{"id":13,"date":"2014-09-10T08:08:49","date_gmt":"2014-09-10T08:08:49","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/?page_id=13"},"modified":"2015-05-15T11:00:24","modified_gmt":"2015-05-15T11:00:24","slug":"about-the-audiovisual-essay-website","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/about\/about-the-audiovisual-essay-website\/","title":{"rendered":"ABOUT THE AUDIOVISUAL ESSAY WEBSITE"},"content":{"rendered":"<p><a href=\"http:\/\/reframe.sussex.ac.uk\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-313 size-large\" title=\"THE AUDIOVISUAL ESSAY website is published by REFRAME\" src=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/REFRAME_metaslider_AV_essay_no_readmore-1024x477.jpg\" alt=\"\" width=\"525\" height=\"244\" srcset=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/REFRAME_metaslider_AV_essay_no_readmore-1024x477.jpg 1024w, https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/REFRAME_metaslider_AV_essay_no_readmore-300x139.jpg 300w, https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/REFRAME_metaslider_AV_essay_no_readmore.jpg 1417w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/a><\/p>\n<p><strong>Welcome<\/strong> to <strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/\" target=\"_blank\">The Audiovisual Essay<\/a><\/strong> project. This <a href=\"http:\/\/reframe.sussex.ac.uk\/\" target=\"_blank\"><strong>REFRAME<\/strong><\/a> website serves four\u00a0main functions, currently:<\/p>\n<ul>\n<li>As an <strong>online repository<\/strong> for the papers, discussions and screening programme of an international conference and workshop on\u00a0<strong>The Audiovisual Essay: Practice and Theory<\/strong>, organised by Adrian Martin\u00a0and\u00a0Cristina \u00c1lvarez L\u00f3pez (supported by and Vinzenz Hediger of Goethe University, Frankfurt, Germany). These events took place in November 2013 at the <a href=\"http:\/\/deutsches-filminstitut.de\/en\/filmmuseum\/\" target=\"_blank\">Deutsches <em>Filmmuseum<\/em> &#8211; Deutsches Filminstitut, in Frankfurt <\/a>in partnership with <a href=\"http:\/\/www.tfm.uni-frankfurt.de\/index.html\" target=\"_blank\"><span class=\"st\"> Film and Audiovisual Media<\/span><\/a> at <a href=\"http:\/\/www.uni-frankfurt.de\/\" target=\"_blank\">Goethe University<\/a>. The section of the website where these materials can be accessed &#8212; titled <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/\" target=\"_blank\"><strong>The Frankfurt Papers<\/strong><\/a> (co-edited by Cristina \u00c1lvarez L\u00f3pez, Catherine Grant and Adrian Martin) &#8212; can be found <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/frankfurt-papers\/\" target=\"_blank\"><strong>here<\/strong><\/a>.<\/li>\n<li>As a\u00a0<strong>companion publication<\/strong> to<strong> <a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/theme-week\/2014\/35\/journal-videographic-film-moving-image-studies-13-2014\" target=\"_blank\">issue 1.3<\/a><\/strong> of the new peer-reviewed journal <a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/\" target=\"_blank\"><strong>[in]Transition<\/strong><\/a>, A collaboration between <a href=\"http:\/\/mediacommons.futureofthebook.org\/\" target=\"_blank\"><span data-scayt_word=\"MediaCommons\" data-scaytid=\"1\">MediaCommons<\/span><\/a> and the Society for Cinema and Media Studies\u2019 official publication, <a href=\"http:\/\/www.cmstudies.org\/?page=cinema_journal\" target=\"_blank\"><em>Cinema Journal<\/em>,<\/a> <strong>[in]Transition<\/strong> is the first peer-reviewed academic periodical specifically given over to <span data-scayt_word=\"videographic\" data-scaytid=\"2\">videographic<\/span> film and moving image\u00a0studies. <a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/theme-week\/2014\/35\/journal-videographic-film-moving-image-studies-13-2014\" target=\"_blank\">Issue 1.3<\/a> (edited by <a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\">Catherine Grant<\/a>), was devoted to a sustained reflection on the practice and theory of the audiovisual essay form, with particular reference to its emerging procedures and uses in film and moving image criticism and\u00a0research. The table of contents for this section (also edited by Catherine Grant) can be found <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/\" target=\"_blank\"><strong>here<\/strong><\/a>.<\/li>\n<li>As a <strong>rolling\u00a0publication<\/strong> for continuing<strong> reflections<\/strong> on the practice and theory of the audiovisual essay. The table of contents for this section (co-edited by Cristina \u00c1lvarez L\u00f3pez, Catherine Grant, Chiara Grizzaffi, Hoi Lun Law, Adrian Martin, Lara Perski) can be found <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/reflections-on-av-essays\/\" target=\"_blank\"><strong>here<\/strong><\/a>.<\/li>\n<li>And as a <strong>place of publication<\/strong> for <strong>resources <\/strong>about and<strong> guides\u00a0to\u00a0making<\/strong> and<strong> teaching <\/strong>(about) audiovisual essays. The table of contents for this section (also edited by Catherine Grant) will can\u00a0be found <a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/resources\/\" target=\"_blank\"><strong>here<\/strong><\/a>.<\/li>\n<\/ul>\n<p><strong>Catherine Grant<\/strong><em>,<br \/>\nProducer\/Director of the Audiovisual Essay website<\/em><br \/>\n<em>Editor of <a href=\"http:\/\/reframe.sussex.ac.uk\" target=\"_blank\">REFRAME<\/a><\/em><br \/>\n<em>September 2014, Updated March\u00a02015<\/em><\/p>\n<p><strong>Co-editors of the Audiovisual Essay website:<\/strong><br \/>\nCristina \u00c1lvarez L\u00f3pez, Catherine Grant, Chiara Grizzaffi, Hoi Lun Law, Adrian Martin, Lara Perski<\/p>\n<p><strong>Editorial Advisory Board for t<strong>he Audiovisual Essay website<\/strong>:<\/strong><br \/>\nMichael Chanan, Pam Cook, Ian Garwood, John Hondros, Pasquale Iannone, Christian Keathley, Mikl\u00f3s Kiss, Covadonga G. Lahera, Kevin B. Lee, Carlos Losilla, Richard Misek, Drew Morton, Ruth\u00a0Novaczek, Miriam Ross, Matthias Stork, Manu Y\u00e1\u00f1ez<\/p>\n<p><em><strong>Special thanks<\/strong> to <a href=\"http:\/\/www.sussex.ac.uk\/mediaandfilm\/people\/list\/person\/174167\" target=\"_blank\"><strong>Tanya Kant<\/strong><\/a> for her great work on the graphic design elements of<\/em> <em>the Audiovisual Essay website.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to The Audiovisual Essay project. This REFRAME website serves four\u00a0main functions, currently: As an online repository for the papers, <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/about\/about-the-audiovisual-essay-website\/\">Continue Reading<span class=\"screen-reader-text\">ABOUT THE AUDIOVISUAL ESSAY WEBSITE<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":191,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-13","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4VcpT-d","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/13","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":42,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":997,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/13\/revisions\/997"}],"up":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/11"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media\/191"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media?parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}