{"id":1605,"date":"2016-11-02T18:17:46","date_gmt":"2016-11-02T18:17:46","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/mediatico\/?p=1605"},"modified":"2016-11-02T18:19:04","modified_gmt":"2016-11-02T18:19:04","slug":"video-essays-on-latin-american-cinema-at-a-special-issue-of-intransition","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/mediatico\/2016\/11\/02\/video-essays-on-latin-american-cinema-at-a-special-issue-of-intransition\/","title":{"rendered":"Video essays on Latin American Cinema at a special issue of [in]Transition"},"content":{"rendered":"

Medi\u00e1tico‘s co-editor Catherine Grant is also co-editor of\u00a0the video-essay based publication <\/em>[in]Transition:\u00a0Journal of Videographic Film and Moving Image\u00a0Studies<\/a>. So she wanted the readers of this blog to know immediately that a new guest-edited special issue<\/a> of\u00a0this peer-reviewed journal\u00a0<\/em>\u00a0has just been published which is devoted to\u00a0videographic<\/span>\u00a0work on Latin American cinema<\/a>. The published videos are listed and linked to in the entry below.<\/em><\/p>\n

This excellent issue was guest-edited by Latin American cinema scholars\u00a0Michael\u00a0Talbott<\/span><\/a>,\u00a0Castleton<\/span>\u00a0University, and Nicolas\u00a0Poppe<\/span><\/a>, Middlebury College\u00a0(assisted by Christian Keathley for the journal’s regular co-editors). Both Talbott and Poppe have published their own videographic work on Latin American cinema – it can be seen here <\/a>and here<\/a>.<\/em><\/p>\n

While some of the video-makers whose work features in this issue\u00a0had prior video-editing experience, others were first-time editors and creators.\u00a0Their videos are\u00a0accompanied in the issue by their\u00a0curatorial\/maker statements, as well as by peer-reviewer\u00a0evaluations.<\/em><\/p>\n

 <\/p>\n

\n

\"\u201cYou<\/p>\n

\u201cYou Looking at Me? The Misleading Counter-Shot in The Hour of the Star (1986)<\/a>\u00a0by\u00a0Nilo Couret<\/a><\/p>\n

\n<\/div>\n

\"Still<\/div>\n
Still Brazil<\/a>\u00a0by\u00a0Stefan Solomon<\/a><\/div>\n
<\/div>\n
<\/div>\n
\"\u201cHunger<\/div>\n
\u201cHunger and Rotten Flesh: Cinema Novo, Pasolini, Eisenstein<\/a>\u00a0by\u00a0Albert Elduque<\/a><\/div>\n
<\/div>\n
<\/div>\n
\"\u00bfPor<\/div>\n
\u00bfPor qu\u00e9 me miras as\u00ed? Magaly, Dolores, and the Authentic Indigenous Icon<\/a>\u00a0by\u00a0Jeffrey Middents<\/a><\/div>\n
<\/div>\n
\n

\"Bu\u00f1uel<\/p>\n

Bu\u00f1uel in Mexico: The Logic of Delirium<\/a>\u00a0by\u00a0Cristina \u00c1lvarez L\u00f3pez<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Medi\u00e1tico‘s co-editor Catherine Grant is also co-editor of\u00a0the video-essay based publication [in]Transition:\u00a0Journal of Videographic Film and Moving Image\u00a0Studies. So she…<\/p>\n","protected":false},"author":1,"featured_media":1609,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-1605","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/mediatico\/files\/2016\/11\/Screen-Shot-2016-11-02-at-18.15.31.png","jetpack_shortlink":"https:\/\/wp.me\/p49QSj-pT","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/1605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/comments?post=1605"}],"version-history":[{"count":5,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/1605\/revisions"}],"predecessor-version":[{"id":1612,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/posts\/1605\/revisions\/1612"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/media\/1609"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/media?parent=1605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/categories?post=1605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/mediatico\/wp-json\/wp\/v2\/tags?post=1605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}