Today’s post in our series on lesbian cinematic spaces is from Rachel Tavernor, our Reframe colleague, and is sure to be of interest to our readers in Brighton this week:<\/p>\n
The Queer, Feminist and Social Media Praxis workshop<\/a>, Eyes Wide Open Cinema<\/a>, and the Centre for the Study of Sexual Dissidence<\/a> present:<\/p>\n The OWLS<\/b><\/a><\/p>\n Followed by Q&A with the producer, Alex Juhasz<\/a><\/p>\n Duke\u2019s at the Komedia<\/a>, Thursday 16th<\/sup> May, at 6pm<\/p>\n You can now reserve your seat on the Duke\u2019s at the Komedia<\/a> website.<\/p>\n A funny, mysterious and humane generational anthem, THE OWLS<\/a> is an experimental thriller\/film noir about four \u201cOlder-Wiser-Lesbians\u201d who accidentally kill a young lesbian and try to get away with it. Raised in the shadow of \u201cpathological lesbian\u201d films like THE FOX, THE CHILDREN\u2019S HOUR and THE KILLING OF SISTER GEORGE, the OWLs once embraced the utopian vision of Lesbian Nation. Now, approaching middle age, the revolution has eluded their dreams. Caught between a culture that still has no place for them, and a younger generation indifferent to their contributions, the OWLs face an emotionally complex set of circumstances that have yet to be compassionately and truthfully addressed.<\/p>\n THE OWLS\u2019 screenplay is by Sarah Schulman<\/a> (best known for her novels AFTER DELORES and PEOPLE IN TROUBLE), is based on a story by writer\/director\/professor Cheryl Dunye<\/a> (THE WATERMELON WOMAN, SHE DON\u2019T FADE, STRANGER INSIDE), and stars some of the most popular underground artists in Lesbian Cinema, including Guinevere Turner (GO FISH, The L Word, AMERICAN PSYCHO), V.S. Brodie (GO FISH), Lisa Gornick (TICK-TOCK LULLABYE) and Deak Evgenikos (The ITTY BITTY TITTY COMMITTE).<\/p>\n 2010 | USA | 66 min.<\/p>\n Director Cheryl Dunye Today’s post in our series on lesbian cinematic spaces is from Rachel Tavernor, our Reframe colleague, and is sure to…<\/p>\n","protected":false},"author":7,"featured_media":1250,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[84],"tags":[214,216,218,217,215],"class_list":["post-1242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-queer-film-cultures","tag-cheryl-dunye","tag-dukes-at-komedia","tag-lesbian-cinematic-spaces","tag-queer-cinema","tag-sarah-schulman"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/gqc\/files\/2013\/05\/maxresdefault.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2GTJq-k2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts\/1242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/comments?post=1242"}],"version-history":[{"count":9,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts\/1242\/revisions"}],"predecessor-version":[{"id":1254,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts\/1242\/revisions\/1254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/media\/1250"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/media?parent=1242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/categories?post=1242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/tags?post=1242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWriters Sarah Schulman, Cheryl Dunye
\nProducers Candi Guterres, Ernesto M. Foronda, Alexandra Juhasz, Augusta Einarsdottir, Cheryl Dunye
\nCo-Producers Molly Sturdevant, Skip Snow
\nCinematographer Alison Kelly
\nCast Guinevere Turner, V.S. Brodie, Lisa Gornick, Deak Evgenikos<\/p>\n","protected":false},"excerpt":{"rendered":"