{"id":3676,"date":"2025-07-28T07:06:49","date_gmt":"2025-07-28T07:06:49","guid":{"rendered":"https:\/\/reframe.sussex.ac.uk\/mediatico\/?p=3676"},"modified":"2025-09-09T11:17:28","modified_gmt":"2025-09-09T11:17:28","slug":"images-to-accompany-re-imagining-the-origins-of-cult-cinema-spanish-language-theatres-and-their-audiences-in-1969-1970-new-york-city-published-in-global-cult-cinemas-decolonizing-cult-fi","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/mediatico\/2025\/07\/28\/images-to-accompany-re-imagining-the-origins-of-cult-cinema-spanish-language-theatres-and-their-audiences-in-1969-1970-new-york-city-published-in-global-cult-cinemas-decolonizing-cult-fi\/","title":{"rendered":"Images to accompany &#8220;Re-imagining the origins of cult cinema: Spanish-Language Theatres and Their Audiences in 1969\u20131970 New York City&#8221;"},"content":{"rendered":"\n<p>published in <em>Global Cult Cinemas: Decolonizing Cult Film Studies <\/em>(forthcoming, Bloomsbury) edited by Iain Robert Smith, Dolores Tierney and Shruti Narayanswamy. &nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>&nbsp;All efforts were made to identify the copyright holders<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"1024\" src=\"https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.1-685x1024.jpg\" alt=\"\" class=\"wp-image-3677\" srcset=\"https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.1-685x1024.jpg 685w, https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.1-201x300.jpg 201w, https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.1-768x1149.jpg 768w, https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.1-1027x1536.jpg 1027w, https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.1-1369x2048.jpg 1369w, https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.1-scaled.jpg 1712w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/figure>\n\n\n\n<p>Figure 5.1: Cinema Listings <em>El Diario la Prensa <\/em>29<sup>th<\/sup> October 1969, 35 (\u00a0All efforts were made to identify the copyright holders)<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1004\" height=\"1024\" src=\"https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.2-1004x1024.jpg\" alt=\"\" class=\"wp-image-3678\" srcset=\"https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.2-1004x1024.jpg 1004w, https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.2-294x300.jpg 294w, https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.2-768x783.jpg 768w, https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Figure-5.2-1506x1536.jpg 1506w\" sizes=\"auto, (max-width: 1004px) 100vw, 1004px\" \/><\/figure>\n\n\n\n<p>Figure 5.2: Composite image of several pages including adverts for sexually explicit films preceding an article on \u2018Lucharemos\u2019,\u00a0\u00a0<em>El Diario la Prensa <\/em>21 December 1969, 37, 38 and 47.\u00a0(All efforts were made to contact the copyright holders)<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>published in Global Cult Cinemas: Decolonizing Cult Film Studies (forthcoming, Bloomsbury) edited by Iain Robert Smith, Dolores Tierney and Shruti&#8230;<\/p>\n","protected":false},"author":18,"featured_media":3687,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,1],"tags":[498,499,497,496,500],"class_list":["post-3676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-uncategorized","tag-498","tag-499","tag-cult-cinema","tag-el-vampiro-y-el-sexo","tag-origin-story"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2025\/07\/Front-cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/p49QSj-Xi","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/3676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/comments?post=3676"}],"version-history":[{"count":6,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/3676\/revisions"}],"predecessor-version":[{"id":3695,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/3676\/revisions\/3695"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/media\/3687"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/media?parent=3676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/categories?post=3676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/tags?post=3676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}