{"id":415,"date":"2020-07-10T11:00:37","date_gmt":"2020-07-10T11:00:37","guid":{"rendered":"https:\/\/digitalholocaustmemory.wordpress.com\/?p=415"},"modified":"2021-03-11T14:51:33","modified_gmt":"2021-03-11T14:51:33","slug":"reading-about-digital-holocaust-memory","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/digitalholocaustmemory\/2020\/07\/10\/reading-about-digital-holocaust-memory\/","title":{"rendered":"Reading about Digital Holocaust Memory"},"content":{"rendered":"

I have the great honour this summer to work with students on the University of Haifa’s MA in Holocaust Studies <\/a>. Below is some of the reading I suggest to students who are interested in pursuing research in this area. Hyperlinks <\/strong>go to available online resources, they are mostly only available with a university login unfortunately. This list will keep being updated iteratively.<\/p>\n

Thank you to Mykola Makhortykh for suggestions via Facebook and to Tobias Ebbrecht-Hartmann for further sources, and Filomena Lopedoto and Clarissa Ceglio who shared resources via the Holocaust and Computer Games Discord Server. These have now been incorporated into the list. Let’s keep this generative – I welcome further recommendations with links in the comments section at the bottom of this post. <\/em><\/p>\n

Holocaust Museums, Memory, Education and the Digital<\/strong><\/p>\n

Baum, R. N (2012) \u2018Holograms, Simulations and Augmented Reality: Holocaust Testimony in Digital Spaces\u2019. Unpublished Paper presented at the Future of Holocaust Studies Conference. Southampton and Winchester Universities<\/p>\n

Blanke, Tobias, Michael Bryant and Mark Hedges (2019) \u2018Understanding memories of the Holocaust \u2013 A new approach to neural networks in the digital humanities\u2019, <\/a>Digital Scholarship in the Humanities <\/a><\/em>01\/08\/2019<\/a><\/p>\n

Brown, Adam and Deb Waterhouse-Watson (2014) \u2018The Future of the Past: Digital Media in Holocaust Museums\u2019, <\/a>Holocaust Studies <\/a><\/em>20 (3), pp. 1-32<\/a><\/p>\n

Chronakis, Paris Papamichos (2018) \u2018From the Lone Survivor to the Networked Self: Social Networks Meet the Digital Holocaust Archive\u2019, <\/a>Quest: Issues in Contemporary Jewish History <\/a><\/em>(13) <\/a>[This entire edition of Quest is a special on the digital and the Holocaust]<\/a><\/strong><\/p>\n

Fanning, J. \u201cGoing Online: Supporting Classroom Teaching and Learning about the Holocaust\u201d. Paper presented at The Future of Holocaust Studies Conference, <\/em>University of Southampton, 2013<\/p>\n

Frosh, Paul (2018) \u2018\u2019The mouse, the screen and the Holocaust Witness: Interface aesthetics and moral responses\u2019, <\/a>New Media and Society <\/a><\/em>20 (1), pp. 351-368<\/a><\/p>\n

Gray, M. \u201cThe Digital Era of Holocaust Education,\u201d in Contemporary Debates in Holocaust Education, <\/em>99-114. <\/em>Basingstoke: Palgrave Macmillan, 2014<\/p>\n

Hartman, Geoffrey (2001) \u2018Tele-Suffering and Testimony in the Dot Com Era\u2019, in Visual Culture and the Holocaust <\/em>ed Barbie Zelizer, London: the Athlone Press<\/p>\n

Hoskins, Andrew (2003) \u2018Signs of the Holocaust: Exhibiting Memory in a Mediated Age\u2019, <\/a>Media, Culture and Society, <\/a><\/em>25 (1), pp. 7-22<\/a><\/p>\n

Kansteiner (2017) \u2018Transnational Holocaust Memory, Digital Culture and the End of Reception Studies\u2019, <\/a>The Twentieth Century in European Memory: Trasnscultural Mediation and Reception, <\/a><\/em>Leiden and Boston: Brill<\/a><\/p>\n

Kansteiner, Wulf (2014) \u2018Genocide Memory, Digital Cultures, and the Aesthetization of Violence\u2019, <\/a>Memory Studies <\/a><\/em>7 (4), pp. 403-8<\/a><\/p>\n

Manca, Stefania (2021) ‘Digital Memory in the Post-Witness Era: How Holocaust Museums Use Social Media as New Memory Ecologies’,\u00a0Information\u00a0<\/em>12 (31)<\/a><\/p>\n

Manfra, M. M., and J.D. Stoddard \u201cMedia and Strategies for Teaching about Genocide and the Holocaust,\u201d Social Studies <\/em>99, iss. 6 (2008): 260-4<\/a><\/p>\n

Presner, Todd (2016) \u2018The Ethics of the Algorthim: Close and Distant Listening to the Shoah Foundation Visual History Archive\u2019 in Probing the Ethics of Holocaust Culture <\/em>ed Claudio Fogu, Wulf Kansteiner and Todd Presner, Cambridge MA: Harvard University Press<\/p>\n

Quest: Issues in Contemporary Jewish History\u00a0<\/em>(2018) special edition: ‘Holocaust Archives and Research in the Digital Age’<\/a><\/p>\n

Reading, Anna (2003) \u2018Digital Interactivity in Public Memory Institutions: The Uses of New Technologies in Holocaust Museums\u2019, <\/a>Media, Culture and Society <\/a><\/em>25 (1), pp. 67-85<\/a><\/p>\n

Shandler, Jeffrey (2017) Holocaust Memory in the Digital Age: Survivors\u2019 Stories and New Media Practices, <\/em>Stanford: Stanford University Press<\/p>\n

Shapiro, A., B. McDonald, and A. Johnston \u201cGathering the Voices: Disseminating the Message of the Holocaust for the Digital Generation by Applying an Interdisciplinary Approach,\u201d Social Sciences <\/em>3 (2014): 499-513<\/a><\/p>\n

Traum, D. et al (2015) \u2018New Dimensions in Testimony: Digitally Preserving a Holocaust Survivor\u2019s Interactive Storytelling\u2019, H. Schoenau-Fog et al (eds.) ICIDS 2015, <\/em>pp. 269-81<\/a><\/p>\n

Trezie, Bryoni (2011) \u2018Touching Virtual Trauma: Performative Empathies in Second Life\u2019, <\/a>Memory Studies <\/a><\/em>5 (4), pp. 392-409<\/a><\/p>\n

Walden, Victoria Grace (2019) \u2018Digital Augmentation, Assemblage and the Actual and the Virtual\u2019 and \u2018Epilogue\u2019 in Cinematic Intermedialities and Contemporary Holocaust Memory, <\/em>London and New York: Palgrave Macmillan<\/p>\n

Walden, Victoria Grace (2019) \u2018What is Virtual Holocaust Memory?\u2019 <\/a>Memory Studies <\/a><\/em>[online first]<\/a><\/p>\n

Walden, Victoria Grace [ongoing] www.digitalholocaustmemory.com<\/a> (always welcomes guest blogs that thinking critically <\/strong>and academically <\/strong>about digital Holocaust memory projects).<\/p>\n

Zalewska, M. (2016) \u2018Holography, Historical Indexicality, and the Holocaust\u2019, Spectator <\/em>36 (1): 25-32<\/a><\/p>\n

Zungri, Julia (2017) \u2018Digital Media and Holocaust Museums in a Post-Survivor Era\u2019, The iJournal <\/em>2 (2): 1-7<\/a><\/p>\n

Holocaust Memory and Social Media<\/strong><\/p>\n

Bareither, Christoph (2020) ‘Difficult Heritage and Digital Media: ‘Selfie Culture’ and Emotional Practices at the Memorial to the Murdered Jews of Europe’, <\/a>International Journal of Heritage Studies, <\/a><\/em>[online first]<\/a><\/p>\n

Bothe, Alina (2014) ‘Negotiationg Digital Shoah Memory on YouTube, in <\/a>Digital Diversities: Social Media and Intercultural Experience <\/a><\/em>eds. Gary Robson, Malgorzata Zachara and Agnieszka Stasiewicz-Bie\u0144kowska, Cambridge: Cambridge Scholars Publishing, pp. 256-72<\/a><\/p>\n

Commane, Gemma and Rebekah Potton (2018) ‘Instagrm and Auschwitz: A Critical Assessment of the Impact Social Media has on Holocauts Representation’, <\/a>Holocaust Studies: A Journal of Culture and History <\/a><\/em>25 (1-2), pp. 158-181<\/a><\/p>\n

de Bruyn, Dieter (2010) ‘World War 2.0: Commemorating War and Holocaust in Poland through Facebook’, <\/a>Digital Icons: Studies in Russian, Eurasian and Central European New Media <\/a><\/em>4, pp. 45-62<\/a><\/p>\n

Lundrigan, Meghan (2020) ‘#Holocaust #Auschwitz: Performing Holocaust Memory on Social Media’, in <\/a>A Companion to the Holocaust <\/a><\/em>edted by Simone Gigliotti and Hilary Earl, Hoboken NJ and Chichester, West Sussex: Wiley <\/a><\/p>\n

Makhortykh, Mykola (2019) ‘Nuturing the Pain: Audiovisual Tributes to the Holocaust on YouTube’, <\/a>Holocaust Studies: A Journal of Culture and History <\/a><\/em>25 (4), pp. 441-66<\/a><\/p>\n

Makhortykh, Mykola (2017) ‘Framing the Holocaust Online: Memory of the Babi Yar Massacres on Wikipedia’, <\/a>Digital Icons: Studies in Russian, Eurasian and Central European New Media <\/a><\/em>18, pp.67-94<\/a><\/p>\n

Makhortykh, Mykola (2017) ‘War Memories and Online Encyclopedias: Framing 30 June 1941 in Wikipedia, <\/a>Jo<\/a><\/em>urnal of Educational Media, Memory, and Society <\/a><\/em>9 (2), pp. 40-68<\/a><\/p>\n

Manca, Stefania (2021) ‘Digital Memory in the Post-Witness Era: How Holocaust Museums Use Social Media as New Memory Ecologies’,\u00a0Information\u00a0<\/em>12 (31)<\/a><\/p>\n

Manca, Stefania (2021) ‘Bridging Cultural Studies and Learning Sciences: An Investigation of Social Media Use for Holocaust Memory and Education in the Digital Age’,\u00a0<\/a>Review of Education, Pedagogy, and Cultural Studies\u00a0<\/em><\/p>\n

Menyh\u00e9rt, Anna (2017) ‘Digital Trauma Processing in Social Media Groups: Transgenerational Holocaust Trauma on Facebook’, <\/a>The Hungariam Historical Review <\/a><\/em>6 (2), pp. 355-376<\/a><\/p>\n

Pfanzelter, Eva (2015) ‘At the crossroads with public history: mediating the Holocaust on the Internet’, <\/a>Holocaust Studies: A Journal of Culture and History <\/a><\/em>21 (4), pp. 250-71<\/a><\/p>\n

Schankweiler, Kerstin and Verena Straub and Tobias Wendl (eds.) (2019) Image Testimonies: Witnessing in Times of Social Media,\u00a0<\/em>London and New York: Routledge<\/p>\n

Walden, Victoria Grace (2015) \u2018New Ethical Questions and Social Media: Young People\u2019s Construction of Holocaust Memory Online\u2019, <\/a>Frames Cinema Journal<\/a><\/em><\/p>\n

Wolniewicz-Slomka, Daniel (2016) ‘Framing the Holocaust in popular knowledge: 3 articles about the Holocaust in English, Hebrew and Polish Wikipedia’, <\/a>Adeptus <\/a><\/em>8, pp. 30-49<\/a><\/p>\n

Zalewska, Maria (2017) ‘Selfies from Auschwitz: Rethinking the Relationship Between Spaces of Memory and Places of Commemoration in the Digital Age’, <\/a>Digital Icons: Studies in Russian, Eurasian and Central European New Media <\/a><\/em>18, pp. 95-116.<\/a><\/p>\n

Digital Memory and Media Witnessing<\/strong><\/p>\n

Boltanski, Luc (1999)\u00a0Distant Suffering: Morality, Media and Politics,\u00a0<\/em>Cambridge: Cambridge University Press<\/p>\n

Ellis, John (2012) Documentary: Witness and Self-revelation, <\/em>London: Routledge.<\/p>\n

Ernst, Wolfgang (2013) \u2018Part II: Temporality and the Multimedial Archive\u2019, in Digital Memory and the Archive, <\/em>Minneapolis and London: University of Minnesota Press<\/p>\n

Frosh, Paul and Amit Pinchevski (2011) \u2018Introduction: Why Media Witnessing? Why Now?\u2019 in Media Witnessing: Testimony in the Age of Mass Communication <\/em>ed. Frosh and Pinchevski, <\/em>London and New York: Palgrave Macmillan<\/p>\n

Frosh, Paul (2018) \u2018The mouse, the screen and the Holocaust witness: Interface aesthetics and moral response. New Media & Society <\/em>20 (1): 351-68<\/a><\/p>\n

Frosh, Paul and Amit Pinchevski (2011) Media Witnessing: Testimony in the Age of Mass Communication<\/em><\/p>\n

Hoskins, Andrew (2018) \u2018Memory of the multitude: the end of collective memory\u2019, in Digital Memory Studies: Media Pasts in Transition <\/em>ed Andrew Hoskins, New York and London: Routledge<\/p>\n

Hoskins, Andrew (2016) \u2018Memory ecologies\u2019, <\/a>Memory Studies <\/a><\/em>9 (3), pp. 348-357<\/a><\/p>\n

Hoskins, Andrew (2013) \u2018The end of decay time\u2019, <\/a>Memory Studies <\/a><\/em>6 (3), p. 387-389<\/a><\/p>\n

Hoskins, Andrew (2011) \u2018Media, Memory, Metaphor: Remembering the Collective Turn, <\/a>Parallax <\/a><\/em>17 (4), pp. 19-31<\/a><\/p>\n

Garde-Hansen, Joanne (2009) \u2018MyMemories?: Personal Digital Archive Fever and Facebook, in Save As \u2026 Digital Memories <\/em>ed Joanna Garde-Hansen, Andrew Hoskins and Anna Reading, London and New York: Palgrave<\/p>\n

Parikka, Jussi (2018) \u2018The underpinning time: from digital memory to network microtemporality\u2019, in Digital Memory Studies: Media Pasts in Transition <\/em>ed Andrew Hoskins, New York and London: Routledge<\/p>\n

Pentzold, Christian and Vivien Sommer (2011) ‘Digital Networked Media and Social Memory: Theoretical Foundations and Implications’, <\/a>Aurora. Revista de Arte, Midia e Politica <\/a><\/em>10, pp. 72-85<\/a><\/p>\n

Peters, John Durham (2011) \u2018Witnessing\u2019 in Media Witnessing: Testimony in the Age of Mass Communication <\/em>ed. Frosh and Pinchevski, <\/em>London and New York: Palgrave Macmillan<\/p>\n

Pinchevski, Amit (2019) Transmitted Wounds: Media and the Mediation of Trauma, <\/em>Oxford: Oxford University Press<\/p>\n

Reading, Anna (2009) ‘The Globytal: Towards an Understanding of Globalised Memories in the Digital Age’, in Digital Memories: Exploring Critical Issues <\/em>eds. Anna Maj and Daniel Riha, Oxford: Oxford University Press, pp. 31-40<\/p>\n

Reading, Anna (2009) \u2018Memobilia: The Mobile Phone and the Emergence of Wearable Memories\u2019 in Save As \u2026 Digital Memories <\/em>ed Joanna Garde-Hansen, Andrew Hoskins and Anna Reading, London and New York: Palgrave<\/p>\n

Reading, Anna (2011) \u2018Memory and Digital Media: Six Dynamics of the Globital Memory Field\u2019, in On Media Memory: Collective Memory in a New Media Age <\/em>ed Motti Neiger, Oren Meyers and Eyal Zandberg, London and New York: Palgrave Macmillan<\/p>\n

Torchin, Leshu (2012)\u00a0Creating the Witness: Documenting Genocide on Film, Video, and the Internet.\u00a0<\/em>Minneapolis and London: University of Minnesota Press<\/p>\n

Van Dijck, Jos\u00e9 (2007) Mediated Memories in the Digital Age, <\/em>Stanford: Stanford University Press<\/p>\n

Wilson, Shaun (2009) \u2018Remixing Memory in Digital Media\u2019, in Save As \u2026 Digital Memories <\/em>ed Joanna Garde-Hansen, Andrew Hoskins and Anna Reading, London and New York: Palgrave<\/p>\n

Critical Digital Media Studies <\/strong><\/p>\n

Bared, Karen (2007) Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning, <\/em> Durham, NC: Duke University Press<\/p>\n

Bell, David and Barbara M. Kennedy (eds.) (2000)\u00a0The Cyberculture Reader.\u00a0<\/em>London and New York: Routledge<\/p>\n

Bolter, Jay David and Richard Grusin (2000) \u2018I Theory\u2019, in Remediation: Understanding New Media, <\/em>Cambridge MA and London: The MIT Press<\/p>\n

Braidotti, Rosi (2013) The Posthuman, <\/em>Cambridge and Malden, Polity<\/p>\n

Castells, Manuel (2000) \u2018Toward a Sociology of the Network Society\u2019, <\/a>Contemporary Sociology <\/a><\/em>29 (5), pp. 693-699<\/a><\/p>\n

Cubbit, Sean (1998) Digital Aesthetics, <\/em>London: Sage Publications<\/p>\n

Drushel, Bruce E. and Kathleen German (eds) (2011) The Ethics of Emerging Media: Information, Social Norms, and New Technology, <\/em>New York and London: Continuum<\/p>\n

Friedberg, Anna (2006) The Virtual Window: From Alberti to Microsoft, <\/em>London, UK and Cambridge, MASS: The MIT Press<\/p>\n

Frosh, Paul (2019) The Poetics of Digital Media, <\/em>Cambridge, UK and Medford, MA: Polity<\/p>\n

Fuchs, C. (2014) Social Media: A Critical Introduction, <\/em>London: Sage<\/p>\n

Hansen, Mark B (2015) Feed-Forward: On the Future of Twenty-First-Century Media, <\/em>Chicago and London: The University of Chicago Press<\/p>\n

Hansen, Mark B (2006) Bodies in Code: Interfaces with Digital Media, <\/em>New York and London: Routledge<\/p>\n

Hansen, Mark B (2004) New Philosophy for New Media, <\/em>Cambridge MA and London: The MIT Press<\/p>\n

Haraway, Donna (2006) \u2018A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late 20th<\/sup> Century, in The International Handbook of Virtual Learning environments <\/em>ed J Weiss, J Nolan and P Trifonas, Dordrecht: Springer<\/p>\n

Kember, Sarah and Joanna Zylinska (2012) Life After New Media: Mediation as a Vital Process, <\/em>Cambridge, MA: The MIT Press<\/p>\n

Manovich, Lev (2013) Software Takes Command, <\/em>New York and London: Bloomsbury<\/p>\n

Manovich, Lev (2001) \u2018What is New Media?\u2019 in The Language of New Media, <\/em>Cambridge, MA: The MIT Press<\/p>\n

McLuhan, Marshall (1964) Understanding Media: The Extension of Man, <\/em>London and New York: Routledge<\/p>\n

Wood, Aylisha (2007) Digital Encounters, <\/em>New York and London: Routledge<\/p>\n

Zielinski, Siegfried (2006) Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means, <\/em>Cambridge, MA and London: The MIT Press<\/p>\n

Zylinska, Joanna (eds) (2002) The Cyborg Experiments: The Extensions of the Body in the Media Age, <\/em>London and New York: Continuum<\/p>\n

Rethinking Museums and Memorials and Spectatorship\/Participation <\/strong><\/p>\n

Arnold-de Simine, Silke (2013)\u00a0Mediating Memory in the Museum: Trauma, Empathy, Nostalgia,\u00a0<\/em>Basingstoke: Palgrave Macmillan<\/p>\n

Hansen-Glucklich, Jennifer (2014) Holocaust Memory Reframed: Museums and the Challenges of Representation, <\/em>New Bunswick and New Jersey: Rutgers University Press<\/p>\n

Griffiths, Alison (2013) Shive Down Your Spine: Cinema, Museums and the Immersive View. <\/em>New York: Columbia Press<\/p>\n

Grau, Oliver, Wendy Coones and Viola R\u00fchse (Ed) (2017) Museum and Archive on the Move: Changing Cultural Institutions in the Digital Era, <\/em>G\u00f6ttingen: De Gruyer<\/p>\n

Kidd, Jenny (2014) Museums in the New Media Landscape: Transmedia, Participation, Ethics, <\/em>Farnham, UK and Burlington, US: Ashgate.<\/p>\n

Landsberg, Alison (2004) Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture, <\/em>New York: Columbia University Press<\/p>\n

Nora, Pierre (1989) \u2018Between Memory and History: Les Lieux de M\u00e9moire, Representations <\/em>26, pp. 7-24<\/p>\n

Parry, Ross (Ed) (2010) Museums in a Digital Age, <\/em>London and New York: Routledge<\/p>\n

Parry, Ross (2007) Recoding the Museum: Digital Heritage and the Technologies of Change, <\/em>London and New York: Routledge<\/p>\n

Simon, Nina (2010) The Participatory Museum, <\/em>Santa Cruz: MUSEUM<\/p>\n

Van Alphen, Ernst (2001) \u2018Playing the Holocaust\u2019, Mirroring Evil <\/em>ed. Norman L. Kleeblatt, New York: Jewish Museum, pp. 65-83.<\/p>\n

Young, James (1993) The Texture of Memory: Holocaust Memorials and Meaning. <\/em>New Haven and London: Yale University Press<\/p>\n

Young, James (2000) \u2018David Levinthals\u2019 Mein Kampf: <\/em>History, Toys, and the Play of Memory\u2019, in At Memory\u2019s Edge: After-Images of the Holocaust in Contemporary Art and Architecture, <\/em>New Haven and London: Yale University Press.<\/p>\n

Games Studies<\/strong><\/span><\/p>\n

Aarseth, Espen (1997)\u00a0Cybertext: Perspectives on Ergodic Literature,\u00a0<\/em>Baltimore and London: Johns Hopkins Press<\/p>\n

Alphen, E.J. van (2015) \u2018Playing the Holocaust and Playing with the Holocaust\u2019. In: Holocaust Fiktion. Kunst jenseits der Auhentizitaet, <\/em>pp. 151-62. Paderborn: Wilhelm Fink.<\/p>\n

Atkins, Barry and Tanya Krzywinska (eds.) (2007) Videogame, Player, Text,\u00a0<\/em>Manchester: Manchester University Press<\/p>\n

Avedon, Elliott M. and Brian Sutton-Smith (1971)\u00a0The Study of Games,\u00a0<\/em>New York and London: John Wiley and Sons<\/p>\n

Bjork, Staffan and Jussi Holopainen (2003) ‘Describing Games: An Interaction-Centric Structural Framework’, in\u00a0Level Up: Digital Games Research Conference Proceedings.\u00a0<\/em>Utrecht: DiGRA and University of Utrecht<\/a><\/p>\n

Calleja, Gordon (2011)\u00a0In-Game: From Immersion to Incorporation,\u00a0<\/em>Cambridge Mass and London: MIT Press<\/p>\n

Calliois, Roger (1958\/2001)\u00a0Man, Play and Games,\u00a0<\/em>Champaign: University of Illinois Press<\/p>\n

Dovey, John and Helen W. Kennedy (2006)\u00a0Games Cultures: Computer Games as New Media,\u00a0<\/em>Maidenhead: Open University Press<\/p>\n

Egenfeldt-Nielsen, Simon, Jonas Heide Smith, and Susana Pajares Tosca (2020)\u00a0Understanding Video Games: Essential Introduction Fourth Edition,\u00a0<\/em>London: Routledge<\/p>\n

Eludamos: Journal for Computer Game Culture<\/em><\/a><\/p>\n

Fine, Gary Alan (1983)\u00a0Shared Fantasy: Role-Playing Games as Social Worlds,\u00a0<\/em>Chicago and London: Chicago University Press<\/p>\n

Fogu, Claudio (2009) \u2018Digitalizing Historical Consciousness\u2019, History and Theory <\/em>48 (2): 103-21<\/p>\n

Friedl, Markus (2003)\u00a0Online Game Interactivity Theory,\u00a0<\/em>Hingham, MA: Charles River Media<\/p>\n

Games and Culture Journal<\/em><\/a><\/p>\n

Games Studies Journal<\/em><\/a><\/p>\n

Gosney, John W. (2005)\u00a0Beyond Reality: A Guide to Alternative Reality Gaming,\u00a0<\/em>Boston, MA: Thomas Course Technology<\/p>\n

Huizinga, Johan (1938\/1971)\u00a0Homo Ludens. A Study of the Play-Element in Culture,\u00a0<\/em>Boston: Beacon Press<\/p>\n

JMIR Serious Games Journal<\/em><\/a><\/p>\n

Journal on Computing and Cultural Heritage, Volume 13, Issue 4, December 2020<\/a><\/em><\/p>\n

King, Geoff and Tanya Krzywinska (eds.) (2002)\u00a0Screenplay: Cinema\/ Videogames\/Interfaces,\u00a0<\/em>London: Wallflower Press<\/p>\n

Loading Journal<\/em><\/a><\/p>\n

Lorber, Martin and Felix Zimmerman (eds.) (2020)\u00a0History in Games: Contingencies of an Authentic Past.\u00a0<\/em>Koeln: Transcript<\/p>\n

Mayra, Frans (2008)\u00a0An Introduction to Games Studies: Games in Culture,\u00a0<\/em>Los Angeles: Sage Publications<\/p>\n

Mortensen, Torill Elvira (2009)\u00a0Percieving Play: The Art and Study of Computer Games,\u00a0<\/em>New York: Peter Lang<\/p>\n

Mukherjee, Souvik (2015)\u00a0Video Games and Storytelling: Reading Games and Playing Books,\u00a0<\/em>Basingstoke: Palgrave Macmillan<\/p>\n

Paley, Vivian Gussin (2004)\u00a0A Child’s Work: The Importance of Fantasy Play,\u00a0<\/em>Chicago: University of Chicago Press<\/p>\n

Prensky, Marc (2001)\u00a0Digital Game-Based Learning,\u00a0<\/em>New York: McGraw-Hill<\/p>\n

Raessens, Joost and Jeffrey Goldstein (eds.) (2005)\u00a0Handbook of Computer Game Studies,\u00a0<\/em>Cambridge, MA: The MIT Press<\/p>\n

Reinhard, Andrew (2018)\u00a0Archaeogaming: An Introduction to Archaeology in and of video games,\u00a0<\/em>London and New York: Berghahn<\/p>\n

Sabin, Philip (2014)\u00a0Simulating War: Studying Conflict through Simulation Games,\u00a0<\/em>London and New York: Bloomsbury<\/p>\n

Smith, Peter K. (ed.) (1984)\u00a0Play in Animals and Humans,\u00a0<\/em>Oxford and New York: Basil Blackwell<\/p>\n

Suter, Beat, Mela Kocher and Rene Bauer (eds.) (2018)\u00a0Games and Rules: Game Mechanics for the “Magic Circle”,\u00a0<\/em>Koeln: Transcript<\/p>\n

Sutton-Smith, Brian (1997)\u00a0Ambiguity of Play,\u00a0<\/em>Cambridge, MA: Harvard University Press<\/p>\n

Wolf, Mark J.P. (ed.) (2001)\u00a0The Medium of the Video Game,\u00a0<\/em>Austin, University of Texas<\/p>\n

Wolf, Mark J.P. and Bernard Perron (2003)\u00a0The Video Game Theory Reader,\u00a0<\/em>London and New York: Routledge\u00a0<\/p>\n

Wolf, Mark J.P. and Bernard Perron (2009) The Video Game Theory Reader 2, <\/em>London and New York: Routledge\u00a0<\/p>\n

Immersion and Interactivity (including Participation)<\/strong><\/p>\n

Andrejevic, M. (2016) \u2018The Pacification of Interactivity\u2019. In:D. Barney et al. (eds) The Participatory Condition in the Digital Age, <\/em>pp. 187-206. Minneapolis: University of Minnesota Press<\/p>\n

Azuma, Ronald (1997) ‘A Survey of Augmented Reality’,\u00a0Presence: Teleoperators and Virtual Environments,\u00a0<\/em>6 (4): 355-85<\/p>\n

Barney, D. et al. (2016) \u2018The Participatory Condition: An Introduction\u2019. In: The Participatory Condition, <\/em>pp. vii-xxxix. Minneapolis: The University of Minnesota Press<\/p>\n

Baudrillard, Jean (1988\/1994)\u00a0Simulacra and Simulation,\u00a0<\/em>Ann Arbor: University of Michigan Press<\/p>\n

Baym, Nancy K. (1995) ‘The Emergence of Community in Computer-Mediated Communication’,\u00a0Cybersociety,\u00a0<\/em>edited by Steven G. Jones. Newbury, CA: Sage Publications, pp. 138-63<\/p>\n

Byerly, Alison (2012) Are We There Yet?: Virtual Travel and Victorian Realism, <\/em>Ann Arbor: University of Michigan Press<\/p>\n

Cameron, A. (1995) \u2018Dissimulation: The Illusion of Interactivity\u2019, Millennium Film Journal: <\/em>33-4<\/p>\n

Carpentier, N. \u201cPower as Participation\u2019s Master Signifier.\u201d In The Participatory Condition, <\/em>edited by D. Barney et al., 3-20. Minneapolis: The University of Minnesota Press<\/p>\n

Castells, M. (2005) \u201cThe Network Society: from Knowledge to Policy.\u201d In The Network Society: From Knowledge to Policy, <\/em>edited by M. Castells and G. Cardoso, 3-22. Washington DC: Centre for Transatlantic Relations, the John Hopkins University<\/p>\n

Carter, D. (1997) \u2018Digital Democracy or Information Aristocracy? Economic Regeneration and the Information Economy\u2019. In: B. D. Loader (ed.) The Governance of Cyberspace: Politics, Technology and Global Restructuring, <\/em>pp. 136-54. London: Routledge<\/p>\n

Cherny, Lynn (1999)\u00a0Conversation and Community: Chat in a Virtual World,\u00a0<\/em>Standford, CA: CSLI Publications<\/p>\n

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