A list of links to openly accessible online studies, or performances, of queer ‘reading’.

Curated in memory of Alexander Doty.

• John S. Bak, ‘Suddenly Last Supper: Religious Acts and Race Relations – Tennessee Williams’s ‘Desire’, Journal of Religion and Theatre, Vol. 4, No. 2, Fall 2005
• John Bannister, ‘Charles Hawtrey, Kenneth Williams, and Susan Sontag: Campaigners of Camp and the Carry On films’, Forum, Issue 4, Spring 2007
• Richard C. Bartone, ‘Film Actors: Gay Male’, glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture, 2002
• Harry Benshoff, ‘[Review] of Flaming Classics: Queering the Film Canon by Alexander Doty’, Scope, August 2001
• Jenna Bond, ‘Homosexuality and the Italian Spaghetti Western’, Offscreen, November 30, 2007
• Orla Juliette Borreye, ‘The Significance Of The Queer And The Dog In Alejandro González Iñárritu’s Amores Perros (2000): A Masculinity At War’, Wide Screen Journal, Vol. 1, No. 1, 2009
• Michael Bronski, ‘From The Celluloid Closet to Brokeback Mountain: The Changing Nature of Queer Film Criticism’, Cineaste, 2008
• Vincent Brook and Allan Campbell, ‘“Pansies don’t float”– gay representability, film noir, and The Man Who Wasn’t There’, Jump Cut, 46, Summer 2003
• Shannon Brownlee, ‘Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff’, Animation Studies Online Journal, Vol. 6, September 2011
• Kathy Burdette, ‘Queer Film Theory – Bibliography’
• Alain Chouinard, ‘Queering the Québécois and Canadian Child in Jean-Claude Lauzon’s Léolo’, Synoptique, 13, February 2009
• Lesley Chow, ‘The Double Standard: The Twins of Two-Faced Woman and Sylvia Scarlett,’ Bright Lights Film Journal, Issue 59, February 2008
• Douglas Crimp, ‘Getting the Warhol we Deserve: Cultural Studies and Queer Culture’, Invisible Culture: An Electronic Journal for Visual Studies, 1999
• Zachary Dorsey, ‘ Slick Moves: Queer Fight Choreography in The Transporter’, In Media Res, December 5, 2007
• Alexander Doty, ‘I Love Shari: My Queerly Feminist Life with TV’, Republished in FlowTV, August 7, 2012
• Alexander Doty, ‘Modern Family, Glee, and the Limits of Television Liberalism’, Republished by FlowTV, August 7, 2012
• Alexander Doty, ‘Hot in Cleveland: Everything Old is New Again?’, Republished in FlowTV, August 7, 2012
• Richard Dyer, ‘Homosexuality in Film Noir’, Jump Cut,No. 16, 1977
• Brett Farmer and Stacy Wolf, ‘Stage Door Jennies’, Genders OnLine Journal, 38, 2003
• Jane Gaines, ‘Dorothy Arzner’s trousers’, Jump Cut, 37, July 1992
• Jane Gaines, ‘Deviant Eyes, Deviant Bodies: Queering Feminist Film Theory’, Jump Cut, 41, May 1997
• ‘Gays, Lesbian, and Transgendered People in Motion Pictures: A Bibliography of Materials in the UC Berkeley Library’
• David Gerstner, ‘Queer Modernism: The Cinematic Aesthetics of Vincente Minnelli’, Modernity, Vol. 2, 2000
• Andrew Grossman, ‘Film Sissies’, glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture, 2002
• Catherine Grant, ‘…Skipping ROPE (Through Hitchcock’s Joins)’, Frames, 1, 2012
• Catherine Grant, ‘Our Beautiful Wickedness: On Reading Films Queerly. In Memory of Alexander Doty’, Film Studies For Free, August 13, 2012 
• Catherine Grant, ‘Framing Incandescence: Elizabeth Taylor in JANE EYRE’, Film studies For Free, April 7, 2011
• David Greven, American Medusa: Bette Davis, Beyond the Forest, femininity, and Camp’, Jump Cut, 46, Summer 2003
• Todd Haynes interviewed by Richard Dyer (June 4, 2004)
• Bradley High,’Boys Will Be Boys With Boys: the Real and queer subjectivity in film’, Reconstruction Vol. 9, No. 3, 2009
• Henry Jenkins et al, ‘Acafandom and Beyond: Alex Doty, Abigail De Kosnik, and Jason Mittell (Part One)’, Confessions of an Acafan, September 28, 2011
• Henry Jenkins et al, ‘Acafandom and Beyond: Alex Doty, Abigail De Kosnik, and Jason Mittell (Part Two)’, Confessions of an Acafan, September 30, 2011
• Peter Kemp, ‘Bi-Polar Gender-Blender: Sylvia Scarlett,’ Senses of Cinema 22, Sept-Oct 2002
• Ewan Kirkland, ‘Romantic Comedy and the Construction of Heterosexuality’, Scope Issue 9, 2007
• Carolyn Kraus, ‘Transexuality in Film’, glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture, 2002
• Cheuk Yin Li, ‘The Absence of Fan Activism in the Queer Fandom of Ho Denise Wan See (HOCC) in Hong Kong’, edited by Henry Jenkins and Sangita Shresthova, special issue, Transformative Works and Cultures, no. 10, 2012
• Dennis Lo, ‘The Politics and Aesthetics of “Asian American” Sexuality in Ang Lee’s Cross-Cultural Family Dramas: A Case Study on The Wedding Banquet and The Ice Storm’, Stanford Journal of Asian American Studies, Vol. 1, 2008
• Patricia MacCormack, ‘Barbara Steele’s Ephemeral Skin: Feminism, Fetishism, and Film’, Senses of Cinema, September 2002
• James MacDowell, ‘What Value is There in Gus Van Sant’s Psycho?’, Offscreen Journal, Vol. 9, Issue 7, 2005
• Stephen Maddison, ‘Pedro Almodóvar and Women on the Verge of a Nervous Breakdown: the Heterosocial Spectator and Misogyny’, Chapter 4 of Fags, hags, and queer sisters : gender dissent and heterosocial bonds in gay culture (New York : St. Martin’s, 2000)
• Joseph McBride, ‘George Cukor: The Valor of Discretion’, Bright Lights Film Journal, Issue 32, April 2001
• Deborah Mellamphy, ‘The Paradox Of Transvestism In Tim Burton’s Ed Wood’, Wide Screen Journal, Vol. 1, No. 1, 2009 
• Gary Morris, ‘Film Noir’, glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture, 2002
• Matthew Ogonofski, ‘Queering the Heterosexual Male in Canadian Cinema: An Analysis of Jean-Claude Lauzon’s Léolo’, Synoptique, 13, February 2009
• Rebecca Panosky, ‘Dorothy Arzner and Gender Representation.” In: “International Female Film Directors: Their Contributions to the Film Industry and Women’s Roles in Society.” Chapter 4 of e-Thesis
• Susan Pelle and Catherine Fox, ‘Queering Desire / Querying Consumption: Rereading Visual Images of ‘Lesbian’ Desire in Lisa Cholodenko’s High Art’, Third Space, Vol. 6 Issue 1, Summer 2006
• Ryan Powell, ‘Putting on the Red Dress: Performative Camp in Douglas Sirk’s All That Heaven Allows,’ Forum, Issue 4, Spring 2007
• Kate Rennebohm, ‘Queering Childhood: An Examination of Claude Jutra’s Dreamspeaker’, Synoptique, 13, Feburary 2009
• Elena del Rio, ‘Performing the Narrative of Seduction: Claire Denis’s Beau Travail’, Kinoeye, Vol. 3, Issue 7, Spring 2003
• Julian Savage, ‘The Conscious Collusion of the Stare: The Viewer Implicated in Fassbinder’s Fear Eats the Soul,’ Senses of Cinema, 16, Sept-Oct 2001
• Steven Jay Schneider, ‘A Tale of Two Psychos’, Senses of Cinema, 2000
• Ian Scott Todd, ‘Outside/In: Abjection, Space, and Landscape in Brokeback Mountain’, Scope13, February 2009
• Eve Kosofsky Sedgwick, ‘Paranoid reading and reparative reading, or, You’re so paranoid, you probably think this introduction is about you’, Novel gazing : queer readings in fiction / edited by Eve Kosofsky Sedgwick (Durham: Duke University Press, 1997)
• Craig Snyder, ‘Fear and loathing on Brokeback Mountain’, Jump Cut, 53, Summer 2011
• Carter Soles, ‘A stalker’s odyssey: arrested development, gay desire, and queer comedy in Chuck&Buck’, Jump Cut, 49, 2007
• Carter Michael Soles, Falling Out of the Closet: Kevin Smith, Queerness, and Independent Film, e-Thesis University of Oregon, 2008
• Irini Stamatopoulos, ‘Ang Lee’s Cowboys’, Offscreen Journal, Volume 11, Issue 2 (February 28, 2007)
• K. E. Sullivan, ‘Ed Gein and the Figure of the Transgendered Serial Killer’, from Jump Cut, no. 43, July 2000, pp. 38-47
• Teresa Theophano, ‘Film Actors: Lesbian’, glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture, 2002
• Donato Totaro, ‘Psycho Redux’, Offscreen Journal, 2004
• Evangelos Tziallas, ‘Looking Beneath the Skin: Reconfiguring Trauma and Sexuality’, Stream: A Graduate Journal of Communication, Spring 2008 1(1)
• Stacy Wolf, ‘Barbra’s “Funny Girl” Body’, S[&]F Online, 3.3 and 4.1, Fall 2005
• Amy Villarejo, ‘Interview with Tish Pearlman for Out of Bounds/Cornell University’ [about Queer film and queer film theory] RealPlayer file, 29 mins 30 seconds
• Nicholas de Villiers, ‘Glancing, Cruising, Staring: Queer Ways of Looking’, Bright Lights Film Journal, Issue 57, August 2007
• Nicholas de Villiers, ‘”The vanguard – and the most articulate audience”: Queer Camp, Jack Smith and John Waters’, Forum, Issue 4, Spring 2007

The collections of links to resources gathered here are curated by Catherine Grant (University of Sussex and Film Studies For Free). They are shared under a Creative Commons Attribution-NonCommercial-ShareAlike License.

News of significant updates will be posted first at the GQC blog.

If you have suggestions for further links (including to studies in languages other than English), or further links categories, or, indeed, any offers of help with, or feedback about, the above, please email us at gqcproject[at]gmail[dot]com. Thank you.