{"id":53,"date":"2016-02-26T13:44:55","date_gmt":"2016-02-26T13:44:55","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/culturesofsound\/?page_id=53"},"modified":"2016-02-26T14:21:11","modified_gmt":"2016-02-26T14:21:11","slug":"listening-as-being-other","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/culturesofsound\/listening-as-being-other\/","title":{"rendered":"Listening as Being Other"},"content":{"rendered":"<p style=\"text-align: right;\"><a href=\"http:\/\/reframe.sussex.ac.uk\/culturesofsound\/contents\/\" target=\"_blank\">Back to CONTENTS<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"Tom Tlalim \u2013 Listening as Being Other\" src=\"https:\/\/player.vimeo.com\/video\/144360121?dnt=1&amp;app_id=122963\" width=\"700\" height=\"394\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p class=\"first\"><strong>Tom Tlalim is an artist, composer and PhD student at Goldsmiths College.<\/strong><\/p>\n<p>Tom presents a sonic-spatial composition exploring sound as a political medium. Recent neurological studies of the amygdala indicate that hearing directly connects with emotional experience and memory consolidation, and is therefore a sense through which subjectivity is constantly and instantaneously negotiated. Listening as Being Other considers sound as both an experienced medium, and a means through which to engage directly with fear and subjectivity in colonised environments. The composition is based on Tom&#8217;s ongoing research on sound and listening practices used in political processes in the Middle East.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back to CONTENTS Tom Tlalim is an artist, composer and PhD student at Goldsmiths College. Tom presents a sonic-spatial composition&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-53","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6WdIm-R","_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/culturesofsound\/wp-json\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/culturesofsound\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/culturesofsound\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/culturesofsound\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/culturesofsound\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":3,"href":"https:\/\/reframe.sussex.ac.uk\/culturesofsound\/wp-json\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":74,"href":"https:\/\/reframe.sussex.ac.uk\/culturesofsound\/wp-json\/wp\/v2\/pages\/53\/revisions\/74"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/culturesofsound\/wp-json\/wp\/v2\/media?parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}