{"id":250,"date":"2012-09-06T10:26:59","date_gmt":"2012-09-06T10:26:59","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/sequence\/?page_id=250"},"modified":"2021-07-27T14:14:17","modified_gmt":"2021-07-27T14:14:17","slug":"sequence-archive","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/sequence\/sequence-archive\/","title":{"rendered":"Archive"},"content":{"rendered":"<p style=\"text-align: left;\"><div id=\"metaslider-id-487\" style=\"max-width: 265px; margin: 0 auto;\" class=\"ml-slider-3-107-0 metaslider metaslider-nivo metaslider-487 ml-slider ms-theme-default\" role=\"region\" aria-label=\"eBook array\" data-height=\"374\" data-width=\"265\">\n    <div id=\"metaslider_container_487\">\n        <div class='slider-wrapper theme-default'><div class='ribbon'><\/div><div id='metaslider_487' class='nivoSlider'><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/ebooks\/\" target=\"_self\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/Screen-Shot-2013-10-04-at-16.06.411-265x374.png\" height=\"374\" width=\"265\" alt=\"\" class=\"slider-487 slide-490 msDefaultImage\" \/><\/a><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/ebooks\/\" target=\"_self\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/Screen-Shot-2013-10-04-at-16.12.15-265x374.png\" height=\"374\" width=\"265\" alt=\"\" class=\"slider-487 slide-491 msDefaultImage\" \/><\/a><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence3\/about\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/reframe.sussex.ac.uk\/sequence\/files\/2015\/10\/Screen-Shot-2015-10-18-at-15.53.25-265x374.png\" height=\"374\" width=\"265\" alt=\"\" class=\"slider-487 slide-588 msDefaultImage\" \/><\/a><\/div><\/div>\n        \n    <\/div>\n<\/div><\/p>\n<p style=\"text-align: left;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/\" target=\"_blank\" rel=\"noopener\">SEQUENCE One: Planet Melancholia, 2012-present<\/a><\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-1-melancholia-or-the-romantic-anti-sublime\/#section9\" target=\"_blank\" rel=\"noopener\">Steven Shaviro, \u2018MELANCHOLIA, or, The Romantic Anti-Sublime\u2019, <em>SEQUENCE<\/em>, 1.1 (2012)<\/a>. Online at: <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-1-melancholia-or-the-romantic-anti-sublime\/\">http:\/\/reframe.sussex.ac.uk\/sequence1\/1-1-melancholia-or-the-romantic-anti-sublime\/<\/a><strong><a title=\"ebook pdf format\" href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/12\/MELANCHOLIA-or-The-Romantic-Anti-Sublime-SEQUENCE-1.1-2012-Steven-Shaviro.pdf\"> PDF<\/a><\/strong><\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-2-an-allegory-of-a-therapeutic-reading\/\" target=\"_blank\" rel=\"noopener\">Rupert Read, \u2018An allegory of a \u2018therapeutic\u2019 reading of a film: Of MELANCHOLIA\u2019, <em>SEQUENCE<\/em>, 1.2 (2014)<\/a>. Online at: <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-2-an-allegory-of-a-therapeutic-reading\/\" target=\"_blank\" rel=\"noopener\">http:\/\/reframe.sussex.ac.uk\/sequence1\/1-2-an-allegory-of-a-therapeutic-reading\/<\/a><strong>\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/12\/SEQUENCE-1.2-2014-SEQUENCE-One.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/strong><\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-3-post-cinematic-atavism\" target=\"_blank\" rel=\"noopener\">Richard Grusin, \u2018Post-Cinematic Atavism\u2019, <em>SEQUENCE<\/em>, 1.3 (2014)<\/a>. Online at: <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-3-post-cinematic-atavism\" target=\"_blank\" rel=\"noopener\">http:\/\/reframe.sussex.ac.uk\/sequence1\/1-3-post-cinematic-atavism\/<\/a>\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/12\/SEQUENCE-1.3-2014-SEQUENCE-One.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/strong><\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-4-primordigital-cinema\/\" target=\"_blank\" rel=\"noopener\">Selmin Kara, \u2018<span dir=\"ltr\">BEASTS OF THE DIGITAL WILD: Primordigital Cinema and the Question of Origins<\/span>\u2019, <em>SEQUENCE<\/em>, 1.4, 2014<\/a>. Online at: <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence1\/1-4-primordigital-cinema\/\" target=\"_blank\" rel=\"noopener\">http:\/\/reframe.sussex.ac.uk\/sequence1\/1-4-primordigital-cinema\/<\/a>\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2015\/10\/Pam_Cook_SEQUENCE_Two_2_2_2015_v2.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/strong><\/li>\n<\/ul>\n<p style=\"text-align: left;\"><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/\" target=\"_blank\" rel=\"noopener\"><strong>SEQUENCE Two: We Need to Talk about Maternal Melodrama, 2013-present<\/strong><\/a><\/p>\n<ul>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-1\/\" target=\"_blank\" rel=\"noopener\">Sue Thornham, \u2018A HATRED SO INTENSE\u2026.: <i>We Need to Talk about Kevin<\/i>, Postfeminism and Women\u2019s Cinema\u2019, <em>SEQUENCE<\/em>, 2.1 (2013)<\/a>. Online at:\u00a0 <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-1\/\" target=\"_blank\" rel=\"noopener\">http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-1\/<\/a>\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2013\/10\/SEQUENCE-2.12013.pdf\">PDF<\/a>\u00a0<\/strong><\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-2\/\" target=\"_blank\" rel=\"noopener\">Pam Cook, &#8216;TEXT, PARATEXT AND SUBTEXT:\u00a0Reading\u00a0<em>Mildred Pierce\u00a0<\/em>as Maternal Melodrama&#8217;, <em>SEQUENCE<\/em>, 2.2 (2015)<\/a>. Online at\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-2\/\" target=\"_blank\" rel=\"noopener\">http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-2\/<\/a>\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2012\/09\/Pam_Cook_SEQUENCE_Two_2_2_2015.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/strong><\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-3\/\">Mandy Merck, \u2018NEGATIVE OEDIPUS: <em>Carol<\/em> as Lesbian Romance and Maternal Melodrama\u2019, <em>SEQUENCE: Serial Studies in Media, Film and Music<\/em><\/a><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-3\/\">, 2.3, 2017.<\/a> ISSN 2052-3033 (Online). Online at:\u00a0 <a href=\"http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-3\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/reframe.sussex.ac.uk\/sequence2\/archive\/sequence-2-3\/\u00a0<\/a>[Published on August 4, 2017].<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence3\/about\/\" target=\"_blank\" rel=\"noopener\">SEQUENCE Three:\u00a0Re\/De-Composition: Sampling, Mashups, Remix, Glitch, 2015-present<\/a><\/strong><\/p>\n<ul>\n<li style=\"text-align: left;\"><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence3\/archive\/sequence-3-1\/\" target=\"_blank\" rel=\"noopener\">Albertine Fox, \u2018EXTREME STATES:\u00a0Remixing Cinema, Visual Art and Music in Godard\u2019s\u00a0<em>Puissance de la parole<\/em>\u2019,\u00a0<em>Sequence<\/em>, 3.1, 2015.<\/a> Online at: \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence3\/archive\/sequence-3-1\/\" target=\"_blank\" rel=\"noopener\">http:\/\/reframe.sussex.ac.uk\/sequence3\/archive\/sequence-3-1\/<\/a>\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/files\/2016\/04\/SEQUENCE-3.1-2015-Fox.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/strong><\/li>\n<\/ul>\n<p style=\"text-align: left;\"><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence4\/\" target=\"_blank\" rel=\"noopener\">SEQUENCE Four: Analogue-Digital, 2016-present<\/a><\/strong><\/p>\n<ul>\n<li style=\"text-align: left;\"><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence4\/archive\/sequence-4-1\/\" target=\"_blank\" rel=\"noopener\">Paul Atkinson, \u2018THINKING WITH DIGITS: Cinema and\u00a0the Digital-Analogue Opposition\u2019,\u00a0<em>SEQUENCE<\/em>, 4.1, 2016.<\/a> Online at:\u00a0\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence4\/archive\/sequence-4-1\/\" target=\"_blank\" rel=\"noopener\">http:\/\/reframe.sussex.ac.uk\/sequence4\/archive\/sequence-4-1\/<\/a><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence3\/archive\/sequence-3-1\/\" target=\"_blank\" rel=\"noopener\">.<\/a>\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence4\/files\/2016\/04\/SEQUENCE-4.1-2016-Atkinson.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/strong><\/li>\n<\/ul>\n<p><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence5\/\">SEQUENCE Five: About Silence, 2016&#8211;present<\/a><\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence5\/archive\/sequence-5-1\/\">Liz Greene, \u2018Silence\u2019,\u00a0<em>SEQUENCE<\/em>\u00a05.1, 2016.<\/a> Online at:<br \/>\n<span id=\"sample-permalink\"><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence5\/archive\/sequence-5-1\/\">http:\/\/reframe.sussex.ac.uk\/sequence5\/archive\/<span id=\"editable-post-name\">sequence-5-1<\/span>\/<\/a><\/span>\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence5\/files\/2016\/06\/Greene_SEQUENCE_5-1_2016.pdf\">PDF<\/a>\u00a0\/\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence5\/files\/2016\/06\/sequence-5-1-2.epub\">EPUB<\/a>\u00a0\/\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence5\/files\/2016\/06\/sequence-5-1-2.mobi\">MOBI<\/a>\u00a0<\/strong>(click to download)<\/li>\n<\/ul>\n<p><strong>NEW! <a href=\"https:\/\/reframe.sussex.ac.uk\/sequence6\/\">SEQUENCE Six: Handling Philosophy \u2013 Transforming ideas through creative practice, <\/a>2021-present<\/strong><\/p>\n<ul>\n<li>Joanna Callaghan, \u2018Ontological Narratives: ways of being in film\u2018,\u00a0<em>SEQUENCE<\/em>\u00a06.1, 2021. Online at\u00a0<a href=\"https:\/\/reframe.sussex.ac.uk\/sequence6\/sequence-6-1\/\">https:\/\/reframe.sussex.ac.uk\/sequence6\/sequence-6-1\/\u00a0<\/a><strong><a href=\"https:\/\/reframe.sussex.ac.uk\/sequence6\/files\/2021\/07\/SEQUENCE-Six-6.1.pdf\">PDF<\/a> <\/strong>(click to download)<\/li>\n<\/ul>\n<p>Each installment in\u00a0<a href=\"http:\/\/http:\/\/reframe.sussex.ac.uk\/sequence\/about-sequence\/\">SEQUENCE Serial Studies in Media, Film and Music<\/a>\u00a0is\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/about-sequence\/\" target=\"_blank\" rel=\"noopener\"><em>sequentially<\/em><\/a>\u00a0and\u00a0<a href=\"http:\/\/http:\/\/reframe.sussex.ac.uk\/sequence\/about-sequence\/\" target=\"_blank\" rel=\"noopener\"><em>cumulatively<\/em><\/a>\u00a0made freely available in a variety of\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/sequence-ebooks\/\" target=\"_blank\" rel=\"noopener\">eReading formats<\/a>\u00a0in addition to the initial\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/sequence-archive\/\" target=\"_blank\" rel=\"noopener\">web publication<\/a>. Please\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/sequence\/sequence-ebooks\/\" target=\"_blank\" rel=\"noopener\">click here<\/a><\/strong>\u00a0to access these.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SEQUENCE One: Planet Melancholia, 2012-present Steven Shaviro, \u2018MELANCHOLIA, or, The Romantic Anti-Sublime\u2019, SEQUENCE, 1.1 (2012). Online at: http:\/\/reframe.sussex.ac.uk\/sequence1\/1-1-melancholia-or-the-romantic-anti-sublime\/ PDF Rupert <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/sequence\/sequence-archive\/\">Continue Reading<span class=\"screen-reader-text\">Archive<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-250","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2GJOL-42","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/pages\/250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/comments?post=250"}],"version-history":[{"count":49,"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/pages\/250\/revisions"}],"predecessor-version":[{"id":891,"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/pages\/250\/revisions\/891"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/sequence\/wp-json\/wp\/v2\/media?parent=250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}