{"id":19,"date":"2014-09-10T08:09:49","date_gmt":"2014-09-10T08:09:49","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/?page_id=19"},"modified":"2014-09-12T18:41:31","modified_gmt":"2014-09-12T18:41:31","slug":"frankfurt-papers","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/","title":{"rendered":"FRANKFURT PAPERS"},"content":{"rendered":"<p><strong>TABLE OF CONTENTS<\/strong><\/p>\n<p><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/Metaslider-audiovisual_benjamin_quotes.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-405 size-large\" src=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/Metaslider-audiovisual_benjamin_quotes-1024x511.jpg\" alt=\"\" width=\"525\" height=\"261\" srcset=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/Metaslider-audiovisual_benjamin_quotes-1024x511.jpg 1024w, https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/Metaslider-audiovisual_benjamin_quotes-300x149.jpg 300w, https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/Metaslider-audiovisual_benjamin_quotes-644x320.jpg 644w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/a><\/p>\n<ul>\n<li><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/introduction\/\" target=\"_blank\">INTRODUCTION<\/a><\/strong>\u00a0(including\u00a0the conference program)<\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/catherine-grant\/\" target=\"_blank\"><strong>How Long is a Piece of String? On the Practice, Scope and Value of Videographic Film Studies and Criticism<\/strong><\/a> by Catherine Grant<\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/manu-yanez\/\" target=\"_blank\"><strong>Thought, Action and Imagination<\/strong><\/a>\u00a0by Manu Y\u00e1\u00f1ez<\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/carlos-losilla\/\" target=\"_blank\"><strong>The Absent Image, The Invisible Narrative<\/strong><\/a> by Carlos Losilla<\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/vinzenz-hediger\/\" target=\"_blank\"><strong>What makes an excerpt? The video essay as an experiment performed on the work of art<\/strong> <\/a>by Vinzenz Hediger<\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/cristina-alvarez-lopez-adrian-martin\/\" target=\"_blank\"><strong>The One and the Many: Making Sense of Montage in the Audiovisual Essay\u00a0<\/strong><\/a>by Cristina \u00c1lvarez L\u00f3pez and Adrian Martin<\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\"><strong>Roundtable Discussion<\/strong><\/a> (between Catherine Grant, Cristina \u00c1lvarez L\u00f3pez, Adrian Martin, Carlos Losilla and Manu Y\u00e1\u00f1ez)<\/li>\n<li><strong><a title=\"Permalink to SCREENING PROGRAMME: FROM FOUND FOOTAGE FILM TO THE AUDIOVISUAL ESSAY\" href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/screening-programme-from-found-footage-film-to-the-audiovisual-essay\/\" rel=\"bookmark\">SCREENING PROGRAMME: From Found Footage to the Audiovisual Essay<\/a><\/strong>\u00a0Curated by Cristina \u00c1lvarez L\u00f3pez and Adrian Martin (videos embedded)<\/li>\n<li><strong>Photographs from the workshop\u00a0\u00a0<\/strong><em>[coming soon]<\/em><\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/08\/Flyer-Audio-Visual-Essay-Frankfurt-Filmmuseum.pdf\" target=\"_blank\"><strong>The Audiovisual Essay; Practice and Theory Conference\/Workshop Programme (German language PDF)<\/strong><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>TABLE OF CONTENTS INTRODUCTION\u00a0(including\u00a0the conference program) How Long is a Piece of String? On the Practice, Scope and Value of <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/\">Continue Reading<span class=\"screen-reader-text\">FRANKFURT PAPERS<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4VcpT-j","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":16,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":690,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/19\/revisions\/690"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media?parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}