{"id":15,"date":"2016-04-11T08:00:57","date_gmt":"2016-04-11T08:00:57","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/post-cinema\/?page_id=15"},"modified":"2016-09-23T10:32:30","modified_gmt":"2016-09-23T10:32:30","slug":"contents","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/contents\/","title":{"rendered":"CONTENTS"},"content":{"rendered":"

\"\"<\/a>POST-CINEMA: THEORIZING 21ST-CENTURY FILM<\/i><\/b><\/p>\n

Edited by Shane Denson and Julia Leyda<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Perspectives on Post-Cinema: An Introduction<\/a><\/strong> \u2013 Shane Denson and Julia Leyda<\/em><\/p>\n

1. Parameters for Post-Cinema<\/strong><\/p>\n

1.1 \u00a0What is Digital Cinema?<\/a> \u2013 Lev Manovich
\n<\/em>1.2 \u00a0Post-Continuity: An Introduction<\/a> \u2013 Steven Shaviro
\n<\/em>1.3 \u00a0DVDs, Video Games, and the Cinema of Interactions<\/a> \u2013 Richard Grusin<\/em><\/p>\n

2. Experiences of Post-Cinema<\/strong><\/p>\n

2.1 \u00a0The Scene of the Screen: Envisioning Photographic, Cinematic, and Electronic \u201cPresence\u201d<\/a> \u2013 Vivian Sobchack
\n<\/em>2.2 \u00a0Post-Cinematic Affect<\/a> \u2013 Steven Shaviro
\n<\/em>2.3 \u00a0Flash-Forward: The Future is Now<\/a> \u2013 Patricia Pisters
\n<\/em>2.4 \u00a0Towards a Non-Time Image: Notes on Deleuze in the Digital Era<\/a> \u2013 Sergi S\u00e1nchez
\n<\/em>2.5 \u00a0Crazy Cameras, Discorrelated Images, and the Post-Perceptual Mediation of Post-Cinematic Affect<\/a> \u2013\u00a0Shane Denson
\n<\/em>2.6 \u00a0The Error-Image: On the Technics of Memory<\/a> \u2013 David Rambo<\/em><\/p>\n

3. Techniques and Technologies of Post-Cinema<\/strong><\/p>\n

3.1 \u00a0Cinema Designed: Visual Effects Software and the Emergence of the Engineered Spectacle<\/a> \u2013 Leon\u00a0Gurevitch
\n<\/em>3.2 \u00a0Bullet Time and the Mediation of Post-Cinematic Temporality<\/a> \u2013 Andreas\u00a0Sudmann
\n<\/em>3.3 \u00a0The Chora<\/em> Line: RealD Incorporated<\/a> \u2013 Caetlin Benson-Allott
\n<\/em>3.4 \u00a0Splitting the Atom: Post-Cinematic Articulations of Sound and Vision<\/a> \u2013 Steven Shaviro<\/em><\/p>\n

4. Politics of Post-Cinema<\/strong><\/p>\n

4.1 \u00a0Demon Debt: Paranormal Activity<\/em> as Recessionary Post-Cinematic Allegory<\/a> \u2013 Julia Leyda
\n<\/em>4.2 \u00a0On the Political Economy of the Contemporary (Superhero) Blockbuster Series<\/a> \u2013 Felix Brinker
\n<\/em>4.3 \u00a0Reality Effects: The Ideology of the Long Take in the Cinema of Alfonso Cuar\u00f3n<\/a> \u2013 Bruce Isaacs
\n<\/em>4.4 \u00a0Metamorphosis and Modulation: Darren Aronofsky\u2019s Black Swan<\/em><\/a> \u2013 Steen Christiansen
\n<\/em>4.5 \u00a0Biopolitical Violence and Affective Force: Michael Haneke\u2019s Code Unknown<\/em><\/a> \u2013 Elena del R\u00edo<\/em><\/p>\n

5. Archaeologies of Post-Cinema<\/strong><\/p>\n

5.1 \u00a0The Relocation of Cinema<\/a> \u2013 Francesco Casetti
\n<\/em>5.2 \u00a0Early\/Post-Cinema: The Short Form, 1900\/2000<\/a> \u2013 Ruth Mayer
\n<\/em>5.3 \u00a0Post-Cinematic Atavism<\/a> \u2013 Richard Grusin
\n<\/em>5.4 \u00a0Ride into the Danger Zone: Top Gun <\/em>(1986) and the Emergence of the Post-Cinematic<\/a> \u2013 Michael Loren Siegel
\n<\/em>5.5 \u00a0Life in Those Shadows! Kara Walker\u2019s Post-Cinematic Silhouettes<\/a> \u2013 Alessandra Raengo<\/em><\/p>\n

6. Ecologies of Post-Cinema<\/strong><\/p>\n

6.1 \u00a0The Art of Morphogenesis: Cinema in and beyond the Capitalocene<\/a> \u2013 Adrian Ivakhiv
\n<\/em>6.2 \u00a0Anthropocenema: Cinema in the Age of Mass Extinctions<\/a> \u2013 Selmin Kara
\n<\/em>6.3 \u00a0Algorithmic Sensibility: Reflections on the Post-Perceptual Image<\/a> \u2013 Mark B. N. Hansen
\n<\/em>6.4 \u00a0The Post-Cinematic Venue: Towards an Infrastructuralist Poetics<\/a> \u2013 Billy Stevenson<\/em><\/p>\n

7. Dialogues on Post-Cinema<\/strong><\/p>\n

7.1 \u00a0The Post-Cinematic in Paranormal Activity <\/em>and Paranormal Activity 2<\/em><\/a> \u2013 Therese Grisham, Julia Leyda, Nicholas Rombes, and Steven Shaviro
\n<\/em>7.2 \u00a0Post-Cinematic Affect: A Conversation in Five Parts<\/a> \u2013 Paul Bowman, Kristopher L. Cannon, Elena del R\u00edo, Shane Denson, Adrian Ivakhiv, Patricia MacCormack, Michael O\u2019Rourke, Karin Sellberg, and Steven Shaviro
\n<\/em>7.3 \u00a0Post-Continuity, the Irrational Camera, Thoughts on 3D<\/a> \u2013 Shane Denson, Therese Grisham, and Julia Leyda
\n<\/em>7.4 \u00a0Post-Cinema, Digitality, Politics<\/a> \u2013 Julia Leyda, Rosalind Galt, and Kylie\u00a0<\/em>Jarrett<\/i><\/p>\n

NOTES ON CONTRIBUTORS<\/a><\/strong><\/p>\n

ARTWORK<\/a><\/strong><\/p>\n

ACKNOWLEDGEMENTS<\/a><\/strong><\/p>\n

PUBLISHER’S INFORMATION<\/a><\/strong><\/p>\n

E-BOOK ARCHIVE<\/strong><\/a><\/p>\n

BOOK TRAILER<\/a><\/strong><\/p>\n

UPDATES<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

POST-CINEMA: THEORIZING 21ST-CENTURY FILM Edited by Shane Denson and Julia Leyda \u00a0 Perspectives on Post-Cinema: An Introduction \u2013 Shane Denson … Continue reading CONTENTS<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7eBQu-f","_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":58,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":1464,"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/pages\/15\/revisions\/1464"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/post-cinema\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}