{"id":325,"date":"2016-04-11T08:00:01","date_gmt":"2016-04-11T08:00:01","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/?p=325"},"modified":"2016-04-11T08:52:48","modified_gmt":"2016-04-11T08:52:48","slug":"transcribing-lacans-seminars-by-marie-pierrakos-review-by-will-greenshields","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/2016\/04\/11\/transcribing-lacans-seminars-by-marie-pierrakos-review-by-will-greenshields\/","title":{"rendered":"TRANSCRIBING LACAN\u2019S SEMINARS \u2013 MEMOIRS OF A DISGRUNTLED KEYBASHER TURNED PSYCHOANALYST by Marie Pierrakos, Review by Will Greenshields"},"content":{"rendered":"<p><a href=\"http:\/\/freeassociationpublishing.com\/dd-product\/transcribing-lacans-seminars\/\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-329 size-full\" src=\"http:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/41Y3ZMZNTML.jpg\" alt=\"\" width=\"339\" height=\"500\" srcset=\"https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/41Y3ZMZNTML.jpg 339w, https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/41Y3ZMZNTML-203x300.jpg 203w\" sizes=\"auto, (max-width: 339px) 100vw, 339px\" \/><\/a><\/p>\n<p><em>Transcribing Lacan\u2019s Seminars \u2013 Memoirs of a Disgruntled Keybasher Turned Psychoanalyst<\/em> by Marie Pierrakos (London: Free Association Books, 2006).<\/p>\n<p><em>Reviewed by Will Greenshields<\/em><\/p>\n<p>In 1971-1972 Lacan gave a series of lectures at the <em>Sainte-Anne <\/em>psychiatric hospital where he had begun his teaching in 1953 before being \u2018excommunicated\u2019 by the International Psychoanalytic Association in 1964.\u00a0His intention was to deliver a more digestible complement to the abstruse <em>s\u00e9minaire<\/em> that was to continue at the Panth\u00e9on (<em>Seminar XIX: &#8230;oupire<\/em>).<a href=\"#_edn1\" name=\"_ednref1\">[1]<\/a> Hoping for a different audience to the throng of philosophers and logicians that attended his seminars, Lacan began his first lecture by asking those who were interns at the hospital to raise their hands. He was to be disappointed: an unexpectedly large showing by the usual crowd had left the psychiatrists and psychoanalysts in the minority. Undeterred, Lacan managed to maintain a certain lightness of tone and topic for the first few lectures before the quasi-mathematical scribblings that had become a feature of the seminars began to dominate proceedings. Lacan\u2019s final lecture concluded with the presentation of a nightmarish Greimasian square and a comic dialogue between the deaf and the belligerent:<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review1.png\" rel=\"attachment wp-att-326\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-326\" src=\"http:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review1.png\" alt=\"Greenshields review1\" width=\"939\" height=\"553\" srcset=\"https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review1.png 939w, https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review1-300x177.png 300w, https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review1-768x452.png 768w, https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review1-624x367.png 624w\" sizes=\"auto, (max-width: 939px) 100vw, 939px\" \/><\/a><\/p>\n<p style=\"padding-left: 30px;\">Lacan \u2013 <em>Voil\u00e0<\/em>! I think I\u2019ve done enough for this evening, I do not want to finish on a sensational peroration, but the question that, yes, it is well enough written. Necessary, impossible&#8230;<\/p>\n<p style=\"padding-left: 30px;\">X \u2013 We can\u2019t hear anything!<\/p>\n<p style=\"padding-left: 30px;\">Lacan \u2013 Huh? Necessary, impossible, possible and contingent.<\/p>\n<p style=\"padding-left: 30px;\">X \u2013 We can\u2019t hear anything.<\/p>\n<p style=\"padding-left: 30px;\">Lacan \u2013 I don\u2019t give a damn! <em>Voil\u00e0<\/em>! This is a way of opening things up.<a href=\"#_edn2\" name=\"_ednref2\">[2]<\/a><\/p>\n<p>Transcribing this example of Lacan\u2019s peculiar brand of unaccommodating pedagogy would have been Maria Pierrakos, and it was surely scenes such as this that contributed to the disillusionment and \u2018wrath\u2019<a href=\"#_edn3\" name=\"_ednref3\">[3]<\/a> to which she so artfully testifies in <em>Memoirs of a Disgruntled Keybasher<\/em>. As far as Pierrakos is concerned, this style of presentation \u2013 wherein an obscure compound of letters and jargon is succeeded by a perfunctory \u2018<em>voil\u00e0<\/em>!\u2019, as if to suggest that what\u2019s at stake is supremely obvious \u2013 is most assuredly <em>not <\/em>\u2018a way of opening things up.\u2019 It is a contention that Pierrakos shares with the numerous critics of Lacan\u2019s \u2018dire mastery\u2019<a href=\"#_edn4\" name=\"_ednref4\">[4]<\/a> who have preceded her: there is a familiar periodization of Lacan\u2019s output \u2013 a plaintive reference to the \u2018Glory Days\u2019 of theoretical ingenuity and intellectual excitement that followed in the wake of early <em>\u00e9crits<\/em> is succeeded by the observation that, during the 1970s, \u2018things start[ed] to go off the rails\u2019 (MK: 15). Beyond veiled references to \u2018the Son-in-Law\u2019 (i.e. Jacques-Alain Miller) and \u2018power struggles\u2019 (MK: 8-9), Pierrakos says little about the institutional turbulence that \u00c9lisabeth Roudinesco has so exhaustively documented:<a href=\"#_edn5\" name=\"_ednref5\">[5]<\/a> her subject is instead a particular <em>attitude<\/em>, an irresponsible and uncaring intellectualism, \u2018a certain dryness, disdain, absolutism, a sense of the derisory\u2019 that Lacan stands accused of exemplifying and cultivating (MK: 43). For Pierrakos, \u2018I don\u2019t give a damn!\u2019 is every bit as Lacanian a statement as \u2018<em>il n\u2019y a pas de rapport sexuel<\/em>\u2019; indeed, it is her thesis that\u00a0the former is the ultimate consequence of a discourse that promotes the latter.<\/p>\n<p>Pierrakos is perhaps at her most incisive when discussing the pathetic mock-epics that accompanied Lacan\u2019s later performances like so many symptoms of a greater malaise:<\/p>\n<p style=\"padding-left: 30px;\">On the podium sat the chosen few. So much drama enacted on that stage! For example the comic-ballet <em>The Coat Resplendent<\/em>: who would have the privilege of helping the Master into his coat this week? Or the tragedy of <em>The Lover Spurned<\/em>: I once saw a much-loved disciple literally glowing with His light come to sit at the right hand of the Father. Soon, however, the sun\u2019s rays shone elsewhere, and before my very eyes he withered away; destructured, destroyed within a few weeks; meanwhile another satellite ascended into the firmament. (MK: 9)<\/p>\n<p>Where the author is less convincing is in her interrogation of the malaise itself. This is chiefly due to the book\u2019s brevity: sixty-six pages is simply not sufficient space for a persuasive criticism of a highly complex enterprise that, as Jonathan Scott Lee puts it, by blending \u2018formal mathematical proof (or at least construction), psychoanalytic theory, and even poetry\u2019, offered \u2018something unique in the history not only of psychoanalytic theory but of theoretical writing in general.\u2019<a href=\"#_edn6\" name=\"_ednref6\">[6]<\/a> For Pierrakos, the poetry (i.e. the neologistic puns with which Lacan peppered his speech) was narcissistic drivel that, far from being a harmless indulgence, was employed with the aim of achieving domination over the \u2018dumbfounded\u2019 and \u2018naive disciple\u2019 whilst the mathematical constructions are the products of a \u2018megalomania\u2019 that served only to reduce psychoanalytic theory to a series of abstract axioms (MK: 26-27). \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0However, rather than offering a detailed critique of this discourse, assessing the function of the puns in each text, Pierrakos rips these constructions from their context and lists them: \u2018Punning, spoonerisms, play on words, quips, punctuate the discourse of Lacan. Take the famous \u201cpoubellication\u201d&#8230; [or] siberianetics for the cold logic of cybernetics; Lacan also enjoys talking about looterature [<em>lituraterre<\/em>]\u2019 (MK: 24). Presented in this way, the puns naturally appear undermotivated and silly.<\/p>\n<p>The problem is that Pierrakos sets herself very narrow confines: despite arriving at conclusions about theory and practice, both of these domains are \u2013 as far as discussion is concerned \u2013 off limits:<\/p>\n<p style=\"padding-left: 30px;\">Lacan\u2019s theories as such will not concern me here. (MK: 10).<\/p>\n<p style=\"padding-left: 30px;\">I do not intend to discuss Lacan the psychoanalyst: I was neither in analysis nor in control analysis with him, nor did I personally know any of his patients. (MK: 12)<\/p>\n<p>Pierrakos\u2019 subject matter \u2013 a certain psychoanalytic <em>zeitgeist <\/em>or attitude propagated by Lacan and his pupils \u2013 becomes slightly ephemeral and difficult to grasp or pin down when the theory and practice (with which this attitude is associated) has been evacuated. The \u2018careful but excoriating criticism of the Lacanian system\u2019 promised by the book\u2019s blurb is replaced by literary analogies<a href=\"#_edn7\" name=\"_ednref7\">[7]<\/a> and a compendium of individual and collective tics (such as the audience\u2019s \u2018orgasmic murmurs greeting the witticisms of the great man\u2019 [MK: 17]). Pierrakos provides only a summary dismissal and a conclusion that, because it is supported by such a threadbare argument, boarders on the platitudinous: \u2018What is at stake is the ethics of our profession, the respect of our fellow human beings. The arrogance of certitude is tantamount to violence towards our analysands\u2019 (MK: 66).<\/p>\n<p>It\u2019s worth briefly assessing the two styles that Pierrakos criticises \u2013 the Joycean poetics and the idiosyncratic mathematics \u2013 in order to see if it really is a disciple\u2019s <em>certitude<\/em> that they encourage and inspire. Returning to the 1971-1972 lectures at <em>Sainte-Anne<\/em>, it is noteworthy that, within the space of a month, Lacan introduced the two names of these styles: <em>lalangue <\/em>and <em>matheme<\/em>. The former refers to the non-sense that is produced when the materiality of the letter disrupts and complicates signification. Lacan was constantly exploiting homophonic equivocations in order to show how the communication of intentional meaning falters, arguing that, rather than existing in the certitude of a hidden truth or final meaning, the unconscious instead presents itself to be read in these uncertain and unpredictable slips.\u2018[R]eading in no way obliges you to understand. You have to read first.\u2019<a href=\"#_edn8\" name=\"_ednref8\">[8]<\/a> One can only understand what one <em>already knows<\/em>: the task of the analyst does not lie in the application of knowledge; he must instead learn how to read something that he cannot understand or, to put it another way, to read <em>without understanding<\/em>, without imposing a synthetic coherence that would erase the unconscious. This is precisely what Lacan, especially in his later seminars, imposes upon us: the experience of reading <em>first<\/em>, of reading in the absence of understanding. Therefore, what Lacan presents in these seminars is not so much a consolidated body of knowledge as it is a method or attitude, an ethical stance that analyst must adopt with respect to radical uncertainty: \u2018A knowledge that is able for nothing, the knowledge of impotence&#8230; this is what the psychoanalyst may convey.\u2019<a href=\"#_edn9\" name=\"_ednref9\">[9]<\/a> If \u2018it happens that people express themselves in this way that they do not&#8230; have the feeling of understanding\u2019 then so much the better: it is only when one is confronted with something that one does not already know that \u2018this word\u2019 becomes a genuine \u2018teaching word.\u2019<a href=\"#_edn10\" name=\"_ednref10\">[10]<\/a><\/p>\n<p>In her 1999 preface to <em>Gender Trouble<\/em>, Judith Butler proffered an interesting defence of her own infamously difficult style. Observing that Nixon prefaced a lie by stating \u2018let me make one thing perfectly clear\u2019, Butler notes that the \u2018demand for lucidity forgets the ruses that motivate the ostensibly \u201cclear\u201d view\u2019 and asks a series of pertinent questions: \u2018what would be the price of failing to deploy a certain critical suspicion when the arrival of lucidity is announced? Who devises the protocols of \u201cclarity\u201d and whose interests do they serve? What is foreclosed by the insistence on parochial standards of transparency as requisite for all communication? What does \u201ctransparency\u201d keep obscure?\u2019<a href=\"#_edn11\" name=\"_ednref11\">[11]<\/a> We might compare these to the questions Pierakkos raises: Lacanians are, apparently, \u2018bewitzched by the <em>Witz<\/em>. And what does this pleasure consist of? What are these tongue-twisters replacing? What is concealed by this desire to dazzle, to captivate, to hypnotise?\u2019 (MK: 25) For Lacan, the \u2018demand for lucidity\u2019 would obscure the unconscious. It is the desire of the ego psychologist, who, as an ideal model of psychical health, \u2018devises the protocols of \u201cclarity\u201d\u2019 in the absence of any \u2018critical suspicion\u2019 or self-doubt. Whilst the ego psychologist understands you and promises to bring one to the point of understanding and self-mastery, the analyst proceeds on the basis that \u2018the subject of the unconscious&#8230; can learn how to read.\u2019<a href=\"#_edn12\" name=\"_ednref12\">[12]<\/a> Lacan\u2019s style is not the result of a malign intent to dominate dumbstruck epigones or inspire in them the \u2018arrogance of certitude\u2019, on the contrary, it aggressively erodes the reader\u2019s belief in the very possibility of attaining to a position of intellectual dominance or certitude.<\/p>\n<p>Certainly, the task of reading Lacan is a difficult one; the reader \u2018must pay the price with elbow grease.\u2019<a href=\"#_edn13\" name=\"_ednref13\">[13]<\/a> Much of Pierrakos\u2019 irritation with Lacan\u2019s style appears to stem from the frustration of her efforts, as a transcriber, to:<\/p>\n<p style=\"padding-left: 30px;\">vicariously absorb this super-concentrated course of psychoanalytical theory through osmosis. \u201cI can\u2019t believe it\u201d, I thought, \u201csomething will happen, I\u2019m bound to learn something from these formulae and discourses, from the Borromean knots, the mathemes, because I not only heard them spoken by Lacan but listened to these words of the Seminars once again on the tape recorder&#8230; Yet this teaching remained a dead letter for me. (MK: 33-34)<\/p>\n<p>Lacan was determined that his work should not be vulnerable to over-hasty comprehension and lazy reduction, that his \u2018return to Freud\u2019 should not sink beneath a tide of received ideas and banal anecdotage (\u201cOh yeah \u2013 Freud. Isn\u2019t he the guy that says all guys secretly want to have sex with their mother and that girls have penis envy&#8230;\u201d). Reading Lacan takes considerable mental effort, ten years of it according to the man himself.<a href=\"#_edn14\" name=\"_ednref14\">[14]<\/a> Maurice Merleau-Ponty and Claude L\u00e9vi-Strauss both agreed that whilst there might be something interesting and worthwhile about Lacan\u2019s work, neither had the time to find out.<a href=\"#_edn15\" name=\"_ednref15\">[15]<\/a> This is a perfectly legitimate position to adopt: just think of all the wonderful texts one could be discovering in the time spent poring over Lacan! However, polemical criticism, particularly that of the flippant variety indulged in by Chomsky,<a href=\"#_edn16\" name=\"_ednref16\">[16]<\/a> lacks credibility when it is not supported by a thorough knowledge of Lacan\u2019s works acquired through \u2018elbow grease.\u2019<\/p>\n<p>One cannot hope to passively soak up Lacan\u2019s \u2018sibylline utterances\u2019 (MK: 26) in the way that the characters of Aldous Huxley\u2019s <em>Brave New World <\/em>receive their hyponopaedic messages. These aphorisms \u2013 there is no sexual relation, the woman does not exist, etc. \u2013 are, according to Pierrakos, evidence of Lacan\u2019s \u2018arrogan[t]\u2019 attempts to bully and dominate, to assume \u2018the place of the god\u2019, to be \u2018at once Oracle and High Priest who both states and resolves the enigma\u2019 (MK: 26). The aphorisms confront the reader with absolute obscurity whilst also appearing to promise absolute knowledge, the ultimate satisfaction of epistemological desire. However, I\u2019m not convinced that Lacan had either of these outcomes in mind. Indeed, with respect to the second potential outcome, Lacan <a href=\"http:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/2016\/01\/24\/speaking-lacanese-1\/\">demands that we refuse what he is offering because it is not \u2018that.\u2019<\/a><a href=\"#_edn17\" name=\"_ednref17\">[17]<\/a> In his 2011 documentary, <em>Rendez-vous chez Lacan<\/em>, G\u00e9rard Miller asked one of the most skilful interpreters of Lacan\u2019s work, Jean-Claude Milner, whether, \u2018in his teaching\u2019, Lacan was \u2018clear or obscure\u2019. In reply, Milner stated that:<\/p>\n<p style=\"padding-left: 30px;\">Generally, writers are said to be clear when they are clear locally. Take one sentence, and it\u2019s clear. With Lacan, clarity operates in a network. From the reader\u2019s point of view, clarity is a journey. One must travel the network, and since there are several networks, different journeys produce different insights.<a href=\"#_edn18\" name=\"_ednref18\">[18]<\/a><\/p>\n<p>The aphorisms are not immediately clear; indeed, on first appearance they often strike one as being utter gibberish. They must instead be read as elements of a dense palimpsest \u2013 elements that are often repeated but with minimal variations or in different contexts. Reading the Lacanian rebus schools one in the psychoanalytic method: \u2018The function of the structure of the network, the way in which the lines \u2013 of association, precisely \u2013 come to overlap one another, to cross-check with one another, to converge at elective points from which they depart again electively, this is what is indicated by Freud.\u2019<a href=\"#_edn19\" name=\"_ednref19\">[19]<\/a> What appears to be at stake here is less a transmission of knowledge and more a familiarisation with a methodology \u2013 or, to put it another way, an intertwining of theory and practice which means that access to the former necessarily requires an adoption of the latter (thus challenging the usual development that sees practice follow the comprehension of theory).<\/p>\n<p>Pierrakos appears to want to have her cake and eat it: on the one hand, Lacan is declared to be utterly incomprehensible \u2013 \u2018abstruse&#8230; convoluted&#8230; dizzying&#8230;. labyrinthine\u2019 (MK 19-20) \u2013 and on the other, the Lacanian phenomenon can be definitively summed up in a few words: \u2018Why couldn\u2019t I simply imbibe, like all those around me, the theoretical constructs explained throughout the Seminars? Today I believe it is because the processes of seduction and control were the first thing I noticed\u2019 (MK: 17-18). The work and discourse are not worth analysing in and of themselves \u2013 they are simply the tools of mastery. The main purpose of Lacan\u2019s \u2018increasingly perfected system of telling, of irrefutable paradoxes, of paralysingly paradoxical imperatives and of clever demonstrations\u2019 was to \u2018spellbind his audience\u2019 (MK: 19). Seduction and control are not an unwitting side-effect; they are instead the end with respect to which the entirety of Lacan\u2019s seminar is the means. Never mind the humdrum business of reading and interpreting the discourse itself, Pierrakos has ascended to a higher plane of understanding; she has seen the wood for the trees, the over-arching power struggle with respect to which the theory is a mere sideshow, the means to a malevolent end. Pierrakos, as what Lacan would refer to as a \u2018non-dupe\u2019, knows what all of this is <em>really <\/em>about.<\/p>\n<p>I am reminded here of David Shrigley\u2019s <em>Those who get it<\/em> \u2013 Pierrakos appears to occupy the point of intersection between \u2018those who do not get it\u2019 and \u2018those who realise there is nothing to get\u2019:<\/p>\n<p><a href=\"http:\/\/imageobjecttext.com\/tag\/david-shrigley\/\" rel=\"attachment wp-att-327\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-327 size-medium\" src=\"http:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review2-298x300.png\" alt=\"Greenshields review2\" width=\"298\" height=\"300\" srcset=\"https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review2-298x300.png 298w, https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review2-150x150.png 150w, https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review2-768x773.png 768w, https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review2-624x628.png 624w, https:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/files\/2016\/03\/Greenshields-review2.png 770w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><\/a><\/p>\n<p>This is, of course, an untenable position \u2013 the two statements (\u2018there exists something I am not getting\u2019 and \u2018the something that I am not getting does not exist\u2019) can only co-exist in a sort of kettle logic \u2013 but it is one that frustrated critics often adopt with respect to Lacan\u2019s work.<a href=\"#_edn20\" name=\"_ednref20\">[20]<\/a><\/p>\n<p>A book review is not the place to attempt a convincing defence of Lacan\u2019s deployment of topology and \u2018mathemes\u2019 (a neologism comprising L\u00e9vi-Strauss\u2019 \u2018mytheme\u2019 and the Greek \u2018<em>math\u00eama<\/em> [<em>\u03bc\u03ac\u03b8\u03b7\u03bc\u03b1<\/em>]\u2019, meaning \u2018lesson\u2019). Outside of the variable length session, this is perhaps the most controversial aspect of Lacan\u2019s teaching and, because he produced so many conflicting statements and experienced as many failures as he did successes, it is also one of the most complex. I will, therefore, restrict myself to two (by no means exhaustive) statements on the matter \u2013 made specifically in reference to Pierrakos\u2019 argument that the mathemes necessarily result in \u2018the arrogance of certitude\u2019. Firstly, they do not amount to a metalanguage: quite the contrary, they instead perfectly demonstrate the impossibility of metalanguage. In order to make the mathemes comprehensible Lacan must <em>re<\/em>-present them, he must employ a language riddled with precisely the same ambiguities that the unequivocal mathemes were supposed to eradicate: \u2018Mathematical formalization consists of what is written, but it only subsists if I employ, in presenting it, the language I make use of. Therein lies the objection: no formalization of language is transmissible without the use of language itself.\u2019<a href=\"#_edn21\" name=\"_ednref21\">[21]<\/a><\/p>\n<p>Secondly, Lacan was not attempting to <em>resolve <\/em>the enigmas of subjectivity through formalization, to \u2018go to the end of infinity and back, and return unscathed, having wrapped it all up in a few&#8230; algebraic formulae\u2019 (MK: 27). He was instead interested in the point at which logical systems falter on an internal contradiction or inconsistency (he frequently referred to <em>G\u00f6del\u2019<\/em>s incompleteness theorem), the point at which they <em>fail <\/em>to \u2018wrap it all up\u2019, observing that \u2018[t]he real can only be inscribed on the basis of an impasse of formalization.\u2019<a href=\"#_edn22\" name=\"_ednref22\">[22]<\/a> There can be no perfectly self-reflexive, autonomous and totalised organisation of knowledge. Most of his mathemes ($, <em>a<\/em>, \u03a6, etc.) denote an irresolvable structural paradox that topological figures were called upon to materialise and demonstrate.<\/p>\n<p>When Pierrakos does, briefly, turn her attention to the theory itself (as opposed to the style in which the theory was presented), she repeats well-worn critiques. Quoting Didier Anzieu\u2019s assertion that \u2018Lacanian ideas \u201cdon\u2019t stand up well to the test of practice\u201d\u2019, Pierrakos argues that:<\/p>\n<p style=\"padding-left: 30px;\">On the continuum of mental life ranging from the most fusional bodily sensations to the most sophisticated forms of sublimation, Lacan traced the limits above and below which the analytical field should not be envisaged. He expresses this view with his customary sarcasm. Below these limits, in his own words: \u2018No doubt that, on this path, sniffing one another becomes the <em>nec plus ultra<\/em> of the transference reaction\u2019. And beyond these limits, it is a matter of \u2018excluding the tender feelings of the fine soul\u2019. So, on the one hand, the pre-verbal is excluded \u2013 that is, the most animal, archaic aspects of the body \u2013 and on the other, the affective, the aesthetic and the idealising aspects of the imaginary. This leaves only an extremely narrow, desiccated field! What kind of strange flowers can possibly grow there?<\/p>\n<p style=\"padding-left: 30px;\">&#8230; Let us try to imagine (yes, imagine!) the man described by Lacan: the negative, X-ray image of a man: no living matter is visible: here we have a disembodied, devitalised man, a puppet whose strings are pulled by the signifier, a <em>parl\u00eatre\/ speakbeing<\/em>. Is such a being, a <em>parl\u00eatre<\/em>, anything other than speech? (MK: 52-53)<\/p>\n<p>The notion that, to cite Andr\u00e9 Green\u2019s erroneous appraisal, \u2018affect has no place in\u2019 Lacan\u2019s work,<a href=\"#_edn23\" name=\"_ednref23\">[23]<\/a> had, even in Lacan\u2019s own lifetime, become such a prevalent canard that he felt it necessary to directly address it in his 1973 television interview: \u2018Affect&#8230; befalls a body whose essence it is said to dwell in language&#8230; [without] finding dwelling-room, at least not to its taste.\u2019<a href=\"#_edn24\" name=\"_ednref24\">[24]<\/a> Far from eradicating affect, language <em>causes <\/em>it.<a href=\"#_edn25\" name=\"_ednref25\">[25]<\/a> Strictly speaking, Pierrakos is correct in observing that Lacan did not discuss the \u2018pre-verbal\u2019<a href=\"#_edn26\" name=\"_ednref26\">[26]<\/a> \u2013 however, it does not necessarily follow that the \u2018<em>parl\u00eatre<\/em>\u2019 is \u2018disembodied\u2019. Whilst, for Lacan, there is no such thing as a subject prior to the introduction of language, it remains the case that he devoted much of his work to a conceptualisation of the extra-discursive or the post-verbal, the corporeal <em>jouissance <\/em>that is the consequence of language. For an example of this, see my <a href=\"http:\/\/reframe.sussex.ac.uk\/repsychoanalysis\/2016\/02\/05\/2-the-baroque-is-the-regulating-of-the-soul-by-corporeal-radioscopy\/\">second entry in the \u2018Speaking Lacanese\u2019 series<\/a>. The subject that approaches the clinic is always post-verbal \u2013 that is, affected by language.<\/p>\n<p>Where Pierrakos does hit upon something very pertinent is in her suggestion that the schizophrenic split between Lacan-the-teacher and Lacan-the-analyst, between the \u2018cynical, cold face\u2019 shown in public and the \u2018warmth and emotion\u2019 to which Lacan\u2019s former analysands testify in <a href=\"https:\/\/www.youtube.com\/watch?v=f1F-zysTjWg\">G\u00e9rard Miller\u2019s film<\/a>, between the man who didn\u2019t give a damn and the man who did, could not fail to trouble (or, in her words, trap in an \u2018eternally unresolved transference\u2019) those who were being both taught and analysed by the master (MK: 28-29).<a href=\"#_edn27\" name=\"_ednref27\">[27]<\/a> Whilst the problems caused by the irreconcilability between the teacher and the analyst are probably at their most pronounced and affective when the teacher and the analyst are the same person, problems still arise even when they are not. When, in <em>Seminar XVII<\/em>, Lacan presented what he called the four discourses (which meant concretely distinguishing between the discourse of the university and the discourse of the analyst), he formally announced his interest in an antagonism that he would never satisfactorily resolve. In a short report detailing his observations on the progress of the Department of Psychoanalysis at Vincennes, Lacan wrote that \u2018[t]here are four discourses. Each one thinks it is the truth. The only exception is the analytic discourse&#8230; [T]his discourse excludes domination; in other words it teaches nothing. There is nothing universal about it, which is precisely why it cannot be taught. How does one go about teaching what cannot be taught?\u2019<a href=\"#_edn28\" name=\"_ednref28\">[28]<\/a> It is my intention to return to this statement in the next entry in the \u2018Speaking Lacanese\u2019 series \u2013 which will necessarily entail returning to Pierrakos\u2019 argument that the ultimate effect of Lacan\u2019s work was, despite his protestations to the contrary, domination.<\/p>\n<p><em>Memoirs of a Disgruntled Keybasher <\/em>is, for the most part, a critical response to Lacan\u2019s attempts to propagate the analyst\u2019s discourse from within the university, to hit upon a workable compromise between the universality of a transmissible and comprehensible knowledge and the incomprehensible singularity of the patient. In this respect, it raises, with great eloquence and conviction, questions that concern nothing less that the future of (institutional) psychoanalysis and the status of psychoanalytic knowledge. It is a shame, then, that these questions are granted so little space.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><a href=\"#_ednref1\" name=\"_edn1\">[1]<\/a> Specifically, he talks of presenting things at an \u2018elementary level\u2019. Jacques Lacan, <em>The Knowledge of the Psychoanalyst, 1971-1972<\/em>, unofficial trans. by Cormac Gallagher (London: Karnac, n.d.), session 2, p. 2.<\/p>\n<p><a href=\"#_ednref2\" name=\"_edn2\">[2]<\/a> Lacan, <em>The Knowledge of the Psychoanalyst<\/em>, session 7, p. 27.<\/p>\n<p><a href=\"#_ednref3\" name=\"_edn3\">[3]<\/a> Marie Pierrakos, <em>Transcribing Lacan\u2019s Seminars \u2013 Memoirs of a Disgruntled Keybasher Turned Psychoanalyst<\/em>, trans. by Angela M. Brewer (London: Free Association Books, 2006), p. 8. Hereafter referred to as MK.<\/p>\n<p><a href=\"#_ednref4\" name=\"_edn4\">[4]<\/a> This is a reference to Fran\u00e7ois\u00a0Roustang\u2019s <em>Dire Mastery: Discipleship from Freud to Lacan<\/em>, trans. by Ned Lukacher (Baltimore: The Johns Hopkins University Press, 1982).<\/p>\n<p><a href=\"#_ednref5\" name=\"_edn5\">[5]<\/a> See \u00c9lisabeth Roudinesco, <em>Jacques Lacan &amp; Co. A History of Psychoanalysis in France, 1925-1985<\/em>, trans. by Jeffrey Mehlman (Chicago: The University of Chicago Press, 1990).<\/p>\n<p><a href=\"#_ednref6\" name=\"_edn6\">[6]<\/a> Jonathan Scott Lee, <em>Jacques Lacan<\/em> (Amherst: The University of Massachusetts Press, 1991), p. 197.<\/p>\n<p><a href=\"#_ednref7\" name=\"_edn7\">[7]<\/a> These include <em>The Emperor\u2019s New Clothes<\/em>, <em>Alice Through the Looking Glass<\/em> and <em>Bridge over the River Kwai <\/em>(MK: 16).<\/p>\n<p><a href=\"#_ednref8\" name=\"_edn8\">[8]<\/a> Jacques Lacan, <em>Seminar Book XX : Encore, 1972-1973<\/em>, trans. by Bruce Fink (New York: Norton, 1998), p. 65.<\/p>\n<p><a href=\"#_ednref9\" name=\"_edn9\">[9]<\/a> Lacan, <em>The Knowledge of the Psychoanalyst<\/em>, session 1, p. 12<\/p>\n<p><a href=\"#_ednref10\" name=\"_edn10\">[10]<\/a> Ibid., session 2, p. 2.<\/p>\n<p><a href=\"#_ednref11\" name=\"_edn11\">[11]<\/a> Judith Butler,<em> Gender Trouble <\/em>(New York: Routledge, 2007), p. xx.<\/p>\n<p><a href=\"#_ednref12\" name=\"_edn12\">[12]<\/a> Lacan, <em>Seminar XX<\/em>, p. 37.<\/p>\n<p><a href=\"#_ednref13\" name=\"_edn13\">[13]<\/a> Jacques Lacan, <em>\u00c9crits<\/em>, trans. by Bruce Fink (New York: Norton, 2006), p. 5.<\/p>\n<p><a href=\"#_ednref14\" name=\"_edn14\">[14]<\/a> Jacques Lacan, <em>Television\/ A Challenge to the Psychoanalytic Establishment<\/em>, trans. by Denis Hollier, Rosalind Krauss, Jeffrey Mehlman and Annette Michelson (New York: Norton, 1990), p. 45.<\/p>\n<p><a href=\"#_ednref15\" name=\"_edn15\">[15]<\/a> See \u00c9lisabeth Roudinesco, <em>Jacques Lacan: An Outline of a Life and a History of a System of Thought<\/em>, trans. by Barbara Bray (Cambridge: Polity Press, 1997), p. 209.<\/p>\n<p><a href=\"#_ednref16\" name=\"_edn16\">[16]<\/a> See: http:\/\/www.critical-theory.com\/noam-chomsky-calls-jacques-lacan-a-charlatan\/<\/p>\n<p><a href=\"#_ednref17\" name=\"_edn17\">[17]<\/a> I am depending upon the Kantian revelation here \u2013 i.e. that the epistemological lack is necessarily an ontological lack.<\/p>\n<p><a href=\"#_ednref18\" name=\"_edn18\">[18]<\/a><em> Rendez-vous chez Lacan,<\/em> directed by G\u00e9rard Miller (Editions Montparnasse, 2011), DVD.<\/p>\n<p><a href=\"#_ednref19\" name=\"_edn19\">[19]<\/a> Jacques Lacan, <em>Seminar Book XIV: The Logic of Phantasy, 1966-1967<\/em>, unofficial trans. by Cormac Gallagher (London: Karnac, n.d.), session 4, p. 4.<\/p>\n<p><a href=\"#_ednref20\" name=\"_edn20\">[20]<\/a> We would have to introduce an additional circle to account for L\u00e9vi-Strauss and Merleau-Ponty\u2019s position (as those who do not get it but realise that there is something to get).<\/p>\n<p><a href=\"#_ednref21\" name=\"_edn21\">[21]<\/a> Lacan, <em>Seminar XX<\/em>, p. 119.<\/p>\n<p><a href=\"#_ednref22\" name=\"_edn22\">[22]<\/a> Ibid., p. 93.<\/p>\n<p><a href=\"#_ednref23\" name=\"_edn23\">[23]<\/a> Andr\u00e9 Green,\u00a0<em>The Fabric of Affect in the Psychoanalytic Discourse<\/em>, trans. by Alan Sheridan (London: Routledge, 1999), p. 99.<\/p>\n<p><a href=\"#_ednref24\" name=\"_edn24\">[24]<\/a> Lacan, <em>Television<\/em>, pp. 23-24.<\/p>\n<p><a href=\"#_ednref25\" name=\"_edn25\">[25]<\/a> For an extensive and clear account of Lacanian affects see: http:\/\/www.lacanonline.com\/index\/2010\/05\/what-does-lacan-say-about-affects\/<\/p>\n<p><a href=\"#_ednref26\" name=\"_edn26\">[26]<\/a> I should add an important nuance here: Lacan does not discuss the <em>pure <\/em>\u2018pre-verbal\u2019. The imaginary is always to be considered in terms of its interaction with the other two categories (i.e. the real and the symbolic).<\/p>\n<p><a href=\"#_ednref27\" name=\"_edn27\">[27]<\/a> For a collection of testimonies regarding Lacan-the analyst, see: <em>Hurly Burly <\/em>No. 3 (London: NLS, 2010).<\/p>\n<p><a href=\"#_ednref28\" name=\"_edn28\">[28]<\/a> Jacques Lacan, \u2018There are Four Discourses\u2019, trans. by Adrian Price and Russell Grigg in Jacques-Alain Miller and Maire Jaanus (eds), <em>Culture\/ Clinic 1: Applied Lacanian Psychoanalysis<\/em> (Minneapolis: University of Minnesota Press, 2013), p. 3.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Transcribing Lacan\u2019s Seminars \u2013 Memoirs of a Disgruntled Keybasher Turned Psychoanalyst by Marie Pierrakos (London: Free Association Books, 2006). 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