{"id":56,"date":"2016-04-11T08:00:12","date_gmt":"2016-04-11T08:00:12","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/post-cinema\/?page_id=56"},"modified":"2016-04-11T08:49:31","modified_gmt":"2016-04-11T08:49:31","slug":"part-5","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/part-5\/","title":{"rendered":"5. Archaeologies of Post-Cinema"},"content":{"rendered":"<p><a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/contents\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4\" title=\"CONTENTS\" src=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-150x150.png\" alt=\"\" width=\"75\" height=\"75\" srcset=\"https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-150x150.png 150w, https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-300x300.png 300w, https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-768x766.png 768w, https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46-1024x1021.png 1024w, https:\/\/reframe.sussex.ac.uk\/post-cinema\/files\/2016\/02\/Screen-Shot-2016-01-26-at-09.58.46.png 1242w\" sizes=\"auto, (max-width: 75px) 100vw, 75px\" \/><\/a><\/p>\n<p>5. 1 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/5-1-casetti\/\">The Relocation of Cinema<\/a> \u2013 <em>Francesco Casetti<br \/>\n<\/em>5.2 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/5-2-mayer\/\">Early\/Post-Cinema: The Short Form, 1900\/2000<\/a> \u2013 <em>Ruth Mayer<br \/>\n<\/em>5.3 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/5-3-grusin\/\">Post-Cinematic Atavism<\/a> \u2013 <em>Richard Grusin<br \/>\n<\/em>5.4 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/5-4-siegel\/\">Ride into the Danger Zone: <em>Top Gun <\/em>(1986) and the Emergence of the Post-Cinematic<\/a> \u2013 <em>Michael Loren Siegel<br \/>\n<\/em>5.5 \u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/post-cinema\/5-5-raengo\/\">Life in Those Shadows! Kara Walker\u2019s Post-Cinematic Silhouettes<\/a> \u2013 <em>Alessandra Raengo<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>5. 1 \u00a0The Relocation of Cinema \u2013 Francesco Casetti 5.2 \u00a0Early\/Post-Cinema: The Short Form, 1900\/2000 \u2013 Ruth Mayer 5.3 \u00a0Post-Cinematic &hellip; <a href=\"https:\/\/reframe.sussex.ac.uk\/post-cinema\/part-5\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">5. Archaeologies of Post-Cinema<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-56","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7eBQu-U","_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":10,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages\/56\/revisions"}],"predecessor-version":[{"id":980,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages\/56\/revisions\/980"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/media?parent=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}