{"id":170,"date":"2014-09-10T11:20:38","date_gmt":"2014-09-10T11:20:38","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/?page_id=170"},"modified":"2015-10-29T10:23:29","modified_gmt":"2015-10-29T10:23:29","slug":"table-of-contents","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/about\/table-of-contents\/","title":{"rendered":"TABLE OF CONTENTS"},"content":{"rendered":"<p><strong>In alphabetical order by author surname:<\/strong><\/p>\n<ul>\n<li><strong>\u00c1lvarez L\u00f3pez, Cristina<\/strong> (with <strong>Adrian Martin<\/strong>), &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/cristina-alvarez-lopez-adrian-martin\/\" target=\"_blank\"><strong>The One and the Many: Making Sense of Montage in the Audiovisual Essay&#8217; <\/strong>[Frankfurt Papers]&#8217;<\/a><\/li>\n<li><strong>\u00c1lvarez L\u00f3pez, Cristina, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/cristina-alvarez-lopez\/\" target=\"_blank\">&#8216;On SMALL GESTURES&#8217;\/&#8217;From Idea to Concept [Extract]&#8217;<\/a>,\u00a0<\/strong>as curated at<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/idea-concept\" target=\"_blank\">\u00a0<em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>\u00c1lvarez L\u00f3pez, Cristina,<\/strong>\u00a0(with\u00a0<strong>Catherine Grant, Carlos Losilla, Adrian Martin, Manu Y\u00e1\u00f1ez<\/strong>\u00a0), &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\"><strong>Roundtable Discussion<\/strong><\/a>\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\">[Frankfurt Papers]&#8217;<\/a><\/li>\n<li><strong>\u00c1lvarez L\u00f3pez, Cristina<\/strong> (<strong>with Adrian Martin<\/strong>), &#8216;<strong><a title=\"Permalink to SCREENING PROGRAMME: FROM FOUND FOOTAGE FILM TO THE AUDIOVISUAL ESSAY\" href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/screening-programme-from-found-footage-film-to-the-audiovisual-essay\/\" rel=\"bookmark\">SCREENING PROGRAMME: From Found Footage to the Audiovisual Essay ESSAY<\/a><\/strong> <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/screening-programme-from-found-footage-film-to-the-audiovisual-essay\/\" target=\"_blank\"><strong>&#8216;<\/strong>Frankfurt papers]<\/a><\/li>\n<li><strong>Berg, Thomas\u00a0van den<\/strong>,<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/\" target=\"_blank\">&#8216;<strong>On (UN)RELIABLE (UN)RELIABLITY&#8217;,\u00a0<\/strong><\/a>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-research-essay-alternative-text-based-scholarship\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Chanan, Michael, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/michael-chanan\/\" target=\"_blank\">&#8216;On SPIRIT OF COUTINHO&#8217;,<\/a><\/strong>\u00a0as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Cook, Pam, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/pam-cook\/\" target=\"_blank\">&#8216;On MILDRED&#8217;S KISS&#8217;\/&#8217;Word vs. Image: Making&#8230;<\/a><\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/pam-cook\/\" target=\"_blank\">&#8216;<\/a>,\u00a0as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Cromm, Timo<\/strong>, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/timo-cromm\/\" target=\"_blank\">&#8216;<strong>On DOLCE FAR NIENTE<\/strong>: <strong>An Audiovisual Essay on Bully (Larry Clark, 2001) and The Big Lebowski (Coen Bros, 1998)&#8217;<\/strong><\/a>, as curated at <a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/inwardoutward-turn\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>NEW! Ferguson, Kevin L.<\/strong>,<strong> <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/kevin-ferguson-on-volumetric-cinema\/\" target=\"_blank\">&#8216;Additional Reflections on VOLUMETRIC CINEMA (2015)&#8217;<\/a><\/strong> in\u00a0\u00a0[in REFLECTIONS ON AUDIOVISUAL ESSAYS]<\/li>\n<li><strong>Franco, Fernando,<\/strong> <strong>&#8216;On THE DIELMAN VARIATIONS (2010)&#8217;<\/strong>\u00a0[in REFLECTIONS ON AUDIOVISUAL ESSAYS] <em>COMING SOON!<\/em><\/li>\n<li><strong>Fyfe, Greer (with Miriam Ross)<\/strong>,\u00a0<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/resources\/how-to-guides\/how-to-video-essays-by-greer-fyfe-and-miriam-ross\/\" target=\"_blank\">&#8216;How-to Video Essays&#8217;<\/a> <\/strong>[<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/resources\/how-to-guides\/\" target=\"_blank\">How-to Guides<\/a>\u00a0\/\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/resources\/\" target=\"_blank\">Resources<\/a>]<\/li>\n<li><strong>Garwood, Ian, <\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/ian-garwood\/\" target=\"_blank\"><strong>&#8216;On HOW LITTLE WE KNOW: AN ESSAY FILM ABOUT\u00a0HOAGY CARMICHAEL&#8217;,<\/strong>\u00a0<\/a>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/poetics-explanatory-audiovisual-essay\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Grant, Catherine<\/strong>, &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/introduction\/\" target=\"_blank\"><strong>INTRODUCTION<\/strong> [to the Frankfurt Papers&#8217;]<\/a><\/li>\n<li><strong>Grant, Catherine, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/catherine-grant\/\" target=\"_blank\">&#8216;THE AUDIOVISUAL ESSAY: MY FAVORITE THINGS [INTRODUCTION<\/a><\/strong> to\u00a0<a title=\"Permalink to Protected: [in]Transition, 1.3, 2014: Videos and Reflections\" href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/\" rel=\"bookmark\">[in]Transition, 1.3, 2014: Videos and Reflections<\/a>]\u00a0as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Grant, Catherine<\/strong>, &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/catherine-grant\/\" target=\"_blank\"><strong>How Long is a Piece of String? On the Practice, Scope and Value of Videographic Film Studies and Criticism&#8217;<\/strong> [Frankfurt Papers]<\/a>&#8216;<\/li>\n<li><strong>Grant, Catherine<\/strong> (with <strong>Cristina \u00c1lvarez L\u00f3pez, Carlos Losilla, Adrian Martin, Manu Y\u00e1\u00f1ez<\/strong>\u00a0), &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\"><strong>Roundtable Discussion<\/strong><\/a> <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\">[Frankfurt Papers]&#8217;<\/a><\/li>\n<li><strong>Hediger, Vinzenz<\/strong>, &#8216;<strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/vinzenz-hediger\/\" target=\"_blank\">What makes an excerpt? The video essay as an experiment performed on the work of art <\/a><\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/vinzenz-hediger\/\" target=\"_blank\">[Frankfurt Papers]<\/a><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/vinzenz-hediger\/\" target=\"_blank\">&#8216;<\/a><\/li>\n<li><strong>Keathley, Christian,<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/christian-keathley\/\" target=\"_blank\"> &#8216;On 50 YEARS ON&#8217;,<\/a><\/strong> as curated at\u00a0<em>[in]Transition<\/em>, 1.3, 2014<\/li>\n<li><strong>Kiss, Mikl\u00f3s, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/miklos-kiss\/\" target=\"_blank\">&#8216;On UN\/RELIABLE UN\/RELIABILITY&#8217;,<\/a><\/strong>\u00a0as curated at<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-research-essay-alternative-text-based-scholarship\" target=\"_blank\">\u00a0<em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Lahera, Covadonga G., <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/covadonga-g-lahera-on-inflames-2009\/\" target=\"_blank\">&#8216;On INFLAMES&#8217;<\/a>,<\/strong>\u00a0[in REFLECTIONS ON AUDIOVISUAL ESSAYS]<strong>\u00a0<\/strong><\/li>\n<li><strong>Law, Hoi Lun<\/strong>, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/hoi-lun-law-on-angstfear-adrian-martin-cristina-alvarez-lopez-2014\/\" target=\"_blank\">&#8216;<strong>On ANGST\/FEAR (Adrian Martin &amp; Cristina \u00c1lvarez L\u00f3pez, 2014)<\/strong>&#8216; <\/a>[in REFLECTIONS ON AUDIOVISUAL ESSAYS]<\/li>\n<li><strong>Lee, Kevin B., <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/kevin-b-lee\/\" target=\"_blank\">&#8216;On\u00a0THE CAREER OF PAUL THOMAS ANDERSON IN FIVE SHOTS&#8217;,<\/a>\u00a0<\/strong>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Lindenberger, Henrike<\/strong>, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/henrike-lindenberger\/\" target=\"_blank\">&#8216;<\/a><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/henrike-lindenberger\/\" target=\"_blank\">On ALPHAVILLE &#8211; THE CRYSTAL MAZE&#8217;<\/a>\/<\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/henrike-lindenberger\/\" target=\"_blank\"><strong>The Audiovisual Essay as Lego Construction&#8217;,<\/strong><\/a> as curated at <a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/idea-concept\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Losilla, Carlos<\/strong>, &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/carlos-losilla\/\" target=\"_blank\"><strong>The Absent Image, The Invisible Narrative<\/strong> [Frankfurt Papers]&#8217;<\/a><\/li>\n<li><strong>Losilla, Carlos<\/strong>\u00a0(with <strong>Cristina\u00a0\u00c1lvarez L\u00f3pez, <\/strong><strong>Catherine Grant, Adrian Martin, Manu Ya\u00f1ez<\/strong>\u00a0), &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\"><strong>Roundtable Discussion<\/strong><\/a>\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\">[Frankfurt Papers]&#8217;<\/a><\/li>\n<li><strong>Martin, Adrian<\/strong> (with <strong>Cristina<\/strong> <strong>\u00c1lvarez L\u00f3pez<\/strong>), &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/cristina-alvarez-lopez-adrian-martin\/\" target=\"_blank\"><strong>The One and the Many: Making Sense of Montage in the Audiovisual Essay&#8217; <\/strong>[Frankfurt Papers]&#8217;<\/a><\/li>\n<li><strong>Martin, Adrian,<\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/adrian-martin\/\" target=\"_blank\"><strong> &#8216;On\u00a0WHERE I COME FROM, WHERE I&#8217;M GOING&#8217;,<\/strong><\/a>\u00a0as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/inwardoutward-turn\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Martin, Adrian<\/strong> (with <strong>Cristina<\/strong> <strong>\u00c1lvarez L\u00f3pez<\/strong>), &#8216;<strong><a title=\"Permalink to SCREENING PROGRAMME: FROM FOUND FOOTAGE FILM TO THE AUDIOVISUAL ESSAY\" href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/screening-programme-from-found-footage-film-to-the-audiovisual-essay\/\" rel=\"bookmark\">SCREENING PROGRAMME: From Found Footage to the Audiovisual Essay<\/a><\/strong>\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/screening-programme-from-found-footage-film-to-the-audiovisual-essay\/\" target=\"_blank\">[&#8216;Frankfurt papers]&#8217;<\/a><\/li>\n<li><strong>Martin, Adrian<\/strong> (with\u00a0<strong>Cristina\u00a0\u00c1lvarez L\u00f3pez, Cristina,\u00a0<\/strong><strong>Catherine Grant, Carolos Losilla, Manu Y\u00e1\u00f1ez<\/strong>\u00a0), &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\"><strong>Roundtable Discussion<\/strong><\/a>\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\">[Frankfurt Papers]&#8217;<\/a><\/li>\n<li><strong>Morton, Drew,<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/drew-morton\/\" target=\"_blank\"> &#8216;On<\/a><\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/drew-morton\/\" target=\"_blank\">\u00a0<strong><strong>FROM THE PANEL TO THE FRAME: STYLE AND SCOTT PILGRIM&#8217;\/ &#8216;<strong>THOUGH THIS BE MADNESS, YET THERE IS METHOD IN IT:\u00a0<\/strong><strong>Notes on Producing and Revising Videographic Scholarship<\/strong><\/strong><\/strong><\/a><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/drew-morton\/\" target=\"_blank\">&#8216;,<\/a>\u00a0<\/strong>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Ross, Miriam\u00a0(with Greer Fyfe)<\/strong>, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/resources\/how-to-guides\/how-to-video-essays-by-greer-fyfe-and-miriam-ross\/\" target=\"_blank\"><strong>&#8216;How-to Video Essays&#8217;<\/strong><\/a> [<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/resources\/how-to-guides\/\" target=\"_blank\">How-to Guides<\/a> \/ <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/resources\/\" target=\"_blank\">Resources<\/a>]<\/li>\n<li><strong>van den Berg, Thomas<\/strong>, <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/\" target=\"_blank\">&#8216;<strong>On (UN)RELIABLE (UN)RELIABLITY&#8217;,\u00a0<\/strong><\/a>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-research-essay-alternative-text-based-scholarship\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Y\u00e1\u00f1ez, Manu<\/strong>, &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/manu-yanez\/\" target=\"_blank\"><strong>Thought, Action and Imagination <\/strong>[Frankfurt Papers]&#8217;<\/a><\/li>\n<li><strong>Y\u00e1\u00f1ez, Manu,<\/strong>\u00a0(with\u00a0<strong>Cristina\u00a0\u00c1lvarez L\u00f3pez, Cristina,\u00a0<\/strong><strong>Catherine Grant, Carlos Losilla, Adrian Martin<\/strong>), &#8216;<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\"><strong>Roundtable Discussion<\/strong><\/a>\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/roundtable-discussion\/\" target=\"_blank\">[Frankfurt Papers]&#8217;<\/a><\/li>\n<\/ul>\n<p><strong>Other website pages:<\/strong><\/p>\n<ul class=\"toc_sitemap_pages_list\">\n<li class=\"page_item page-item-11 page_item_has_children current_page_ancestor current_page_parent\"><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/\" target=\"_blank\">HOMEPAGE<\/a><\/li>\n<li class=\"page_item page-item-11 page_item_has_children current_page_ancestor current_page_parent\"><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/about\/\">ABOUT<\/a>\n<ul class=\"children\">\n<li class=\"page_item page-item-13\"><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/about\/about-the-audiovisual-essay-website\/\">ABOUT THE AUDIOVISUAL ESSAY WEBSITE<\/a><\/li>\n<li class=\"page_item page-item-17\"><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/about\/contributors\/\">CONTRIBUTORS<\/a><\/li>\n<li class=\"page_item page-item-170 current_page_item\"><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/about\/table-of-contents\/\">TABLE OF CONTENTS<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/\">FRANKFURT PAPERS<\/a>\n<ul>\n<li class=\"page_item page-item-84\"><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/screening-programme-from-found-footage-film-to-the-audiovisual-essay\/\">SCREENING PROGRAMME: FROM FOUND FOOTAGE FILM TO THE AUDIOVISUAL ESSAY<\/a><\/li>\n<\/ul>\n<\/li>\n<li class=\"page_item page-item-44\"><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/news\/\">NEWS<\/a><\/li>\n<li class=\"page_item page-item-42 page_item_has_children\"><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/\">REFLECTIONS<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In alphabetical order by author surname: \u00c1lvarez L\u00f3pez, Cristina (with Adrian Martin), &#8216;The One and the Many: Making Sense of <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/about\/table-of-contents\/\">Continue Reading<span class=\"screen-reader-text\">TABLE OF CONTENTS<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-170","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4VcpT-2K","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/comments?post=170"}],"version-history":[{"count":18,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/170\/revisions"}],"predecessor-version":[{"id":1018,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/170\/revisions\/1018"}],"up":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media?parent=170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}