{"id":266,"date":"2012-12-18T11:37:16","date_gmt":"2012-12-18T11:37:16","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/sequence\/?page_id=266"},"modified":"2015-10-21T11:55:27","modified_gmt":"2015-10-21T11:55:27","slug":"ebooks","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/sequence\/ebooks\/","title":{"rendered":"eBook Publications"},"content":{"rendered":"<div id=\"metaslider-id-487\" style=\"max-width: 265px; margin: 0 auto;\" class=\"ml-slider-3-105-0 metaslider metaslider-nivo metaslider-487 ml-slider ms-theme-default\" role=\"region\" aria-label=\"eBook array\" data-height=\"374\" data-width=\"265\">\n    <div id=\"metaslider_container_487\">\n        <div class='slider-wrapper theme-default'><div class='ribbon'><\/div><div id='metaslider_487' class='nivoSlider'><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/ebooks\/\" target=\"_self\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/Screen-Shot-2013-10-04-at-16.06.411-265x374.png\" height=\"374\" width=\"265\" alt=\"\" class=\"slider-487 slide-490 msDefaultImage\" \/><\/a><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/ebooks\/\" target=\"_self\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/Screen-Shot-2013-10-04-at-16.12.15-265x374.png\" height=\"374\" width=\"265\" alt=\"\" class=\"slider-487 slide-491 msDefaultImage\" \/><\/a><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence3\/about\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/reframe.sussex.ac.uk\/sequence\/files\/2015\/10\/Screen-Shot-2015-10-18-at-15.53.25-265x374.png\" height=\"374\" width=\"265\" alt=\"\" class=\"slider-487 slide-588 msDefaultImage\" \/><\/a><\/div><\/div>\n        \n    <\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>Each installment in <a href=\"http:\/\/http:\/\/reframe.sussex.ac.uk\/sequence\/about-sequence\/\">SEQUENCE Serial Studies in Media, Film and Music<\/a> is <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/about-sequence\/\" target=\"_blank\"><em>sequentially<\/em><\/a> and <a href=\"http:\/\/http:\/\/reframe.sussex.ac.uk\/sequence\/about-sequence\/\" target=\"_blank\"><em>cumulatively<\/em><\/a> made freely available in a variety of eReading formats following its initial <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/sequence-archive\/\" target=\"_blank\">web publication<\/a>.<\/p>\n<p><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/\" target=\"_blank\">SEQUENCE One: Planet Melancholia, 2012<\/a><\/strong><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-1-melancholia-or-the-romantic-anti-sublime\/\" target=\"_blank\"><strong>Steven Shaviro, \u2018MELANCHOLIA, or, The Romantic Anti-Sublime\u2019, <em>SEQUENCE<\/em>, 1.1, 2012<\/strong><\/a> is available in the following free eBook versions:<\/p>\n<p style=\"padding-left: 30px;\"><strong><a title=\"ebook in mobi format\" href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/12\/MELANCHOLIA-or-The-Romantic-Anti-Sublime-SEQUENCE-1.1-2012-Steven-Shaviro.mobi\">MOBI<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a title=\"ebook epub format\" href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/12\/MELANCHOLIA-or-The-Romantic-Anti-Sublime-SEQUENCE-1.1-2012-Steven-Shaviro.epub\">EPUB<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 <a title=\"ebook pdf format\" href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/12\/MELANCHOLIA-or-The-Romantic-Anti-Sublime-SEQUENCE-1.1-2012-Steven-Shaviro.pdf\">PDF<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/MELANCHOLIA-or-The-Romantic-Anti-Sublime-SEQUENCE-1.1-2012-Steven-Shaviro.azw3\">Kindle (azw3)<\/a><\/strong><\/p>\n<p style=\"padding-left: 30px;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-2-an-allegory-of-a-therapeutic-reading\/\" target=\"_blank\">Rupert Read,&#8217;An Allegory of a \u2018Therapeutic\u2019 Reading of a Film: Of MELANCHOLIA&#8217;,\u00a0<em>SEQUENCE<\/em> 1.2 2014<\/a>\u00a0<\/strong>\u00a0is available in the following free eBook versions:<\/p>\n<p style=\"padding-left: 30px;\">MOBI\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0EPUB<strong>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/12\/SEQUENCE-1.2-2014-SEQUENCE-One.pdf\" target=\"_blank\">PDF\u00a0<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>\u00a0Kindle (azw3)<\/p>\n<p style=\"padding-left: 30px;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-3-post-cinematic-atavism\" target=\"_blank\">Richard Grusin, \u2018Post-Cinematic Atavism\u2019,\u00a0<em>SEQUENCE<\/em>, 1.3, 2014<\/a>\u00a0<\/strong>is available in the following free eBook versions:<\/p>\n<p style=\"padding-left: 30px;\">MOBI\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0EPUB<strong>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/12\/SEQUENCE-1.3-2014-SEQUENCE-One.pdf\" target=\"_blank\">PDF<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>\u00a0Kindle (azw3)<\/p>\n<p style=\"padding-left: 30px;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-4-primordigital-cinema\/\" target=\"_blank\">Selmin Kara, \u2018<span dir=\"ltr\">BEASTS OF THE DIGITAL WILD: Primordigital Cinema and the Question of Origins<\/span>\u2019,\u00a0<em>SEQUENCE<\/em>, 1.4, 2014<\/a>\u00a0<\/strong>is available in the following free eBook versions:<\/p>\n<p style=\"padding-left: 30px;\">MOBI\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0EPUB<strong> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/12\/SEQUENCE-1.4-2014-_-SEQUENCE-One.pdf\" target=\"_blank\">PDF<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Kindle (azw3)<\/p>\n<p><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/\"><strong>SEQUENCE Two: We Need to Talk about Maternal Melodrama<\/strong><\/a><\/p>\n<p style=\"text-align: left; padding-left: 30px;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-1\/\" target=\"_blank\">Sue Thornham&#8217;s \u2018A HATRED SO INTENSE\u2026.: <i>We Need to Talk about Kevin<\/i>, Postfeminism and Women\u2019s Cinema\u2019, <em>SEQUENCE<\/em>, 2.1, 2013<\/a><\/strong>\u00a0is\u00a0available in the following free eBook versions:<\/p>\n<p style=\"text-align: left; padding-left: 30px;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/SEQUENCE-2.1-2013-We-Need-to-Talk-about-Sue-Thornham.mobi\">MOBI\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/SEQUENCE-2.1-2013-We-Need-to-Talk-about-Sue-Thornham.epub\">EPUB<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/SEQUENCE-2.12013.pdf\">PDF<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/SEQUENCE-2.1-2013-We-Need-to-Talk-about-Sue-Thornham.azw3\">Kindle (azw3)<\/a><\/strong><\/p>\n<p style=\"padding-left: 30px;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-2\/\" target=\"_blank\">Pam Cook&#8217;s \u2018TEXT, PARATEXT AND SUBTEXT:\u00a0Reading\u00a0<em>Mildred Pierce\u00a0<\/em>as Maternal Melodrama\u2019,\u00a0<em>SEQUENCE<\/em>, 2.2, 2015<\/a><\/strong>\u00a0is\u00a0available in the following free eBook versions:<\/p>\n<p style=\"text-align: left; padding-left: 30px;\"><strong>MOBI\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0EPUB\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2015\/10\/Pam_Cook_SEQUENCE_Two_2_2_2015_v2.pdf\"><strong>PDF<\/strong><\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Kindle (azw3)<\/strong><\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence3\/\" target=\"_blank\"><strong>SEQUENCE Three:<em>\u00a0<\/em>Re\/De-Composition: Sampling, Mashups, Remix, Glitch<\/strong><\/a><\/p>\n<p style=\"padding-left: 30px;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence3\/archive\/sequence-3-1\/\" target=\"_blank\">Albertine Fox&#8217;s \u2018EXTREME STATES:\u00a0Remixing Cinema, Visual Art and Music in Godard\u2019s\u00a0<em>Puissance de la parole<\/em>\u2019,\u00a0<em>SEQUENCE<\/em>, 3.1, 2015.<\/a><\/strong> will be available in the following free eBook versions in due course:<\/p>\n<p style=\"text-align: left; padding-left: 30px;\"><strong>MOBI\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0EPUB\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<strong>PDF<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Kindle (azw3)<\/strong><\/p>\n<p><em>INSTRUCTIONS: To open\u00a0<em>one of the above<\/em> in your chosen mobile or tablet eReading application, directly select it and follow instructions<strong>. <\/strong><\/em><em>To download a version to your computer, right click on it and choose SAVE LINK AS, then open the saved file in your eReading application. With Kindle formats, you should also be able to access the eBook via a Kindle web browser &#8211; from the browser just click on the link and follow any instructions.<\/em><\/p>\n<p><em>IMPORTANT: The above free files have been tested by\u00a0<\/em><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/\">SEQUENCE<\/a><em> for their functionality, and are offered in good faith, <\/em>as is<em>. Your choice to access them by clicking on the above links, indicates your full acknowledgement and agreement that <\/em><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/\">SEQUENCE<\/a><em>, <\/em><a href=\"http:\/\/reframe.sussex.ac.uk\/\">REFRAME<\/a><em> and the University of Sussex shall not be responsible or liable, directly or indirectly, for any damage or loss caused or alleged to be caused by or in connection with your use of or reliance on them.<br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Each installment in SEQUENCE Serial Studies in Media, Film and Music is sequentially and cumulatively made freely available in <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/sequence\/ebooks\/\">Continue Reading<span class=\"screen-reader-text\">eBook Publications<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-266","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2GJOL-4i","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/pages\/266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/comments?post=266"}],"version-history":[{"count":89,"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/pages\/266\/revisions"}],"predecessor-version":[{"id":611,"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/pages\/266\/revisions\/611"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/media?parent=266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}