{"id":1033,"date":"2016-01-18T15:36:27","date_gmt":"2016-01-18T15:36:27","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/?p=1033"},"modified":"2016-01-18T15:46:57","modified_gmt":"2016-01-18T15:46:57","slug":"publications-by-catherine-grant-on-audiovisual-or-videographic-film-studies-research-2012-2015","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/2016\/01\/18\/publications-by-catherine-grant-on-audiovisual-or-videographic-film-studies-research-2012-2015\/","title":{"rendered":"PUBLICATIONS BY CATHERINE GRANT ON AUDIOVISUAL OR VIDEOGRAPHIC FILM STUDIES RESEARCH 2012-2015"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/133572645?byline=0&amp;portrait=0\" width=\"610\" height=\"343\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/vimeo.com\/133572645\">INTERPLAY<\/a>\u00a0by\u00a0<a href=\"https:\/\/vimeo.com\/filmstudiesff\">Catherine Grant<\/a><\/p>\n<div class=\"MsoNormal\" style=\"margin-left: 18.0pt;\"><span lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\">Below, you can find\u00a0a clickable<\/span><span lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\">\u00a0list of published, open access reflections on audiovisual essays and videographic film and moving image studies by film scholar (and founding editor of <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/\" target=\"_blank\">The Audiovisual Essay<\/a>\u00a0website) <a href=\"http:\/\/www.sussex.ac.uk\/profiles\/183852\" target=\"_blank\">Catherine Grant <\/a>to accompany her\u00a0latest published video essay (embedded above), which just appeared in the most recent issue of the journal\u00a0<i><a href=\"http:\/\/www.lolajournal.com\/6\/interplay.html\">Lola<\/a><\/i>. The list was originally published at Grant&#8217;s research blog <a href=\"http:\/\/filmanalytical.blogspot.co.uk\/2016\/01\/interplay-audiovisual-or-videographic.html\" target=\"_blank\">Filmanalytical<\/a>.<\/span><br \/>\n<span lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"><br \/>\n<\/span><\/div>\n<div class=\"MsoNormal\" style=\"margin-left: 18.0pt;\"><span lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\">\u00a0<\/span>PUBLICATIONS BY CATHERINE GRANT ON AUDIOVISUAL\u00a0OR VIDEOGRAPHIC FILM STUDIES RESEARCH 2012-2015<\/div>\n<div class=\"MsoNormal\" style=\"margin-left: 18.0pt;\"><\/div>\n<ol style=\"margin-top: 0cm;\" start=\"1\" type=\"1\">\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;\">&#8216;Film\u00a0and Moving Image Studies Re-Born Digital<\/span><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">?\u2019 Some Participant\u00a0Observations\u2019, <i><span style=\"mso-bidi-font-weight: bold;\">Frames<\/span><\/i>,\u00a01, 2012. Online at: <\/span><a href=\"http:\/\/framescinemajournal.com\/article\/re-born-digital\/\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/framescinemajournal.com\/article\/re-born-digital<\/span><\/a><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">\u2018<span style=\"mso-bidi-font-weight: bold;\">Bonus Tracks: The making of \u2018Touching the film object\u2019 and \u2018Skipping\u00a0ROPE (through Hitchcock\u2019s joins)<\/span>\u2019 <i><span style=\"mso-bidi-font-weight: bold;\">Frames<\/span><\/i>, 1, 2012. Online at: <\/span><a href=\"http:\/\/framescinemajournal.com\/article\/bonus-tracks\/\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/framescinemajournal.com\/article\/bonus-tracks<\/span><\/a><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">\u2018<span style=\"mso-bidi-font-weight: bold;\">D\u00e9j\u00e0-Viewing? Videographic Experiments in Intertextual Film Studies<\/span>\u2019,\u00a0<i>Mediascape<\/i>: Journal of Cinema and Media, Winter 2013. Online at: <\/span><a href=\"http:\/\/www.tft.ucla.edu\/mediascape\/Winter2013_DejaViewing.html\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/www.tft.ucla.edu\/mediascape\/<\/span><\/a><a href=\"http:\/\/www.tft.ucla.edu\/mediascape\/Winter2013_DejaViewing.html\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">Winter2013_DejaViewing.html<\/span><\/a><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\"><span style=\"mso-spacerun: yes;\">\u00a0 <\/span><\/span><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\"><span style=\"mso-spacerun: yes;\">\u00a0<\/span><span lang=\"EN-US\">\u2018<span style=\"mso-bidi-font-weight: bold;\">The Audiovisual Essay:\u00a0My Favorite Things<\/span>\u2019, <i><span style=\"mso-bidi-font-weight: bold;\">[in]Transition<\/span>:\u00a0Journal of Videographic Film and Moving Image Studies<\/i> &#8211; a Cinema\u00a0Journal\/MediaCommons Collaboration, 1.3. September 2014 on The Audiovisual\u00a0Essay: Practice and Theory. Online at: <\/span><\/span><a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/08\/26\/audiovisual-essay-my-favorite-things\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/08\/26\/audiovisual-essay-my-favorite-things<\/span><\/a><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">\u2018<span style=\"mso-bidi-font-weight: bold;\">How long is a piece of string? On the Practice, Scope and Value of\u00a0Videographic Film Studies and Criticism<\/span>\u2019, <i><span style=\"mso-bidi-font-weight: bold;\">The Audiovisual Essay<\/span>: Practice\u00a0and Theory of Videographic Film and Moving Image Studies<\/i>, September,\u00a02014. Online at: <\/span><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/catherine-grant\/\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/catherine-grant\/<\/span><\/a><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">(with Christian Keathley),\u00a0\u2018<span style=\"mso-bidi-font-weight: bold;\">The Use of an Illusion: Childhood\u00a0cinephilia, object relations, and videographic film studies<\/span>\u2019,\u00a0<i>Photog\u00e9nie<\/i>,<br \/>\n0, June 2014. Co-authored introduction\/individually authored texts and\u00a0videos. Online at:\u00a0 <a href=\"http:\/\/www.photogenie.be\/photogenie_blog\/article\/use-illusion\">http:\/\/www.photogenie.be\/photogenie_blog\/article\/use-illusion<\/a><br \/>\n<\/span><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\"><span style=\"mso-spacerun: yes;\">\u00a0<\/span><span lang=\"EN-US\">\u2018<span style=\"mso-bidi-font-weight: bold;\">The Shudder of a\u00a0Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking<\/span>\u2019,\u00a0<i>ANIKI:\u00a0Portuguese Journal of the Moving Image<\/i>, 1.1, 2014, Online at:\u00a0<\/span><\/span><a href=\"http:\/\/aim.org.pt\/ojs\/index.php\/revista\/article\/view\/59\/html\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/aim.org.pt\/ojs\/index.php\/revista\/article\/view\/59\/html<\/span><\/a><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">\u2018<span style=\"mso-bidi-font-weight: bold;\">The Marriages of Laurel Dallas. Or, The Maternal Melodrama of the\u00a0Unknown Feminist Film Spectator<\/span>\u2019, <i><span style=\"mso-bidi-font-weight: bold;\">Mediascape<\/span>: UCLA\u2019s Journal of Cinema and Media Studies<\/i>,\u00a0Fall 2014. [Video and text]. Online at: <\/span><a href=\"http:\/\/www.tft.ucla.edu\/mediascape\/Fall2014_MarriagesMelodrama.html\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/www.tft.ucla.edu\/mediascape\/Fall2014_MarriagesMelodrama.html<\/span><\/a><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">\u2018<span style=\"mso-bidi-font-weight: bold;\">The Remix That Knew Too Much? On <i>Rebecca<\/i>, Retrospectatorship\u00a0and the Making of <i>Rites of Passage<\/i><\/span>\u2019, <i><span style=\"mso-bidi-font-weight: bold;\">The Cine-Files<\/span>: A Scholarly<br \/>\nJournal of Cinema Studies<\/i>, Fall 2014. [Video and text]. Online at: <\/span><a href=\"http:\/\/www.thecine-files.com\/grant\/\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/www.thecine-files.com\/grant\/<\/span><\/a><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">\u2018<span style=\"mso-bidi-font-weight: bold;\">Film studies in the groove? Rhythmising perception in <i>Carnal\u00a0Locomotive<\/i><\/span>\u2019<\/span><\/span><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">, <i><span style=\"mso-bidi-font-weight: bold;\">NECSUS<\/span>: European Journal of Media Studies<\/i>, Spring 2015. <span style=\"mso-spacerun: yes;\">\u00a0<\/span>Online at: <\/span><a href=\"http:\/\/www.necsus-ejms.org\/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive\/\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/www.necsus-ejms.org\/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive\/<\/span><\/a><u> <\/u><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">\u2018<span style=\"mso-bidi-font-weight: bold;\">TURNING UP THE VOLUME? The Emergent Focus on Film Sound, Music and\u00a0Listening in Audiovisual Essays<\/span>\u2019<span style=\"mso-bidi-font-weight: bold;\">, <i>The Cine-Files:<\/i><\/span><i> A Scholarly Journal of Cinema\u00a0Studies <\/i>(Spring 2015) 8. Special issue on Film Sound. Online at:\u00a0<\/span><a href=\"http:\/\/www.thecine-files.com\/turning-up-the-volume\/\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/www.thecine-files.com\/turning-up-the-volume\/<\/span><\/a><\/li>\n<li class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1;\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;\">\u2018INTERPLAY:\u00a0(Re)Finding and (Re)Framing Cinematic Experience, Film Space, and the\u00a0Child\u2019s World<\/span><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">\u2019 [Video and Text], <span style=\"mso-bidi-font-weight: bold;\">LOLA<br \/>\nJournal<\/span>, 6, 2015. Online at: <\/span><a href=\"http:\/\/www.lolajournal.com\/6\/interplay.html\"><span lang=\"EN-US\" style=\"font-size: 11.0pt; mso-ansi-language: EN-US;\">http:\/\/www.lolajournal.com\/6\/interplay.html<\/span><\/a><\/li>\n<\/ol>\n<div class=\"MsoNormal\" style=\"margin-left: 36.0pt;\"><\/div>\n<div class=\"MsoNormal\"><i style=\"mso-bidi-font-style: normal;\">Translations:<\/i><br \/>\n<i style=\"mso-bidi-font-style: normal;\"><br \/>\n<\/i><\/div>\n<p style=\"padding-left: 30px;\"><span style=\"mso-bidi-font-style: normal;\">Into Spanish:\u00a0<\/span><\/p>\n<p style=\"padding-left: 30px;\">(with Christian Keathley), \u2018El uso de una ilusi\u00f3n: Cinefilia infantil, relaciones de objeto y estudios videogr\u00e1ficos sobre cine\u2019, <i>Transit. Cine y otros desv\u00edos<\/i>, September 9, 2014. Translation by Cristina \u00c1lvarez L\u00f3pez of \u2018The Use of an Illusion: Childhood cinephilia, object relations, and videographic film studies\u2019, <i>Photog\u00e9nie<\/i>, 0, June 2014). Online at: <a href=\"http:\/\/cinentransit.com\/cinefilia-infantil-relaciones-de-objeto-y-estudios-videograficos-sobre-cine\/\">http:\/\/cinentransit.com\/cinefilia-infantil-relaciones-de-objeto-y-estudios-videograficos-sobre-cine\/<\/a>.<\/p>\n<p style=\"padding-left: 30px;\">\u2018Las bodas de Laurel Dallas. O el melodrama materno de una espectadora feminista desconocida\u2019, <i>Transit. Cine y otros desv\u00edos<\/i>, January, 2015. Online at: <a href=\"http:\/\/cinentransit.com\/las-bodas-de-laurel-dallas\/\">http:\/\/cinentransit.com\/las-bodas-de-laurel-dallas\/<\/a>. Translation by Cristina Alvarez L\u00f3pez of the peer-reviewed video and article: Grant, C., \u2018The Marriages of Laurel Dallas. Or, The Maternal Melodrama of the Unknown Feminist Film Spectator\u2019, Mediascape: UCLA\u2019s Journal of Cinema and Media Studies, Fall 2014. [Video and text]. ISSN 1558478X Online at: <a href=\"http:\/\/www.tft.ucla.edu\/mediascape\/Fall2014_MarriagesMelodrama.html\">http:\/\/www.tft.ucla.edu\/mediascape\/Fall2014_MarriagesMelodrama.html<\/a><\/p>\n<p style=\"padding-left: 30px;\"><span style=\"mso-bidi-font-style: normal;\">Into Italian:<\/span><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/sro.sussex.ac.uk\/45753\/\">Deja-viewing.<\/a> FilmIdee (6) 2013. Italian translation of Grant, C., <a href=\"http:\/\/sro.sussex.ac.uk\/41656\/\">Deja viewing?: videographic experiments in intertextual film studies.<\/a> Mediascape : UCLA&#8217;s Journal of Cinema and Media Studies, Winter 2013. Online at: <a href=\"http:\/\/www.filmidee.it\/archive\/35\/article\/435\/article.aspx\">http:\/\/www.filmidee.it\/archive\/35\/article\/435\/article.aspx<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><i style=\"mso-bidi-font-style: normal;\">Also see:<\/i><\/p>\n<div class=\"MsoNormal\">\n<ul>\n<li>Filmanalytical <a href=\"http:\/\/filmanalytical.blogspot.com\/\">http:\/\/filmanalytical.blogspot.com<\/a><\/li>\n<li>Film Studies For Free <a href=\"http:\/\/filmstudiesforfree.blosgpot.com\/\">http:\/\/filmstudiesforfree.blosgpot.com<\/a><\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>INTERPLAY\u00a0by\u00a0Catherine Grant Below, you can find\u00a0a clickable\u00a0list of published, open access reflections on audiovisual essays and videographic film and moving <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/2016\/01\/18\/publications-by-catherine-grant-on-audiovisual-or-videographic-film-studies-research-2012-2015\/\">Continue Reading<span class=\"screen-reader-text\">PUBLICATIONS BY CATHERINE GRANT ON AUDIOVISUAL OR VIDEOGRAPHIC FILM STUDIES RESEARCH 2012-2015<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1036,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,34,8,7,5],"tags":[11],"class_list":["post-1033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-publications","category-reflection","category-research","category-video","tag-catherine-grant"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2016\/01\/Screen-Shot-2016-01-18-at-15.41.08.png","jetpack_shortlink":"https:\/\/wp.me\/p4VcpT-gF","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/posts\/1033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/comments?post=1033"}],"version-history":[{"count":2,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/posts\/1033\/revisions"}],"predecessor-version":[{"id":1035,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/posts\/1033\/revisions\/1035"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media\/1036"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media?parent=1033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/categories?post=1033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/tags?post=1033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}