by Jeffrey Middents* The press surrounding the release of Roma has emphasized its autobiographical qualities, elements that Alfonso Cuarón himself…
*Ignacio M. Sánchez Prado Alfonso Cuarón’s Roma, like his previous two Mexican films, is troubled by class. This is a…
By Olivia Cosentino* This take on Roma avoids both hyperbolic latitudes and hyperbolic criticisms, with the following exception: Roma is…
Edited by Dolores Tierney* and Guest Editor Olivia Cosentino Today, after its wins for Best Screenplay and Best Director at…
by Paul Julian Smith* In her interview with Alfonso Cuarón in Letras Libres, Mexico City-based critic Fernanda Solórzano begins by…
Mediático is delighted to present an entry from one of its distinguished contributing editors, Professor Catherine L. Benamou who teaches…
Today, Mediático is delighted to belatedly present for Black History Month three excellent film essays and accompanying text by…
Today, Mediático proudly celebrates its fourth birthday! As our readership tops 50,000, we, its editors, would like to say a big…
Today, Mediático is thrilled to present, below, the full-length version of an award-winning film it flagged up in one of its…
Mediático is delighted to present a Latin American Women’s Filmmaking Manifesto by Deborah Shaw, Reader in Film Studies at the University of…
