]’
- Álvarez López, Cristina (with Adrian Martin), ‘SCREENING PROGRAMME: From Found Footage to the Audiovisual Essay ESSAY ‘Frankfurt papers]
- Berg, Thomas van den,‘On (UN)RELIABLE (UN)RELIABLITY’, as curated at [in]Transition, 1.3, 2014
- Chanan, Michael, ‘On SPIRIT OF COUTINHO’, as curated at [in]Transition, 1.3, 2014
- Cook, Pam, ‘On MILDRED’S KISS’/’Word vs. Image: Making…‘, as curated at [in]Transition, 1.3, 2014
- Cromm, Timo, ‘On DOLCE FAR NIENTE: An Audiovisual Essay on Bully (Larry Clark, 2001) and The Big Lebowski (Coen Bros, 1998)’, as curated at [in]Transition, 1.3, 2014
- NEW! Ferguson, Kevin L., ‘Additional Reflections on VOLUMETRIC CINEMA (2015)’ in [in REFLECTIONS ON AUDIOVISUAL ESSAYS]
- Franco, Fernando, ‘On THE DIELMAN VARIATIONS (2010)’ [in REFLECTIONS ON AUDIOVISUAL ESSAYS] COMING SOON!
- Fyfe, Greer (with Miriam Ross), ‘How-to Video Essays’ [How-to Guides / Resources]
- Garwood, Ian, ‘On HOW LITTLE WE KNOW: AN ESSAY FILM ABOUT HOAGY CARMICHAEL’, as curated at [in]Transition, 1.3, 2014
- Grant, Catherine, ‘INTRODUCTION [to the Frankfurt Papers’]
- Grant, Catherine, ‘THE AUDIOVISUAL ESSAY: MY FAVORITE THINGS [INTRODUCTION to [in]Transition, 1.3, 2014: Videos and Reflections] as curated at [in]Transition, 1.3, 2014
- Grant, Catherine, ‘How Long is a Piece of String? On the Practice, Scope and Value of Videographic Film Studies and Criticism’ [Frankfurt Papers]‘
- Grant, Catherine (with Cristina Álvarez López, Carlos Losilla, Adrian Martin, Manu Yáñez ), ‘Roundtable Discussion [Frankfurt Papers]’
- Hediger, Vinzenz, ‘What makes an excerpt? The video essay as an experiment performed on the work of art [Frankfurt Papers]‘
- Keathley, Christian, ‘On 50 YEARS ON’, as curated at [in]Transition, 1.3, 2014
- Kiss, Miklós, ‘On UN/RELIABLE UN/RELIABILITY’, as curated at [in]Transition, 1.3, 2014
- Lahera, Covadonga G., ‘On INFLAMES’, [in REFLECTIONS ON AUDIOVISUAL ESSAYS]
- Law, Hoi Lun, ‘On ANGST/FEAR (Adrian Martin & Cristina Álvarez López, 2014)‘ [in REFLECTIONS ON AUDIOVISUAL ESSAYS]
- Lee, Kevin B., ‘On THE CAREER OF PAUL THOMAS ANDERSON IN FIVE SHOTS’, as curated at [in]Transition, 1.3, 2014
- Lindenberger, Henrike, ‘On ALPHAVILLE – THE CRYSTAL MAZE’/The Audiovisual Essay as Lego Construction’, as curated at [in]Transition, 1.3, 2014
- Losilla, Carlos, ‘The Absent Image, The Invisible Narrative [Frankfurt Papers]’
- Losilla, Carlos (with Cristina Álvarez López, Catherine Grant, Adrian Martin, Manu Yañez ), ‘Roundtable Discussion [Frankfurt Papers]’
- Martin, Adrian (with Cristina Álvarez López), ‘The One and the Many: Making Sense of Montage in the Audiovisual Essay’ [Frankfurt Papers]’
- Martin, Adrian, ‘On WHERE I COME FROM, WHERE I’M GOING’, as curated at [in]Transition, 1.3, 2014
- Martin, Adrian (with Cristina Álvarez López), ‘SCREENING PROGRAMME: From Found Footage to the Audiovisual Essay [‘Frankfurt papers]’
- Martin, Adrian (with Cristina Álvarez López, Cristina, Catherine Grant, Carolos Losilla, Manu Yáñez ), ‘Roundtable Discussion [Frankfurt Papers]’
- Morton, Drew, ‘On FROM THE PANEL TO THE FRAME: STYLE AND SCOTT PILGRIM’/ ‘THOUGH THIS BE MADNESS, YET THERE IS METHOD IN IT: Notes on Producing and Revising Videographic Scholarship‘, as curated at [in]Transition, 1.3, 2014
- Ross, Miriam (with Greer Fyfe), ‘How-to Video Essays’ [How-to Guides / Resources]
- van den Berg, Thomas, ‘On (UN)RELIABLE (UN)RELIABLITY’, as curated at [in]Transition, 1.3, 2014
- Yáñez, Manu, ‘Thought, Action and Imagination [Frankfurt Papers]’
- Yáñez, Manu, (with Cristina Álvarez López, Cristina, Catherine Grant, Carlos Losilla, Adrian Martin), ‘Roundtable Discussion [Frankfurt Papers]’
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