{"id":1015,"date":"2013-01-22T11:08:44","date_gmt":"2013-01-22T11:08:44","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/gqc\/?p=1015"},"modified":"2013-01-22T11:08:44","modified_gmt":"2013-01-22T11:08:44","slug":"queer-frames-5-rebellious-hot-boy","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/gqc\/2013\/01\/22\/queer-frames-5-rebellious-hot-boy\/","title":{"rendered":"Queer Frames #5: Rebellious Hot Boy"},"content":{"rendered":"<p>This film has several titles. Sometimes it is blandly translated as <em>Lost in Paradise<\/em>, but the literal Vietnamese title is <em>Rebellious Hot Boy and the Story of\u00a0 C\u01b0\u1eddi, The Prostitute and the Duck<\/em>, which is much more pleasing. Like many queer films, it is often discussed in terms of &#8216;breaking new ground&#8217; and being the first film from a particular country to represent queer people at the centre of the story. At GQC, we&#8217;re interested in the frequency of that particular rhetoric, but as the wacky title suggests, there&#8217;s a lot more going on in this 2011 film by\u00a0V\u0169 Ng\u1ecdc \u0110\u00e3ng than a worthy social problem narrative. Its excessive narrative includes a gay love triangle, theft and coercion, a hooker with a heart of gold, a gentle mentally handicapped person and, of course, an adorable duck.<\/p>\n<p>This frame suggests something of the film&#8217;s self-consciously Sirkian melodrama: innocent country boy Khoi has been conned out of his life savings by Evil Gay Dong, beaten up and reduced to living on the streets. Here, he&#8217;s been rescued by Lam, Dong&#8217;s ex-boyfriend and former partner in crime, now himself abandoned (left to look after the cats on his own!) and feeling guilty about his behaviour. The window bars offer a melodramatic commentary on their situation\u2013\u2013trapped by Dong&#8217;s machinations and, more than that, by the limitations of life as a gay man in Saigon. It may be a function of homophobia that we need an Evil Gay character but Dong&#8217;s gleeful villain enables all sorts of intimacies to appear in his wake.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This film has several titles. Sometimes it is blandly translated as Lost in Paradise, but the literal Vietnamese title is&#8230;<\/p>\n","protected":false},"author":6,"featured_media":1016,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[69],"tags":[118,185,60,183,184],"class_list":["post-1015","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-queer-frames-2","tag-lgbtq","tag-melodrama","tag-queer","tag-rebellious-hot-boy","tag-vietnamese-film"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/gqc\/files\/2013\/01\/Viet-Sirk.png","jetpack_shortlink":"https:\/\/wp.me\/p2GTJq-gn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts\/1015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/comments?post=1015"}],"version-history":[{"count":3,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts\/1015\/revisions"}],"predecessor-version":[{"id":1020,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/posts\/1015\/revisions\/1020"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/media\/1016"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/media?parent=1015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/categories?post=1015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/tags?post=1015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}