{"id":1016,"date":"2015-10-29T11:36:44","date_gmt":"2015-10-29T11:36:44","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/?p=1016"},"modified":"2015-10-29T16:06:13","modified_gmt":"2015-10-29T16:06:13","slug":"kevin-l-ferguson-reflects-on-volumetric-cinema-2015","status":"publish","type":"post","link":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/2015\/10\/29\/kevin-l-ferguson-reflects-on-volumetric-cinema-2015\/","title":{"rendered":"Kevin L. Ferguson reflects on VOLUMETRIC CINEMA (2015)"},"content":{"rendered":"<p>We&#8217;re delighted to bring our readers news of a <strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/kevin-ferguson-on-volumetric-cinema\/\" target=\"_blank\">new entry<\/a><\/strong> here at <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/\" target=\"_blank\">THE AUDIOVISUAL ESSAY<\/a> website.<\/p>\n<p><a href=\"http:\/\/english.qc.cuny.edu\/quick-links\/kevin-ferguson\/\" target=\"_blank\">Kevin L. Ferguson<\/a>, assistant professor\u00a0in the\u00a0<a href=\"http:\/\/english.qc.cuny.edu\/\">Department of English<\/a>\u00a0of Queens College\/CUNY, author of\u00a0<strong><a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2015\/03\/10\/volumetric-cinem\" target=\"_blank\">VOLUMETRIC CINEMA<\/a><\/strong>, an audiovisual essay originally published in the first peer-reviewed issue of\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/theme-week\/2015\/11\/journal-videographic-film-moving-image-studies-21-2015\" target=\"_blank\"><em>[in]Transition: Journal of Videographic Film and Moving Image\u00a0<\/em><\/a><i><a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/theme-week\/2015\/11\/journal-videographic-film-moving-image-studies-21-2015\" target=\"_blank\">Studies<\/a>, <\/i>2.1, 2015 (Online at:\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2015\/03\/10\/volumetric-cinem\" target=\"_blank\">http:\/\/mediacommons.futureofthebook.org\/intransition\/2015\/03\/10\/volumetric-cinema<\/a>) has kindly written a <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/kevin-ferguson-on-volumetric-cinema\/\" target=\"_blank\"><strong>response<\/strong><\/a> to a question posed to him about his video by <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/\" target=\"_blank\">THE AUDIOVISUAL ESSAY<\/a> website:<\/p>\n<p style=\"padding-left: 30px;\">What has making the video contributed specifically to your research process? Did you conceive of it principally as a presentational\/expositional object or as an object\/process that might generate discoveries of its own for you?<\/p>\n<p>His thought-provoking\u00a0r<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/kevin-ferguson-on-volumetric-cinema\/\" target=\"_blank\">eflection<\/a> ranges over his methodology, which clearly crosses the theory-practice divide in fascinating ways, and also considers,\u00a0importantly,\u00a0the limits of legibility, both\u00a0of\u00a0verbal description\u00a0<em>and<\/em>\u00a0of audiovisual presentation.<\/p>\n<p>You can find the response <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/kevin-ferguson-on-volumetric-cinema\/\" target=\"_blank\"><strong>here<\/strong><\/a>:\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/kevin-ferguson-on-volumetric-cinema\/\" target=\"_blank\">http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/kevin-ferguson-on-volumetric-cinema\/\u00a0<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;re delighted to bring our readers news of a new entry here at THE AUDIOVISUAL ESSAY website. Kevin L. Ferguson, <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/2015\/10\/29\/kevin-l-ferguson-reflects-on-volumetric-cinema-2015\/\">Continue Reading<span class=\"screen-reader-text\">Kevin L. Ferguson reflects on VOLUMETRIC CINEMA (2015)<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1019,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,8,7],"tags":[],"class_list":["post-1016","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-reflection","category-research"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2015\/10\/Screen-Shot-2015-10-29-at-09.46.52.png","jetpack_shortlink":"https:\/\/wp.me\/p4VcpT-go","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/posts\/1016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/comments?post=1016"}],"version-history":[{"count":6,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/posts\/1016\/revisions"}],"predecessor-version":[{"id":1030,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/posts\/1016\/revisions\/1030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media\/1019"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media?parent=1016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/categories?post=1016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/tags?post=1016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}