{"id":95,"date":"2015-08-20T09:15:02","date_gmt":"2015-08-20T09:15:02","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/newpathways\/?page_id=95"},"modified":"2015-10-20T16:53:40","modified_gmt":"2015-10-20T16:53:40","slug":"introduction","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/","title":{"rendered":"INTRODUCTION"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-235\" src=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2.jpg\" alt=\"\" width=\"63\" height=\"61\" srcset=\"https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2.jpg 385w, https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2-300x288.jpg 300w\" sizes=\"auto, (max-width: 63px) 100vw, 63px\" \/><\/strong><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/introduction-to-new-pathways\/\" target=\"_blank\">Introduction to New Pathways: A Psychogeography of Lewes, 2015<\/a><\/strong><\/p>\n<p>By Margaretta Jolly and Lyn Thomas<\/p>\n<p>&nbsp;<\/p>\n<p>Travel writing, like all life writing, is useful, truthful and sometimes beautiful. But in 2015, the <a href=\"http:\/\/www.sussex.ac.uk\/clhlwr\/\">Centre for Life History and Life Writing Research<\/a> at the University of Sussex jumped off track to enjoy the beauty of useless travelling and the art that can be made from it. We took to the town of Lewes for these micro-journeys, because Lewes is on our doorstep (the psychogeographer doesn\u2019t need the exotic), because Lewes and its environs are dreamy, odd and old, if only faintly urban. While the town may be well known for its spectacular Bonfire Night revels (psychogeographical in their own way), we \u2013 researchers, writers, filmmakers, artists \u2013 got outside the guidebooks to play a little with the town, with truth and ourselves too.<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/introduction-to-new-pathways\/\" target=\"_blank\"> READ MORE HERE<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-235\" src=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2.jpg\" alt=\"\" width=\"63\" height=\"61\" srcset=\"https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2.jpg 385w, https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2-300x288.jpg 300w\" sizes=\"auto, (max-width: 63px) 100vw, 63px\" \/><\/strong><\/p>\n<p><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/introduction-to-psychogeography\/\" target=\"_blank\">Introduction to Psychogeography\u00a0<\/a><\/strong><\/p>\n<p>By Adam Whitehall<\/p>\n<p>&nbsp;<\/p>\n<p>From Poe to Baudelaire, Benjamin to Woolf, Rebecca Solnit to Ian Sinclair, Robert MacFarlane to Olivia Laing, be they\u00a0<em>fl\u00e2neurs<\/em>, drifters, wayfarers, surrealists or deep topographers, operating as authors, artists or poets, each has followed the compulsion to improvise a walking of his or her city with the serious intent to follow wherever the path might randomly take them, to lose their way, and themselves. As G.K. Chesterton says, \u201c<em>see through the shining riddle of the street\u201d<\/em>, and thus create palimpsests of superimposed landscapes, alternate histories. <strong><a href=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/introduction-to-psychogeography\/\" target=\"_blank\">READ MORE HERE<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/contributors\/\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-235\" src=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2.jpg\" alt=\"\" width=\"63\" height=\"61\" srcset=\"https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2.jpg 385w, https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2-300x288.jpg 300w\" sizes=\"auto, (max-width: 63px) 100vw, 63px\" \/>Notes on Contributors<\/strong><\/a><\/p>\n<p>Where everyone involved in this project is coming from<b>\u00a0<\/b><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/contributors\/\" target=\"_blank\">READ MORE HERE<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/contributors\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-235\" src=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2.jpg\" alt=\"\" width=\"63\" height=\"61\" srcset=\"https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2.jpg 385w, https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Final_Motif_2-300x288.jpg 300w\" sizes=\"auto, (max-width: 63px) 100vw, 63px\" \/><\/a><a href=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/sitemappening\/\" target=\"_blank\">Sitemappening<\/a><\/strong><\/p>\n<p>To help you navigate this website <strong><a href=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/sitemappening\/\" target=\"_blank\">READ MORE HERE<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-245 size-full\" src=\"http:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Motif_strip.jpg\" alt=\"\" width=\"1159\" height=\"29\" srcset=\"https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Motif_strip.jpg 1159w, https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Motif_strip-300x8.jpg 300w, https:\/\/reframe.sussex.ac.uk\/newpathways\/files\/2015\/08\/Motif_strip-1024x26.jpg 1024w\" sizes=\"auto, (max-width: 1159px) 100vw, 1159px\" \/><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction to New Pathways: A Psychogeography of Lewes, 2015 By Margaretta Jolly and Lyn Thomas &nbsp; Travel writing, like all <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/newpathways\/introduction\/\">Continue Reading<span class=\"screen-reader-text\">INTRODUCTION<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-95","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6Ati4-1x","_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/newpathways\/wp-json\/wp\/v2\/pages\/95","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/newpathways\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/newpathways\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/newpathways\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/newpathways\/wp-json\/wp\/v2\/comments?post=95"}],"version-history":[{"count":37,"href":"https:\/\/reframe.sussex.ac.uk\/newpathways\/wp-json\/wp\/v2\/pages\/95\/revisions"}],"predecessor-version":[{"id":1002,"href":"https:\/\/reframe.sussex.ac.uk\/newpathways\/wp-json\/wp\/v2\/pages\/95\/revisions\/1002"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/newpathways\/wp-json\/wp\/v2\/media?parent=95"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}