{"id":68,"date":"2016-04-11T08:00:39","date_gmt":"2016-04-11T08:00:39","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/post-cinema\/?page_id=68"},"modified":"2016-04-11T08:48:41","modified_gmt":"2016-04-11T08:48:41","slug":"part-3","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/part-3\/","title":{"rendered":"3. Techniques and Technologies of Post-Cinema"},"content":{"rendered":"<p><a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/contents\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4\" title=\"CONTENTS\" src=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-150x150.png\" alt=\"\" width=\"75\" height=\"75\" srcset=\"https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-150x150.png 150w, https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-300x300.png 300w, https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-768x766.png 768w, https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-1024x1021.png 1024w, https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46.png 1242w\" sizes=\"auto, (max-width: 75px) 100vw, 75px\" \/><\/a><\/p>\n<p>3.1 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/3-1-gurevitch\/\">Cinema Designed: Visual Effects Software and the Emergence of the Engineered Spectacle<\/a> \u2013 <em>Leon Gurevitch<br \/>\n<\/em>3.2 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/3-2-sudmann\/\">Bullet Time and the Mediation of Post-Cinematic Temporality<\/a> \u2013 <em>Andreas Sudmann<br \/>\n<\/em>3.3 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/3-3-benson-allott\/\">The <em>Chora<\/em> Line: RealD Incorporated<\/a> \u2013 <em>Caetlin Benson-Allott<br \/>\n<\/em>3.4 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/3-4-shaviro\/\">Splitting the Atom: Post-Cinematic Articulations of Sound and Vision<\/a> \u2013 <em>Steven Shaviro<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>3.1 \u00a0Cinema Designed: Visual Effects Software and the Emergence of the Engineered Spectacle \u2013 Leon Gurevitch 3.2 \u00a0Bullet Time and &hellip; <a href=\"https:\/\/reframe.sussex.ac.uk\/post-cinema\/part-3\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">3. Techniques and Technologies of Post-Cinema<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-68","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7eBQu-16","_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":11,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages\/68\/revisions"}],"predecessor-version":[{"id":855,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages\/68\/revisions\/855"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/media?parent=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}