By Mikl\u00f3s Kiss<\/strong><\/p>\nCurated at [in]Transition<\/strong><\/a>, 1.3, 2014 by Mikl\u00f3s Kiss<\/a><\/p>\n<\/iframe><\/p>\n<p>Extract from ‘<strong>The Audiovisual Research Essay as an Alternative to Text-Based\u00a0Scholarship’<\/strong><\/p>\n<p>I see the audiovisual essay by\u00a0<a class=\"ext\" href=\"https:\/\/vimeo.com\/73310641\" target=\"_blank\">Thomas van den Berg<\/a>, that I have\u00a0<span data-scayt_word=\"curated\" data-scaytid=\"29\">curated<\/span>\u00a0as part of\u00a0my contribution to\u00a0<strong>[in]Transition<\/strong>,\u00a0as a worthy attempt not only at transferring text-based academic qualities to an audiovisual container, but also at addressing [Raymond]\u00a0<span data-scayt_word=\"Bellour's\" data-scaytid=\"30\">Bellour’s<\/span>\u00a0frustration [about the ability to adequately quote from films],\u00a0<em>and<\/em>\u00a0supporting [Erlend]\u00a0<span data-scayt_word=\"Lavik\u2019s\" data-scaytid=\"31\">Lavik\u2019s<\/span>\u00a0ideal [with regard to a “material equivalence between film and film criticism” in audiovisual forms of\u00a0film studies]. During Spring term 2013 Thomas, a research masters student at the University of\u00a0<span data-scayt_word=\"Groningen\" data-scaytid=\"32\">Groningen<\/span>, produced this work as a final assignment for my\u00a0course \u2018Arts and Cultural Change\u2019. The fairly extensive, more than half an hour long, essay consists of two main parts: after a brief introduction, the video offers a rapid walkthrough of the differences between \u2018essay(<span data-scayt_word=\"istic\" data-scaytid=\"33\">istic<\/span>) films\u2019, \u2018video essays\u2019, and \u2018essay videos\u2019 [01\u201910\u201d \u2013 3\u201954\u201d]; this is then followed by a thorough audiovisual research essay about the various techniques of unreliability present in Michael Walker\u2019s puzzling film\u00a0<em>Chasing Sleep<\/em><em>\u00a0<\/em>(2000)<em>\u00a0<\/em>[3\u201955\u201d \u2013\u00a035\u201953\u201d].<\/p>\n<p><em>READ THE REST OF MIKL\u00d3S KISS’S ESSAY \u00a0AT [IN]TRANSITION, 1.3, 2014. Online at:\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/\" target=\"_blank\">http:\/\/mediacommons.futureofthebook.org\/intransition\/<\/a><\/em><\/p>\n<p><em>REDA THOMAS VAN DEN BERG’S ESSAY ABOUT HIS VIDEO AT THE AUDIOVISUAL ESSAY WEBSITE HERE:\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/\" target=\"_blank\">http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/<\/a><\/em><\/p>\n<hr \/>\n<p><strong>Works\u00a0cited<\/strong><\/p>\n<p><span data-scayt_word=\"Bellour\" data-scaytid=\"82\">Bellour<\/span>, Raymond. \u201cThe Unattainable Text,\u201d\u00a0<em>Screen<\/em>,\u00a0<span data-scayt_word=\"Vol\" data-scaytid=\"84\">Vol<\/span>. 16, No. 3 (1975):\u00a019-27.<\/p>\n<p>Lavik, Erlend. \u201cThe Video Essay: The Future of Academic Film and Television Criticism?\u201d\u00a0<em>Frames Cinema Journal<\/em><em>\u00a0<\/em>#1.(2012). Online at:<a class=\"ext\" href=\"http:\/\/framescinemajournal.com\/article\/the-video-essay-the-future\/\" target=\"_blank\">http:\/\/framescinemajournal.com\/article\/the-video-essay-the-future\/<\/a>.<\/p>\n<p> <\/p>\n<hr \/>\n<h2>Biographical note<\/h2>\n<p><a href=\"http:\/\/www.rug.nl\/staff\/m.kiss\/\" target=\"_blank\"><strong>Mikl\u00f3s Kiss<\/strong><\/a> is Assistant Professor of\u00a0Film Studies in the Department of Arts, Culture, and Media Studies at the University of Groningen\/<span class=\"st\">Rijksuniversiteit Groningen<\/span>, The Netherlands. He has been an assistant and researcher at the University of P\u00e9cs, Hungary, and the University of Jyv\u00e4skyl\u00e4, Finland, where he received his PhD in Film Studies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On UN\/RELIABLE UN\/RELIABLITY by Thomas van den Berg By Mikl\u00f3s Kiss Curated at [in]Transition, 1.3, 2014 by Mikl\u00f3s Kiss Extract <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/miklos-kiss\/\">Continue Reading<span class=\"screen-reader-text\">MIKL\u00d3S KISS<\/span><span class=\"meta-nav\">→<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":120,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-230","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4VcpT-3I","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/comments?post=230"}],"version-history":[{"count":9,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/230\/revisions"}],"predecessor-version":[{"id":745,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/230\/revisions\/745"}],"up":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/120"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media?parent=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Curated at [in]Transition<\/strong><\/a>, 1.3, 2014 by Mikl\u00f3s Kiss<\/a><\/p>\n<\/iframe><\/p>\n<p>Extract from ‘<strong>The Audiovisual Research Essay as an Alternative to Text-Based\u00a0Scholarship’<\/strong><\/p>\n<p>I see the audiovisual essay by\u00a0<a class=\"ext\" href=\"https:\/\/vimeo.com\/73310641\" target=\"_blank\">Thomas van den Berg<\/a>, that I have\u00a0<span data-scayt_word=\"curated\" data-scaytid=\"29\">curated<\/span>\u00a0as part of\u00a0my contribution to\u00a0<strong>[in]Transition<\/strong>,\u00a0as a worthy attempt not only at transferring text-based academic qualities to an audiovisual container, but also at addressing [Raymond]\u00a0<span data-scayt_word=\"Bellour's\" data-scaytid=\"30\">Bellour’s<\/span>\u00a0frustration [about the ability to adequately quote from films],\u00a0<em>and<\/em>\u00a0supporting [Erlend]\u00a0<span data-scayt_word=\"Lavik\u2019s\" data-scaytid=\"31\">Lavik\u2019s<\/span>\u00a0ideal [with regard to a “material equivalence between film and film criticism” in audiovisual forms of\u00a0film studies]. During Spring term 2013 Thomas, a research masters student at the University of\u00a0<span data-scayt_word=\"Groningen\" data-scaytid=\"32\">Groningen<\/span>, produced this work as a final assignment for my\u00a0course \u2018Arts and Cultural Change\u2019. The fairly extensive, more than half an hour long, essay consists of two main parts: after a brief introduction, the video offers a rapid walkthrough of the differences between \u2018essay(<span data-scayt_word=\"istic\" data-scaytid=\"33\">istic<\/span>) films\u2019, \u2018video essays\u2019, and \u2018essay videos\u2019 [01\u201910\u201d \u2013 3\u201954\u201d]; this is then followed by a thorough audiovisual research essay about the various techniques of unreliability present in Michael Walker\u2019s puzzling film\u00a0<em>Chasing Sleep<\/em><em>\u00a0<\/em>(2000)<em>\u00a0<\/em>[3\u201955\u201d \u2013\u00a035\u201953\u201d].<\/p>\n<p><em>READ THE REST OF MIKL\u00d3S KISS’S ESSAY \u00a0AT [IN]TRANSITION, 1.3, 2014. Online at:\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/\" target=\"_blank\">http:\/\/mediacommons.futureofthebook.org\/intransition\/<\/a><\/em><\/p>\n<p><em>REDA THOMAS VAN DEN BERG’S ESSAY ABOUT HIS VIDEO AT THE AUDIOVISUAL ESSAY WEBSITE HERE:\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/\" target=\"_blank\">http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/<\/a><\/em><\/p>\n<hr \/>\n<p><strong>Works\u00a0cited<\/strong><\/p>\n<p><span data-scayt_word=\"Bellour\" data-scaytid=\"82\">Bellour<\/span>, Raymond. \u201cThe Unattainable Text,\u201d\u00a0<em>Screen<\/em>,\u00a0<span data-scayt_word=\"Vol\" data-scaytid=\"84\">Vol<\/span>. 16, No. 3 (1975):\u00a019-27.<\/p>\n<p>Lavik, Erlend. \u201cThe Video Essay: The Future of Academic Film and Television Criticism?\u201d\u00a0<em>Frames Cinema Journal<\/em><em>\u00a0<\/em>#1.(2012). Online at:<a class=\"ext\" href=\"http:\/\/framescinemajournal.com\/article\/the-video-essay-the-future\/\" target=\"_blank\">http:\/\/framescinemajournal.com\/article\/the-video-essay-the-future\/<\/a>.<\/p>\n<p> <\/p>\n<hr \/>\n<h2>Biographical note<\/h2>\n<p><a href=\"http:\/\/www.rug.nl\/staff\/m.kiss\/\" target=\"_blank\"><strong>Mikl\u00f3s Kiss<\/strong><\/a> is Assistant Professor of\u00a0Film Studies in the Department of Arts, Culture, and Media Studies at the University of Groningen\/<span class=\"st\">Rijksuniversiteit Groningen<\/span>, The Netherlands. He has been an assistant and researcher at the University of P\u00e9cs, Hungary, and the University of Jyv\u00e4skyl\u00e4, Finland, where he received his PhD in Film Studies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On UN\/RELIABLE UN\/RELIABLITY by Thomas van den Berg By Mikl\u00f3s Kiss Curated at [in]Transition, 1.3, 2014 by Mikl\u00f3s Kiss Extract <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/miklos-kiss\/\">Continue Reading<span class=\"screen-reader-text\">MIKL\u00d3S KISS<\/span><span class=\"meta-nav\">→<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":120,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-230","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4VcpT-3I","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/comments?post=230"}],"version-history":[{"count":9,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/230\/revisions"}],"predecessor-version":[{"id":745,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/230\/revisions\/745"}],"up":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/120"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media?parent=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/iframe><\/p>\n<p>Extract from ‘<strong>The Audiovisual Research Essay as an Alternative to Text-Based\u00a0Scholarship’<\/strong><\/p>\n<p>I see the audiovisual essay by\u00a0<a class=\"ext\" href=\"https:\/\/vimeo.com\/73310641\" target=\"_blank\">Thomas van den Berg<\/a>, that I have\u00a0<span data-scayt_word=\"curated\" data-scaytid=\"29\">curated<\/span>\u00a0as part of\u00a0my contribution to\u00a0<strong>[in]Transition<\/strong>,\u00a0as a worthy attempt not only at transferring text-based academic qualities to an audiovisual container, but also at addressing [Raymond]\u00a0<span data-scayt_word=\"Bellour's\" data-scaytid=\"30\">Bellour’s<\/span>\u00a0frustration [about the ability to adequately quote from films],\u00a0<em>and<\/em>\u00a0supporting [Erlend]\u00a0<span data-scayt_word=\"Lavik\u2019s\" data-scaytid=\"31\">Lavik\u2019s<\/span>\u00a0ideal [with regard to a “material equivalence between film and film criticism” in audiovisual forms of\u00a0film studies]. During Spring term 2013 Thomas, a research masters student at the University of\u00a0<span data-scayt_word=\"Groningen\" data-scaytid=\"32\">Groningen<\/span>, produced this work as a final assignment for my\u00a0course \u2018Arts and Cultural Change\u2019. The fairly extensive, more than half an hour long, essay consists of two main parts: after a brief introduction, the video offers a rapid walkthrough of the differences between \u2018essay(<span data-scayt_word=\"istic\" data-scaytid=\"33\">istic<\/span>) films\u2019, \u2018video essays\u2019, and \u2018essay videos\u2019 [01\u201910\u201d \u2013 3\u201954\u201d]; this is then followed by a thorough audiovisual research essay about the various techniques of unreliability present in Michael Walker\u2019s puzzling film\u00a0<em>Chasing Sleep<\/em><em>\u00a0<\/em>(2000)<em>\u00a0<\/em>[3\u201955\u201d \u2013\u00a035\u201953\u201d].<\/p>\n<p><em>READ THE REST OF MIKL\u00d3S KISS’S ESSAY \u00a0AT [IN]TRANSITION, 1.3, 2014. Online at:\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/\" target=\"_blank\">http:\/\/mediacommons.futureofthebook.org\/intransition\/<\/a><\/em><\/p>\n<p><em>REDA THOMAS VAN DEN BERG’S ESSAY ABOUT HIS VIDEO AT THE AUDIOVISUAL ESSAY WEBSITE HERE:\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/\" target=\"_blank\">http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/<\/a><\/em><\/p>\n<hr \/>\n<p><strong>Works\u00a0cited<\/strong><\/p>\n<p><span data-scayt_word=\"Bellour\" data-scaytid=\"82\">Bellour<\/span>, Raymond. \u201cThe Unattainable Text,\u201d\u00a0<em>Screen<\/em>,\u00a0<span data-scayt_word=\"Vol\" data-scaytid=\"84\">Vol<\/span>. 16, No. 3 (1975):\u00a019-27.<\/p>\n<p>Lavik, Erlend. \u201cThe Video Essay: The Future of Academic Film and Television Criticism?\u201d\u00a0<em>Frames Cinema Journal<\/em><em>\u00a0<\/em>#1.(2012). Online at:<a class=\"ext\" href=\"http:\/\/framescinemajournal.com\/article\/the-video-essay-the-future\/\" target=\"_blank\">http:\/\/framescinemajournal.com\/article\/the-video-essay-the-future\/<\/a>.<\/p>\n<p> <\/p>\n<hr \/>\n<h2>Biographical note<\/h2>\n<p><a href=\"http:\/\/www.rug.nl\/staff\/m.kiss\/\" target=\"_blank\"><strong>Mikl\u00f3s Kiss<\/strong><\/a> is Assistant Professor of\u00a0Film Studies in the Department of Arts, Culture, and Media Studies at the University of Groningen\/<span class=\"st\">Rijksuniversiteit Groningen<\/span>, The Netherlands. He has been an assistant and researcher at the University of P\u00e9cs, Hungary, and the University of Jyv\u00e4skyl\u00e4, Finland, where he received his PhD in Film Studies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On UN\/RELIABLE UN\/RELIABLITY by Thomas van den Berg By Mikl\u00f3s Kiss Curated at [in]Transition, 1.3, 2014 by Mikl\u00f3s Kiss Extract <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/miklos-kiss\/\">Continue Reading<span class=\"screen-reader-text\">MIKL\u00d3S KISS<\/span><span class=\"meta-nav\">→<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":120,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-230","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4VcpT-3I","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/comments?post=230"}],"version-history":[{"count":9,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/230\/revisions"}],"predecessor-version":[{"id":745,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/230\/revisions\/745"}],"up":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/120"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media?parent=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}