{"id":43,"date":"2014-01-27T08:20:10","date_gmt":"2014-01-27T08:20:10","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/mediatico\/?p=43"},"modified":"2014-02-10T08:58:38","modified_gmt":"2014-02-10T08:58:38","slug":"becoming-arturo-ripstein","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/mediatico\/2014\/01\/27\/becoming-arturo-ripstein\/","title":{"rendered":"Becoming \u2018Arturo Ripstein\u2019? On Authorship and EL LUGAR SIN L\u00cdMITES"},"content":{"rendered":"<p><em>Catherine Grant is Senior Lecturer in Film Studies at the <a href=\"http:\/\/www.sussex.ac.uk\/profiles\/183852\" target=\"_blank\">University of<\/a><\/em><a href=\"http:\/\/www.sussex.ac.uk\/profiles\/183852\" target=\"_blank\"> Sussex<\/a><em>, and one of the founding co-editors of<\/em> Medi\u00e1tico.<em> Today, to celebrate the\u00a0 website&#8217;s launch<\/em><em>, she presents below an expanded and updated version in English of an article published to date only in Spanish. The article sets out a detailed case study of Me<\/em><em>xican director Arturo Ripstein&#8217;s film adaptation of Chilean writer Jos\u00e9 Donoso&#8217;s 1966 short novel <\/em>El lugar sin l\u00edmites <em>(\u2018The Place without Limits\u2019, <i>aka<\/i> \u2018Hell Has No Limits\u2019), which featured a significant, though uncredited, contribution from the exiled Argentine author Manuel Puig.<br \/>\n<\/em><\/p>\n<ul>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2014\/01\/Becoming-Arturo-Ripstein-GRANT-Mediatico-JANUARY-2014-1.pdf\" target=\"_blank\">GRANT, Catherine, &#8216;Becoming &#8220;Arturo Ripstein&#8221;? On Collaboration and the &#8220;Author Function&#8221; in the Transnational Film Adaptation of <i>El lugar sin l\u00edmites,<\/i><em>&#8220;MEDI\u00c1TICO,<\/em> January 2014 [PDF]<\/a><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" id=\"doc_75040\" src=\"\/\/www.scribd.com\/embeds\/197638283\/content?start_page=1&amp;view_mode=scroll&amp;access_key=key-3vw31t05x0mddbhdbpw&amp;show_recommendations=true\" height=\"600\" width=\"100%\" frameborder=\"0\" scrolling=\"no\" data-auto-height=\"false\" data-aspect-ratio=\"0.708006279434851\"><\/iframe><\/p>\n<p><em>Based on an article originally published\u00a0<em>in Spanish<\/em>, as follows:<\/em><\/p>\n<ul>\n<li><a href=\"http:\/\/revista-iberoamericana.pitt.edu\/ojs\/index.php\/Iberoamericana\/article\/viewFile\/5729\/5875\" target=\"_blank\">GRANT, Catherine, &#8216;La funci\u00f3n de &#8220;los autores&#8221;: la adaptaci\u00f3n cinematogr\u00e1fica transnacional de <em>El lugar sin l\u00edmites&#8217;<\/em>, <em>Revista Iberoamericana<\/em>, Vol. LXVIII, N\u00fam, 199, Abril-Junio 2002, pp. 253-268 [Link to original PDF]<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;<\/p>\n","protected":false},"author":1,"featured_media":44,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[10,11,55,15,43,13,12,39,42],"class_list":["post-43","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-argentina","tag-arturo-ripstein","tag-catherine-grant","tag-chile","tag-film-adaptation","tag-jose-donoso","tag-manuel-puig","tag-mexico","tag-sexuality-and-gender"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2014\/01\/el-lugar.jpg","jetpack_shortlink":"https:\/\/wp.me\/p49QSj-H","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":14,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/43\/revisions"}],"predecessor-version":[{"id":257,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/43\/revisions\/257"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/media\/44"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/media?parent=43"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/categories?post=43"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/tags?post=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}