{"id":1230,"date":"2014-06-29T10:25:11","date_gmt":"2014-06-29T10:25:11","guid":{"rendered":"http:\/\/chinesefilmfeststudies.org\/?p=1230"},"modified":"2014-06-29T10:25:11","modified_gmt":"2014-06-29T10:25:11","slug":"controversy-at-the-17th-shanghai-international-film-festival","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/2014\/06\/29\/controversy-at-the-17th-shanghai-international-film-festival\/","title":{"rendered":"Controversy at the 17th Shanghai International Film Festival"},"content":{"rendered":"<p>Perhaps that deadline is oxymoronic. The 17th Shanghai Film Festival has just concluded. Along with the usual glitz, glamour and awards &#8211; Greek film <em>Little England<\/em> <a href=\"http:\/\/www.filmbiz.asia\/news\/little-england-wins-big-in-shanghai\">won the award for Best Film<\/a> &#8211; the news which really hit the headlines concerned accusations that SIFF had organised a &#8220;fake&#8221; press conference about Chinese film <em>The Uncle Victory<\/em>, whose male lead &#8211; Huang Haibo &#8211; was <a href=\"http:\/\/www.chinadaily.com.cn\/celebrity\/2014-05\/16\/content_17513827.htm\" target=\"_blank\">arrested for solicitation<\/a> in May. Filmbiz Asia has a <a href=\"http:\/\/www.filmbiz.asia\/news\/siff-accused-of-holding-fake-press-conference\" target=\"_blank\">report<\/a> on the press conference incident in full.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Perhaps that deadline is oxymoronic. The 17th Shanghai Film Festival has just concluded. Along with the usual glitz, glamour and&hellip; <\/p>\n","protected":false},"author":30,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1230","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6xTKd-jQ","_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/posts\/1230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/comments?post=1230"}],"version-history":[{"count":0,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/posts\/1230\/revisions"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/media?parent=1230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/categories?post=1230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/chinesefilmfeststudies\/wp-json\/wp\/v2\/tags?post=1230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}