{"id":53,"date":"2018-10-30T18:41:17","date_gmt":"2018-10-30T18:41:17","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/testsite\/?page_id=53"},"modified":"2019-08-20T20:02:02","modified_gmt":"2019-08-20T20:02:02","slug":"audience-2","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/audience-2\/","title":{"rendered":"3. Audience"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-302\" src=\"http:\/\/reframe.sussex.ac.uk\/yourearsonly\/files\/2019\/01\/final_audience-1.jpg\" alt=\"\" width=\"8333\" height=\"4725\" srcset=\"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/files\/2019\/01\/final_audience-1.jpg 8333w, https:\/\/reframe.sussex.ac.uk\/yourearsonly\/files\/2019\/01\/final_audience-1-300x170.jpg 300w, https:\/\/reframe.sussex.ac.uk\/yourearsonly\/files\/2019\/01\/final_audience-1-768x435.jpg 768w, https:\/\/reframe.sussex.ac.uk\/yourearsonly\/files\/2019\/01\/final_audience-1-1024x581.jpg 1024w\" sizes=\"auto, (max-width: 8333px) 100vw, 8333px\" \/><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-53-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/files\/2019\/07\/FYEO_S01E03.mp3?_=1\" \/><a href=\"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/files\/2019\/07\/FYEO_S01E03.mp3\">https:\/\/reframe.sussex.ac.uk\/yourearsonly\/files\/2019\/07\/FYEO_S01E03.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">The American audio artist Gregory Whitehead famously described the radio audience as an electronic play of \u201cfar-flung bodies unknown to each other\u201d (<i>Wireless Imagination<\/i>,1992).\u00a0 But the podcast audience, deeply connected to the programmes, the producers and each other through the multilayered online platforms of wikis, Instagram, Reddit and Twitter (the social media milieu into which podcasting itself was born), seems to have formed more tangible \u201ccommunities\u201d that are particularly notable around live recording events.\u00a0 Here\u00a0<i>For Your Ears Only<\/i>\u00a0examines podcast Twitter feeds and listens to producers to quantitatively and qualitatively describe podcast audiences as distinct from radio ones and different from each other.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Today\u2019s podcasters have transformed the passivity of listening into the engagement of fandom. With live events, social media chatter, T-shirt sales and fan art, there is now an active exchange of ideas between audio producers and audiences. In this episode we look into how audiences engage with podcasts differently and hear thoughts from KC Wayland, Helen Zaltzman, Joseph Fink, and Jeffrey Cranor.<\/span><\/p>\n<p><em>Release Date: 11th February 2019<\/em><\/p>\n<h4>Credits<\/h4>\n<p><span style=\"font-weight: 400\">Written &amp; presented by Lance Dann &amp; Martin Spinelli<\/span><\/p>\n<p><span style=\"font-weight: 400\">Produced by Ella Gray Thomas &amp; Jack F Jewers<\/span><\/p>\n<p><span style=\"font-weight: 400\">Sound by Andrew Duff<\/span><\/p>\n<p><span style=\"font-weight: 400\">Voice acting by Rachael Sparkes &amp; Eion Mckenna<\/span><\/p>\n<p><span style=\"font-weight: 400\">Executive produced by Martin Spinelli<\/span><\/p>\n<p><span style=\"font-weight: 400\">Interview contributors: Alan Hall, Jad Abumrad, KC Wayland, Joseph Fink and Jeffrey Cranor &amp; Helen Zaltzman. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Clips featured: <em>Welcome to Night Vale <\/em>(\u2018<\/span><a href=\"https:\/\/soundcloud.com\/nightvaleradio\/1-pilot-1\"><span style=\"font-weight: 400\">Pilot<\/span><\/a><span style=\"font-weight: 400\">\u2019<\/span><span style=\"font-weight: 400\">)<\/span><\/p>\n<p><span style=\"font-weight: 400\"><em>For Your Ears Only<\/em>\u00a0was produced with the support of Arts Council England, Bloomsbury Academic, the University of Sussex, Brighton University, and the British Academy.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Twitter: <\/span><a href=\"https:\/\/twitter.com\/earsonlypodcast\"><span style=\"font-weight: 400\">@earsonlypodcast<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">Instagram: <\/span><a href=\"https:\/\/www.instagram.com\/earsonlypodcast\/\"><span style=\"font-weight: 400\">@earsonlypodcast<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; The American audio artist Gregory Whitehead famously described the radio audience as an electronic play of \u201cfar-flung bodies unknown <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/audience-2\/\">Continue Reading<span class=\"screen-reader-text\">3. Audience<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":15,"featured_media":465,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-53","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Palvyd-R","_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/wp-json\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":28,"href":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/wp-json\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":601,"href":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/wp-json\/wp\/v2\/pages\/53\/revisions\/601"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/wp-json\/wp\/v2\/media\/465"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/yourearsonly\/wp-json\/wp\/v2\/media?parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}