{"id":1349,"date":"2014-11-24T11:42:04","date_gmt":"2014-11-24T11:42:04","guid":{"rendered":"http:\/\/chinesefilmfeststudies.org\/?p=1349"},"modified":"2014-11-24T11:42:04","modified_gmt":"2014-11-24T11:42:04","slug":"a-film-festival-without-films-james-mudge-on-the-2014-beijing-independent-film-festival","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/2014\/11\/24\/a-film-festival-without-films-james-mudge-on-the-2014-beijing-independent-film-festival\/","title":{"rendered":"&#8220;A Film Festival Without Films&#8221; &#8211; James Mudge on the 2014 Beijing Independent Film Festival"},"content":{"rendered":"<p>James Mudge, festival manager for the London Chinese Visual Festival, attended the 2014 Beijing Independent Film Festival as a guest. In an article for Eastern Kicks, he reflects on his first experience at the festival, and what it means to hold an event &#8220;without films&#8221; &#8211; when the authorities have prevented the formal, public screenings that are a central element of what most people would understand to be a &#8220;film festival&#8221;. The article is accessible online <a href=\"http:\/\/www.easternkicks.com\/features\/a-film-festival-without-films\" target=\"_blank\">here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>James Mudge, festival manager for the London Chinese Visual Festival, attended the 2014 Beijing Independent Film Festival as a guest.&hellip; <\/p>\n","protected":false},"author":30,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1349","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6xTKd-lL","_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/posts\/1349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/comments?post=1349"}],"version-history":[{"count":0,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/posts\/1349\/revisions"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/media?parent=1349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/categories?post=1349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/tags?post=1349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}