{"id":503,"date":"2012-09-04T07:00:03","date_gmt":"2012-09-04T07:00:03","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/gqc\/?p=503"},"modified":"2013-01-21T12:37:43","modified_gmt":"2013-01-21T12:37:43","slug":"queer-uncanny-3-paranoid-hermeneutics-as-queer-cinematic-vernacular","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/gqc\/2012\/09\/04\/queer-uncanny-3-paranoid-hermeneutics-as-queer-cinematic-vernacular\/","title":{"rendered":"Queer Uncanny #3: Paranoid Hermeneutics as Queer Cinematic Vernacular"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/42029962?title=0&amp;byline=0&amp;portrait=0\" height=\"281\" width=\"500\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/vimeo.com\/42029962\">Paranoid Hermeneutics as Queer Cinematic Vernacular<\/a> by <a href=\"http:\/\/vimeo.com\/filmstudiesff\">Catherine Grant<\/a>.<\/p>\n<p>The above video comprised my (virtual,<em> in absentia<\/em>) presentation at the &#8220;<a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/2012\/05\/02\/queer-cinema-and-the-politics-of-the-global\/\" target=\"_blank\">Queer Cinema and the Politics of the Global<\/a>&#8221; Workshop held at the University of Sussex, UK, on May 12, 2012. This Workshop was the first in the ongoing series of Global Queer Cinema <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/category\/gqc-events\/\">events<\/a>.<\/p>\n<p>For further research on Lucrecia Martel&#8217;s films please visit <a href=\"http:\/\/lucreciamartel.blogspot.com\" target=\"_blank\">Planes of Focus\/Planos de enfoque: On the Films of Lucrecia Martel<\/a>.<\/p>\n<p>For more openly accessible online reading on the concept of vernacular modernism, please visit my <a href=\"http:\/\/filmstudiesforfree.blogspot.com\/2012\/05\/cinema-experience-vernacular-modernism.html\" target=\"_blank\">posting<\/a> on the subject at <a href=\"http:\/\/filmstudiesforfree.blogspot.com\/2012\/05\/cinema-experience-vernacular-modernism.html\" target=\"_blank\">Film Studies For Free<\/a>.<\/p>\n<p><em>Catherine Grant<\/em><\/p>\n<p><em>The above video is shared here by <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/about-gqc\/gqc-contributors\/\" target=\"_blank\">Catherine Grant<\/a> under a <a href=\"http:\/\/creativecommons.org\/licenses\/by-nc-sa\/3.0\/\" target=\"_blank\">Creative Commons Attribution-NonCommercial-ShareAlike License<\/a>.<\/em><\/p>\n<p><a href=\"http:\/\/creativecommons.org\/licenses\/by-nc-sa\/3.0\/\"><img loading=\"lazy\" decoding=\"async\" title=\"Creative Commons Attribution-NonCommercial-ShareAlike CC BY-NC-SA \" alt=\"\" src=\"http:\/\/i.creativecommons.org\/l\/by-nc-sa\/3.0\/88x31.png\" width=\"53\" height=\"19\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paranoid Hermeneutics as Queer Cinematic Vernacular by Catherine Grant. The above video comprised my (virtual, in absentia) presentation at the&#8230;<\/p>\n","protected":false},"author":3,"featured_media":519,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[69,18,86],"tags":[96,88,99,92,51,93,94,87,97,95,100,89,43,90,98,21,102,101],"class_list":["post-503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-queer-frames-2","category-queer-uncanny","category-videos","tag-argentina","tag-argentine-cinema","tag-connotation","tag-human-rights","tag-latin-american-film","tag-lgbt-rights","tag-lucia-puenzo","tag-lucrecia-martel","tag-marco-berger","tag-paranoia","tag-queer-auteurism","tag-queer-epistemology","tag-queer-families","tag-queer-hermeneutics","tag-same-sex-marriage","tag-uncanny","tag-vernacular-modernism","tag-vernacular-queerness"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/gqc\/files\/2012\/09\/Headless_Woman.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2GTJq-87","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts\/503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/comments?post=503"}],"version-history":[{"count":24,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts\/503\/revisions"}],"predecessor-version":[{"id":1014,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts\/503\/revisions\/1014"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/media\/519"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/media?parent=503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/categories?post=503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/tags?post=503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}