{"id":1468,"date":"2016-10-17T08:00:37","date_gmt":"2016-10-17T08:00:37","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/post-cinema\/?p=1468"},"modified":"2019-09-04T12:01:23","modified_gmt":"2019-09-04T12:01:23","slug":"post-cinema-pdf","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/2016\/10\/17\/post-cinema-pdf\/","title":{"rendered":"POST-CINEMA now out in PDF (plus two new recommendations)"},"content":{"rendered":"<p>Shane Denson and Julia Leyda&#8217;s indispensable open-access ebook collection\u00a0<em><a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/\" target=\"_blank\" rel=\"noopener noreferrer\">Post-Cinema: Theorizing 21st-Century Film<\/a>\u00a0<\/em>is now available in complete PDF versions (of different mb sizes for your storage convenience):<\/p>\n<ul>\n<li><a href=\"https:\/\/reframe.sussex.ac.uk\/wp-content\/uploads\/2019\/05\/POST-CINEMA_HI_RES.pdf\">Complete PDF 13mb<\/a><\/li>\n<li><a href=\"https:\/\/reframe.sussex.ac.uk\/wp-content\/uploads\/2019\/05\/POST-CINEMA_LO_RES.pdf\">Complete PDF 9mb<\/a><\/li>\n<\/ul>\n<p>You can opt to save a\u00a0file to your computer or mobile device, or to open it\u00a0directly in a variety of e-readers. These versions join the highly successful<em>\u00a0<\/em><a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/\">web-based version<\/a>\u00a0of the book that\u00a0already offered PDFs of individual\u00a0chapter (downloadable at the end of each <a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/contents\/\">chapter-webpage<\/a>). Open-access EPUB, and MOBI versions of the book will also be made available at this website&#8217;s <a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/archive\/\">eBook Archive page<\/a> in due course. Please <a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/feed\/\">follow this blog<\/a> to receive updates.<\/p>\n<p>To accompany this news we also bring you, below, two <a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/2016\/05\/05\/recommendation-for-post-cinema-theorizing-21st-century-film\/\">further<\/a> resounding <a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/2016\/05\/05\/recommendation-for-post-cinema-theorizing-21st-century-film\/\">endorsements<\/a> of the collection, and a reminder of the book&#8217;s excellent <a href=\"https:\/\/vimeo.com\/171315434\">video trailer<\/a>.<\/p>\n<blockquote><p><a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/\"><em>Post-Cinema: Theorizing 21st-Century Film <\/em><\/a>is an intellectually exciting and important book. Editors Shane Denson and Julia Leyda have assembled an extraordinary range of notable contributors with the aim to open up a critical conversation on the very notion of the post-cinematic \u2013 something they achieve in a most novel and engaging way. Through essays and roundtable discussions, <em>Post-Cinema <\/em>formulates fresh and nuanced questions about the consumption and spectatorship of post-millennial film and other media as they circulate through contemporary digital media ecologies. As is fitting given its subject matter of changing media formats, the design and layout of this book \u2013 with its open access digitality and its collaborative dialogues \u2013 is as relevant and pioneering as its content. Inviting us to rethink received ideas about how 21st-century media reshape \u201cnew forms of sensibility,\u201d <a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/\"><em>Post-Cinema: Theorizing 21st-Century Film <\/em><\/a>is critically imperative reading for anyone interested in ongoing vital transformations in moving image media.<\/p>\n<p>&#8211; <a href=\"http:\/\/www.anglia.ac.uk\/arts-law-and-social-sciences\/department-of-english-and-media\/our-staff\/tanya-horeck\"><strong>Tanya Horeck<\/strong><\/a>, Reader in Film, Media, and Culture, Anglia Ruskin University<\/p><\/blockquote>\n<blockquote><p>The essays and discussions that have been assembled in <a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/\"><em>Post-Cinema: Theorizing 21st<\/em>&#8211;<em>Century Film <\/em><\/a>provide the reader with a remarkably comprehensive and compelling survey of the diverse critical and theoretical responses to the formal, technological, affective, political and ecological dimensions of our contemporary post-cinematic landscape. That landscape now has an authoritative and inspirational field guide: by gathering together foundational interventions alongside the most recent contributions this collection will prove indispensable to anyone wishing to take these conversations forward.<\/p>\n<p>&#8211; <a href=\"http:\/\/www.sussex.ac.uk\/profiles\/128070\"><strong>Michael Lawrence<\/strong><\/a>, Reader in Film Studies, University of Sussex<\/p><\/blockquote>\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"Post-Cinema: Theorizing 21st-Century Film (Book Trailer)\" src=\"https:\/\/player.vimeo.com\/video\/171315434?dnt=1&amp;app_id=122963\" width=\"660\" height=\"371\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Shane Denson and Julia Leyda&#8217;s indispensable open-access ebook collection\u00a0Post-Cinema: Theorizing 21st-Century Film\u00a0is now available in complete PDF versions (of different &hellip; <a href=\"https:\/\/reframe.sussex.ac.uk\/post-cinema\/2016\/10\/17\/post-cinema-pdf\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">POST-CINEMA now out in PDF (plus two new recommendations)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":11,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,5],"tags":[],"class_list":["post-1468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-reviews"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/POSTCINEMA_HEADER.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7eBQu-nG","_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/posts\/1468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/comments?post=1468"}],"version-history":[{"count":12,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/posts\/1468\/revisions"}],"predecessor-version":[{"id":1583,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/posts\/1468\/revisions\/1583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/media\/11"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/media?parent=1468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/categories?post=1468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/tags?post=1468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}