{"id":444,"date":"2012-09-03T10:26:23","date_gmt":"2012-09-03T10:26:23","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/gqc\/?page_id=444"},"modified":"2012-09-05T12:10:05","modified_gmt":"2012-09-05T12:10:05","slug":"gqc-contributors","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/gqc\/about-gqc\/gqc-contributors\/","title":{"rendered":"GQC Contributors"},"content":{"rendered":"<ul>\n<li><a href=\"http:\/\/www.sussex.ac.uk\/cvf\/teaching\/faculty\/person\/212244\"><strong>Rosalind Galt<\/strong><\/a> is Reader in Film Studies in the <a href=\"http:\/\/sussex.ac.uk\/mfm\/\">School of Media, Film and Music<\/a> at the University of Sussex, UK. She is the author of <em>The New European Cinema: Redrawing the Map<\/em> (Columbia UP, 2006) and <em>Pretty: Film and the Decorative Image<\/em> (Columbia, 2011), as well as coeditor of <em>Global Art Cinema: New Theories and Histories <\/em>(Oxford UP, 2010). She has published articles on topics such as cinematic masochism, European avant-garde cinemas, and synaesthesia and her current work includes a project on world cinema and economic default. She is leading the <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/about-gqc\/\">Global Queer Cinema<\/a> research project with Karl Schoonover, and is a member of the <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/about-gqc\/\">GQC<\/a> website editorial team.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>\u00a0<strong><a href=\"http:\/\/www2.warwick.ac.uk\/fac\/arts\/film\/staff\/schoonover\/\" target=\"_blank\">Karl Schoonover<\/a><\/strong> teaches in the Department of Film and TV Studies at the University of Warwick.\u00a0 His recent work explores the idea of \u2018world cinema\u2019 as a political structure that emerges from specific institutions, including arthouses, film festivals, tax incentives, censorship, and NGOs.\u00a0 His book, <em>Brutal Vision: The Neorealist Body in Postwar Italian Cinema<\/em> (U of Minnesota P 2012), argues that Neorealist films used images of suffering to recalibrate the scale of the human community.\u00a0 Schoonover also co-edited the anthology <em> Global Art Cinema<\/em> (Oxford UP 2011).\u00a0 In addition to these books, he has published articles on topics such as stardom in the 1970s, recent \u201cslow cinema\u201d debates, the aestheticization of waste, and spirit photography.\u00a0\u00a0 He is leading the <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/about-gqc\/\" target=\"_blank\">Global Queer Cinema<\/a> research project with Rosalind Galt, and is a member of the <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/about-gqc\/\" target=\"_blank\">GQC<\/a> website editorial team.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong><a href=\"http:\/\/www.sussex.ac.uk\/mediaandfilm\/people\/list\/person\/183852\" target=\"_blank\">Catherine Grant <\/a><\/strong>is a part-time Senior Lecturer in Film Studies in the <a href=\"http:\/\/sussex.ac.uk\/mfm\/\" target=\"_blank\">School of Media, Film and Music<\/a> at the University of Sussex, UK. Author and editor of numerous film studies videos as well as written studies of film authorship, adaptation, post-dictatorship cinema and world cinema, she runs the <a href=\"http:\/\/filmstudiesforfree.blogspot.com\/\" target=\"_blank\">Film Studies For Free<\/a>, <a href=\"http:\/\/filmanalytical.blogspot.com\/\" target=\"_blank\">Filmanalytical<\/a> and <a href=\"http:\/\/vimeo.com\/groups\/audiovisualcy\" target=\"_blank\">Audiovisualcy<\/a> websites and, in 2012, guest edited the <a href=\"http:\/\/framescinemajournal.com\/tocissue1\" target=\"_blank\">inaugural issue<\/a> of online journal <em><a href=\"http:\/\/framescinemajournal.com\/tocissue1\" target=\"_blank\">Frames<\/a><\/em>\u00a0on <a href=\"http:\/\/framescinemajournal.com\/introductioncatherinegrant\" target=\"_blank\">digital forms<\/a> of film studies. She is the editor of <em><a href=\"http:\/\/reframe.sussex.ac.uk\" target=\"_blank\">Reframe<\/a><\/em>, the digital platform for research in media, film and music, hosted by the <a href=\"http:\/\/www.sussex.ac.uk\/mfm\/\" target=\"_blank\">School of Media, Film and Music<\/a>, University of Sussex, which publishes the <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/\">Global Queer Cinema<\/a> website. She is a member of the <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/about-gqc\/\" target=\"_blank\">GQC<\/a> website editorial team.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong><a href=\"http:\/\/www.sussex.ac.uk\/english\/internal\/people\/peoplelists\/person\/234791\">Laura Ellen Joyce<\/a><\/strong> is\u00a0a DPhil candidate in Creative and Critical Writing at the University of Sussex. Her research interests include masculinity and spatiality, criminal geography, psychogeography and the queer uncanny, 21st century radical crime writing and gendered reception of Ovid. She teaches critical theory within the school of English and also in Media, Film and Music. She is a member of the editorial board for\u00a0<a href=\"http:\/\/www.excursions-journal.org.uk\/\"><em>Excursions<\/em><\/a>, an interdisciplinary peer-reviewed journal. \u00a0She is co-organiser of the <a href=\"http:\/\/www.sussex.ac.uk\/mediaandfilm\/research\/researchstudents\/phdevents\/mfmphdgender\">NGender<\/a> seminar series at Sussex University. Her first novel,\u00a0<a href=\"http:\/\/blog.saltpublishing.com\/2012\/07\/28\/the-book-trailer-for-laura-ellen-joyces-the-museum-of-atheism\/\"><em>The Museum of Atheism<\/em><\/a>, will be published by Salt in November 2012.\u00a0She is project co-ordinator for the <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/about-gqc\/\">GQC<\/a> project.<\/li>\n<\/ul>\n<p>The <a href=\"http:\/\/reframe.sussex.ac.uk\/gqc\/\">GQC<\/a> website is also supported by the international editorial <a href=\"http:\/\/reframe.sussex.ac.uk\/about\/advisory\/\">advisory board<\/a> of its publisher <a href=\"http:\/\/reframe.sussex.ac.uk\/\">REFRAME<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rosalind Galt is Reader in Film Studies in the School of Media, Film and Music at the University of Sussex,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":194,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-444","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2GTJq-7a","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/pages\/444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/comments?post=444"}],"version-history":[{"count":24,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/pages\/444\/revisions"}],"predecessor-version":[{"id":623,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/pages\/444\/revisions\/623"}],"up":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/pages\/194"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/gqc\/wp-json\/wp\/v2\/media?parent=444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}