{"id":2948,"date":"2021-06-30T09:25:42","date_gmt":"2021-06-30T09:25:42","guid":{"rendered":"https:\/\/reframe.sussex.ac.uk\/mediatico\/?p=2948"},"modified":"2021-06-30T11:05:24","modified_gmt":"2021-06-30T11:05:24","slug":"between-agency-and-erasure-translating-narratives-of-sexual-violence-in-latin-america-by-nuala-finnegan","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/mediatico\/2021\/06\/30\/between-agency-and-erasure-translating-narratives-of-sexual-violence-in-latin-america-by-nuala-finnegan\/","title":{"rendered":"Between agency and erasure: Translating Narratives of Sexual Violence in Latin America by Nuala Finnegan"},"content":{"rendered":"\n<p>Medi\u00e1tico <em>is delighted to be able to present an entry focused on the important work on cultural narratives of sexual violence in Latin America by Nuala Finnegan, <a href=\"http:\/\/publish.ucc.ie\/researchprofiles\/A018\/nualafinnegan\">Professor of Spanish and Latin American Studies<\/a> at University College Cork, Ireland and Director of the <a href=\"https:\/\/www.ucc.ie\/en\/mexicanstudies\/\">Irish Centre for Mexican Studies<\/a>. In particular, we are publishing the video recording of her <\/em>r<em>ecent plenary lecture at the conference of the Association of Hispanists of Great Britain and Ireland (thanks to the AHGBI), together with a short introduction to this lecture and a listing (with links, where possible) of the many references that she makes throughout it.<\/em> <\/p>\n\n\n\n<p><em>Prof<\/em>. <em>Finnegan has published in the areas of contemporary Mexican literary and visual cultural studies with a particular focus on gender. Interested in multi-disciplinary approaches and community engagement, she has worked collaboratively on many exhibitions, for example,\u00a0<em><em><a href=\"https:\/\/www.ucc.ie\/en\/edi\/news\/ucc\/1920\/title-1195435-en.html#\">Entre Mundos\/Between Worlds: Images from Life between Mexico and Ireland<\/a><\/em>\u00a0<\/em>in 2019, and\u00a0<em><a href=\"http:\/\/www.glucksman.org\/exhibitions\/outposts-global-borders-and-national-boundaries\">OUTPOSTS: global borders and national boundaries<\/a><\/em>\u00a0in 2018-2019. Her major publications include <\/em><a href=\"https:\/\/www.routledge.com\/Cultural-Representations-of-Feminicidio-at-the-US-Mexico-Border\/Finnegan\/p\/book\/9780367903640\">Cultural Representations of Feminicidio on the U.S.-Mexico Border<\/a><em> (Routledge 2018) and the essay collections, <\/em><a href=\"https:\/\/www.google.com\/search?client=safari&amp;rls=en&amp;q=Rethinking+Juan+Rulfo%E2%80%99s+Creative+World:+Prose,+Photography,+Film&amp;ie=UTF-8&amp;oe=UTF-8\">Rethinking Juan Rulfo\u2019s Creative World: Prose, Photography, Film<\/a><em> (Legenda 2016), with Dylan Brennan, and<\/em> <a href=\"https:\/\/irlandeses.org\/1872651-2\/\">Ireland and Cuba: Entangled Histories\/Irlanda y Cuba: Historia entretejidas<\/a><em> (Bolo\u00f1a, 2020) with Margaret Brehony.<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gBHEWd1J3cA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p><strong>Between agency and erasure: Translating Narratives of Sexual Violence in Latin America<\/strong><\/p>\n\n\n\n<p>By <strong>Nuala Finnegan<\/strong><\/p>\n\n\n\n<p>The above embedded, deeply personal lecture&nbsp;focuses on my experience of translation of two performance-related pieces from Latin America on sexual violence, one about Ciudad Ju\u00e1rez, and the other from the extreme other end of the continent.<\/p>\n\n\n\n<p>In the first set of reflections, I focus on the process of translating violence done to the bodies of women who I have previously described as figured, disfigured, fractured, fragmented, remoulded, reimagined, reinvented, revictimized and revitalized sometimes all at the same time (Finnegan 2018). The second half considers the problems of cultural translation of the term&nbsp;<em>feminicidio<\/em>&nbsp;in a collective performance and multilingual translation of&nbsp;<em>El violador en tu camino<\/em>, by the Chilean theatre group Las Tesis in February 2020 at University College Cork in Ireland. In the first section, I return to reflect on work already written and to re-imagine it in dialogue with the second set of reflections.<\/p>\n\n\n\n<p>In this way, I go back but also forward, moving from the personal experience of translating&nbsp;<em>Women of Sand<\/em>&nbsp;by Humberto Robles to the collaborative translation of&nbsp;<em>El violador en tu camino<\/em>&nbsp;shifting through different affective registers.&nbsp;Drawing on insights from affect theory and translation studies, but also excavating my own positionality in both translation experiences, I contend that the cognitive, political and affective encounter with words that name deeply personal and traumatic experiences can activate a deep recognition of systemic and structural violence.<\/p>\n\n\n\n<p>Taking this into consideration, I argue for an increased attentiveness to&nbsp;the potential of feminist translation and its generative energy&nbsp;as an ethical mode of entry into unlocking the traumas of other and charting a pathway of resistance&nbsp;against those structural violences that cross all our lives.&nbsp;<\/p>\n\n\n\n<p><strong>Works Cited<\/strong><\/p>\n\n\n\n<p>Baker, Mona. 2013. \u201cTranslation as an Alternative Space for Political Action\u201d,&nbsp;<em>Social Movement&nbsp;<\/em>Studies, 12(1):1-25. DOI:<a href=\"http:\/\/dx.doi.org\/10.1080\/14742837.2012.685624\" target=\"_blank\" rel=\"noreferrer noopener\">10.1080\/14742837.2012.685624<\/a><\/p>\n\n\n\n<p>Barad, Karen. 2010. \u201cQuantum Entanglements and Hauntological Relations of Inheritance: Dis\/continuities, SpaceTime Enfoldings, and Justice-to-Come\u201d,&nbsp;<em>Derrida Today<\/em>, 3.2: 240\u2013268. DOI: <a href=\"https:\/\/feministstudies.ucsc.edu\/faculty\/publications\/pdfs\/barad-derrida-today.pdf\">10.3366\/E1754850010000813<\/a>.&nbsp;<\/p>\n\n\n\n<p>Basile, Elena. 2007. &#8220;The most intimate act of reading: affective vicissitudes in the translator&#8217;s labour&#8221;&nbsp;<em>Doletiana: revista de traducci\u00f3, literatura i arts<\/em>, 1. Available at:&nbsp;&nbsp;<a href=\"http:\/\/www.raco.cat\/index.php\/Doletiana\/article\/view\/148410\/200238\">http:\/\/www.raco.cat\/index.php\/Doletiana\/article\/view\/148410\/200238<\/a>.<\/p>\n\n\n\n<p>Boyle, Catherine. 2015. \u201cA Feminist Translates.\u201d&nbsp;<em>Bulletin of the Comediantes<\/em>, 67 (1): 149-166.<\/p>\n\n\n\n<p>Braidotti, Rosi, 2021.&nbsp;\u201cPosthuman Ethics\u201d, Lecture, University College Cork, 11 March. Available at:&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=ZTNT9R5Fr-o\">https:\/\/www.youtube.com\/watch?v=ZTNT9R5Fr-o<\/a><\/p>\n\n\n\n<p>&#8212;&#8212;&#8211; 2020. \u201c\u201cWe\u201d Are In&nbsp;<em>This<\/em>&nbsp;Together, But We Are Not One and the Same\u201d,&nbsp;<em>Bioethical Enquiry<\/em>, 17: 465-469.<\/p>\n\n\n\n<p><em>Brossard, Nicole. 1990. Mauve Desert&nbsp;<\/em>(<em>Le D\u00e9sert Mauve<\/em>). Translated by Susanne de Lotbini\u00e8re-Harwood. Coach House Books.<\/p>\n\n\n\n<p>Brook, Peter. 1990.&nbsp;<em>The Empty Space<\/em>. London: Penguin Books.&nbsp;<\/p>\n\n\n\n<p>Butler, Judith. 2004.&nbsp;<em>Precarious Life: The Powers of Mourning and Violence<\/em>. London: Verso.<\/p>\n\n\n\n<p>&#8212;&#8212; 2011. \u201cPrecarious Life: The Obligations of Proximity.\u201d The Neale Wheeler Watson Lecture. Nobel Museum, Stockholm, Sweden. 24 May.&nbsp;<\/p>\n\n\n\n<p>Cvetkovich, Ann. 2012.&nbsp;<em>Depression: A Public Feeling<\/em>. Duke University Press.&nbsp;<\/p>\n\n\n\n<p>Driver, Alice. 2015. \u201cFemicide in Ju\u00e1rez is Not a Myth\u201d,&nbsp;<em>Texas Observer<\/em>. 28 September.&nbsp;&nbsp;<a href=\"https:\/\/www.texasobserver.org\/femicide-in-juarez-is-not-a-myth\/?Src=longreads\">https:\/\/www.texasobserver.org\/femicide-in-juarez-is-not-a-myth\/?Src=longreads<\/a><\/p>\n\n\n\n<p>&#8212;&#8212;- 2016. \u201cTalking to Alice Driver about Violence against Women in Ju\u00e1rez\u201d posted by Julia Wick.&nbsp;&nbsp;https:\/\/longreads.com\/2016\/02\/03\/talking-to-alice-driver-about-violence-against-women-in-juarez\/<\/p>\n\n\n\n<p>Duggan, Patrick. 2012.&nbsp;<em>Trauma-Tragedy: Symptoms of Contemporary Performance<\/em>. Manchester University Press.&nbsp;<\/p>\n\n\n\n<p>Ergun, Emek, 2021. \u201cFeminist Translation as a Critical Praxis of Transnational Feminism\u201d. University of Warwick Translation and Transcultural Studies Research Seminars,&nbsp;Monday 15 March. [unpublished]<\/p>\n\n\n\n<p>Finnegan, Nuala, 2018.<em>&nbsp;Cultural Representations of Feminicidio on the U.S.-Mexico<\/em>&nbsp;<em>Border<\/em>. Routledge 2018.&nbsp;<\/p>\n\n\n\n<p>&#8212;&#8212; 2018.&nbsp;\u201cTranslating Feminicide:&nbsp;<em>Women of Sand<\/em>&nbsp;and the Performance of Trauma,\u201d&nbsp;<em>Performance Matters<\/em>, 4:3: 30-48. Available at: <a href=\"http:\/\/\u200bhttps:\/\/performancemattersthejournal.com\/index.php\/pm\/article\/view\/120\">\u200bhttps:\/\/performancemattersthejournal.com\/index.php\/pm\/article\/view\/120<\/a>.<\/p>\n\n\n\n<p>Franks, Mary Anne, 2005. An-Aesthetic Theory: Adorno, Sexuality, and Memory. In&nbsp;<em>Feminist Interpretations of Theodor Adorno&nbsp;<\/em>[online]. Available at SSRN:&nbsp;<a href=\"https:\/\/ssrn.com\/abstract=2886644\">https:\/\/ssrn.com\/abstract=2886644<\/a>. [Accessed 22 June 2021].<\/p>\n\n\n\n<p>\u2014\u2014\u2014 and Cynthia Bejarano. 2010. \u201cIntroduction: A Cartography of Feminicide in the Am\u00e9ricas.\u201d In&nbsp;<em>Terrorizing Women: Feminicide in the Am\u00e9ricas<\/em>, edited by Rosa Linda Fregoso and Cynthia Bejarano, 1\u201344. Duke University Press.<\/p>\n\n\n\n<p>Fournier, Lauren. 2021.&nbsp;<em>Autotheory as Feminist Practice in Art, Writing and Criticism<\/em>. MIT Press.&nbsp;<\/p>\n\n\n\n<p>Glissant \u00c9douard. 1997.&nbsp;<em>Poetics of Relation<\/em>, translated by Betsy Wing. University of Michigan Press.&nbsp;<\/p>\n\n\n\n<p>Greer, Amanda. 2017. Murder, she spoke: the female voice\u2019s ethics of evocation and spatialisation in the true crime podcast,&nbsp;<em>Sound Studies<\/em>, 3:2, 152-164, DOI:&nbsp;<a href=\"https:\/\/doi.org\/10.1080\/20551940.2018.1456891\">10.1080\/20551940.2018.1456891<\/a><\/p>\n\n\n\n<p>LaCapra, Dominick. 1994.&nbsp;<em>Representing the holocaust: history, theory, trauma.<\/em>&nbsp;Cornell University Press.<\/p>\n\n\n\n<p>Lagarde y de los R\u00edos, Marcela. 2014. \u201cEl feminicidio no es una palabra, es toda una teor\u00eda.\u201d Interview with Jos\u00e9 Juan de Avila. 15 November.&nbsp;<em>El Universal.<\/em>&nbsp;Available at:&nbsp;<a href=\"http:\/\/archivo.eluniversal.com.mx\/cultura\/2014\/impreso\/-8220el-feminicidio-no-es-una-palabra-es-toda-una-teoria-8221-75555.html\">http:\/\/archivo.eluniversal.com.mx\/cultura\/2014\/impreso\/-8220el-feminicidio-no-es-una-palabra-es-toda-una-teoria-8221-75555.html<\/a><\/p>\n\n\n\n<p>Laub, Doris 1992. \u201cBearing Witness, or the Vicissitudes of Listening\u201d. In&nbsp;<em>Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History<\/em>, edited by Shoshana Felman and Doris Laub, 57-74. London: Routledge.&nbsp;<\/p>\n\n\n\n<p>Lugones, Mar\u00eda, 1987. \u201cPlayfulness, &#8220;World&#8221;-Travelling, and Loving Perception\u201d,&nbsp;<em>Hypatia<\/em>, 2: 2 (Summer): 3-19.<\/p>\n\n\n\n<p>Maier, Carol. 2006. \u201cTranslating as a Body: Meditations on Mediation (Excerpts 1994-2004)\u201d. In&nbsp;<em>The Translator as Writer<\/em>, edited by Susan Bassnett and Peter Bush. London and New York: Continuum: 137-148.<\/p>\n\n\n\n<p>Martin, Deborah, Shaw, Deborah. 2020. \u201cChilean and Transnational Performances of Disobedience: LasTesis and the Phenomenon of&nbsp;<em>Un violador en tu camino\u201d<\/em>,&nbsp;<em>Bulletin of Latin American Research<\/em>, 21 January 2021 (Early online)&nbsp;<a href=\"https:\/\/doi.org\/10.1111\/blar.13215\"><em>https:\/\/doi.org\/10.1111\/blar.13215<\/em><\/a><strong><em><u><\/u><\/em><\/strong><\/p>\n\n\n\n<p><em>Massumi, Brian. 1995. \u201cThe Autonomy of Affect\u201d,&nbsp;<\/em><em>Cultural Critique<\/em>, 31, The Politics of Systems and Environments (Part II: Autumn): 83-109.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Mbemb\u00e9, J., &amp; Meintjes, L. 2003. \u201cNecropolitics\u201d,&nbsp;<em>Public Culture<\/em>&nbsp;<em>15<\/em>(1), 11-40. Available at:&nbsp;<a href=\"https:\/\/www.muse.jhu.edu\/article\/39984.\">https:\/\/www.muse.jhu.edu\/article\/39984.<\/a><\/p>\n\n\n\n<p>Peeren, Esther. 2014.&nbsp;<em>The Spectral Metaphor:&nbsp;<\/em><em>Living Ghosts and the Agency of Invisibility<\/em>. Palgrave.&nbsp;<\/p>\n\n\n\n<p>Pi\u00f1eda-Madrid, Nancy, 2011.&nbsp;<em>Suffering and Salvation in Ciudad Ju\u00e1rez<\/em>. Minneapolis: Fortress Press. Robles, Humberto. 2002.&nbsp;<em>Mujeres de arena<\/em>.&nbsp;<a href=\"https:\/\/mujeresdearenateatro.blogspot.ie\/\">https:\/\/mujeresdearenateatro.blogspot.ie\/<\/a><\/p>\n\n\n\n<p>Reguillo, Rosanna. 2011. \u201cLa narcom\u00e1quina y el trabajo de la violencia: Apuntes para su decodificaci\u00f3n\u201d.&nbsp;<em>E-misf\u00e9rica,&nbsp;<\/em>8 (2). Special edition: Narcom\u00e1quina. Available at:&nbsp;<a href=\"http:\/\/hemisphericinstitute.org\/hemi\/es\/e-misferica-82\">http:\/\/hemisphericinstitute.org\/hemi\/es\/e-misferica-82<\/a>.<\/p>\n\n\n\n<p>Rivera Garza, Cristina, 2021. \u201cSonar Wildly: On the Trail of Gloria Anzald\u00faa\u201d. Translated by Sarah Booker.&nbsp;<em>The Baffler<\/em>, 56.&nbsp;<a href=\"https:\/\/thebaffler.com\/salvos\/sonar-wildly-rivera-garza\">https:\/\/thebaffler.com\/salvos\/sonar-wildly-rivera-garza<\/a><\/p>\n\n\n\n<p>Russell, Diana E.H., Harmes, Roberta H., 2001.&nbsp;<em>Femicide in Global Perspective<\/em>. Teachers College Press.<\/p>\n\n\n\n<p>Schmidt Camacho, Alicia. 2006. \u201cIntegral Bodies: Cuerpos \u00cdntegros: Impunity and the Pursuit of Justice in the Chihuahuan&nbsp;<em>feminicidio\u201d&nbsp;&nbsp;E-misf\u00e9rica. 3 (1). Available at:&nbsp;<\/em><a href=\"http:\/\/hemisphericinstitute.org\/journal\/3.1\/eng\/en31_pg_camacho.html\">http:\/\/hemisphericinstitute.org\/journal\/3.1\/eng\/en31_pg_camacho.html<\/a><em><\/em><\/p>\n\n\n\n<p>Segato, Rita Laura. 2013.&nbsp;<em>La escritura en el cuerpo de las mujeres asesinadas en Ciudad Ju\u00e1rez,&nbsp;<\/em>Buenos Aires, Tinta Lim\u00f3n.<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;- \u201cTerritory, Sovereignty, and the Crimes of the Second State: The Writing on the Body of Murdered Women\u201d. In Terrorizing Women&nbsp;Feminicide in the Americas, edited by Rosa-Linda Fregoso and Cynthia Bejarano. Duke University Press:&nbsp;70-92.&nbsp;<\/p>\n\n\n\n<p>Spivak, Gayatri Chakrovorty. 1993. \u201cThe Politics of Translation\u201d. In&nbsp;<em>Outside in the Teaching Machine<\/em>. Routledge: 179-200.&nbsp;<\/p>\n\n\n\n<p>Valencia, Sayak. 2018.&nbsp;<em>Gore Capitalism<\/em>. Translated by John Pluecker. MIT: Semiotexte(s).&nbsp;<\/p>\n\n\n\n<p>Veronelli, Gabriela. 2015. \u201cThe coloniality of language: race, expressivity, power, and the darker side of modernity\u201d,&nbsp;<em>Wagadu<\/em>, 13 (Summer): 108-134.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Also see<\/strong><\/p>\n\n\n\n<p>Laura Hatry, &#8220;<a href=\"https:\/\/reframe.sussex.ac.uk\/mediatico\/2020\/10\/26\/ema-a-premonitory-performance-of-fire-and-dance\/\">EMA: A <font color=\"#2271b1\"><span style=\"caret-color: rgb(34, 113, 177);\"><u>Premonitory Performance of Fire and Dance,<\/u><\/span><\/font><\/a>&#8221; <em>Medi\u00e1tico<\/em>, October 26, 2020 &#8211; which also discusses <em>Un violador en tu camino<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-mediatico wp-block-embed-mediatico\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"UX2RDaL2Zj\"><a href=\"https:\/\/reframe.sussex.ac.uk\/mediatico\/2020\/10\/26\/ema-a-premonitory-performance-of-fire-and-dance\/\">Ema: A Premonitory Performance of Fire and Dance<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Ema: A Premonitory Performance of Fire and Dance&#8221; &#8212; Medi\u00e1tico\" src=\"https:\/\/reframe.sussex.ac.uk\/mediatico\/2020\/10\/26\/ema-a-premonitory-performance-of-fire-and-dance\/embed\/#?secret=EMJFQziG31#?secret=UX2RDaL2Zj\" data-secret=\"UX2RDaL2Zj\" width=\"470\" height=\"265\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Medi\u00e1tico is delighted to be able to present an entry focused on the important work on cultural narratives of sexual&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2949,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[342,200,2,27,381],"tags":[],"class_list":["post-2948","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-and-writers","category-documentary","category-film","category-research-news","category-teaching-resources"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2021\/06\/Screenshot-2021-06-23-at-11.49.00.png","jetpack_shortlink":"https:\/\/wp.me\/p49QSj-Ly","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/2948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/comments?post=2948"}],"version-history":[{"count":9,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/2948\/revisions"}],"predecessor-version":[{"id":2966,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/2948\/revisions\/2966"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/media\/2949"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/media?parent=2948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/categories?post=2948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/tags?post=2948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}