{"id":120,"date":"2014-09-10T14:14:51","date_gmt":"2014-09-10T14:14:51","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/?page_id=120"},"modified":"2014-09-14T13:53:20","modified_gmt":"2014-09-14T13:53:20","slug":"intransition-1-3","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/","title":{"rendered":"[in]Transition, 1.3, 2014: Videos and Reflections"},"content":{"rendered":"<p><a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-357 size-large\" title=\"Link to [IN]TRANSITION 1.3\" src=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/Metaslider-audiovisual_Intransition-1024x512.jpg\" alt=\"Link to [IN]TRANSITION 1.3\" width=\"525\" height=\"262\" srcset=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/Metaslider-audiovisual_Intransition-1024x512.jpg 1024w, https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/Metaslider-audiovisual_Intransition-300x150.jpg 300w, https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/files\/2014\/09\/Metaslider-audiovisual_Intransition-644x320.jpg 644w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/a><\/p>\n<p>The below listed essays and videos are published\u00a0here in relation to this website&#8217;s function as a &#8220;companion publication&#8221;\u00a0to <a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/theme-week\/2014\/35\/journal-videographic-film-moving-image-studies-13-2014\" target=\"_blank\">issue 1.3 <\/a>of the new peer-reviewed journal<strong>\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/\" target=\"_blank\">[in]Transition<\/a>: Videographic Film and Moving Image Studies.<\/strong>\u00a0A collaboration between\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/\" target=\"_blank\"><span data-scayt_word=\"MediaCommons\" data-scaytid=\"1\">MediaCommons<\/span><\/a>\u00a0and the Society for Cinema and Media Studies\u2019 official publication,\u00a0<a href=\"http:\/\/www.cmstudies.org\/?page=cinema_journal\" target=\"_blank\"><em>Cinema Journal<\/em>,<\/a><strong>\u00a0[in]Transition<\/strong>\u00a0is the first peer-reviewed academic periodical specifically given over to\u00a0<span data-scayt_word=\"videographic\" data-scaytid=\"2\">videographic<\/span>\u00a0film and moving image\u00a0studies.<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/theme-week\/2014\/35\/journal-videographic-film-moving-image-studies-13-2014\" target=\"_blank\"><strong> Issue 1.3, 2014<\/strong><\/a> (edited by Catherine Grant), was devoted to a sustained reflection on the practice and theory of the audiovisual essay form, with particular reference to its emerging procedures and uses in film and moving image criticism and\u00a0research.<\/p>\n<p><strong>In alphabetical order by author surname:<\/strong><\/p>\n<ul>\n<li><strong>\u00c1lvarez L\u00f3pez, Cristina,\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/cristina-alvarez-lopez\/\" target=\"_blank\">\u2018On SMALL GESTURES\u2019\/\u2019From Idea to Concept [Extract]\u2018<\/a>,\u00a0<\/strong>as curated at<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/idea-concept\" target=\"_blank\">\u00a0<em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Berg, Thomas\u00a0van den<\/strong>,<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/\" target=\"_blank\">\u2018<strong>On (UN)RELIABLE (UN)RELIABLITY\u2019,\u00a0<\/strong><\/a>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-research-essay-alternative-text-based-scholarship\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Chanan, Michael,\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/michael-chanan\/\" target=\"_blank\">\u2018On SPIRIT OF COUTINHO\u2019,<\/a><\/strong>\u00a0as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Cook, Pam,\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/pam-cook\/\" target=\"_blank\">\u2018On MILDRED\u2019S KISS\u2019\/\u2019Word vs. Image: Making\u2026<\/a><\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/pam-cook\/\" target=\"_blank\">\u2018<\/a>,\u00a0as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Cromm, Timo<\/strong>,\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/timo-cromm\/\" target=\"_blank\">\u2018<strong>On DOLCE FAR NIENTE<\/strong>:\u00a0<strong>An Audiovisual Essay on Bully (Larry Clark, 2001) and The Big Lebowski (Coen Bros, 1998)\u2019<\/strong><\/a>, as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/inwardoutward-turn\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Garwood, Ian,\u00a0<\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/ian-garwood\/\" target=\"_blank\"><strong>\u2018On HOW LITTLE WE KNOW: AN ESSAY FILM ABOUT\u00a0HOAGY CARMICHAEL\u2019,<\/strong>\u00a0<\/a>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/poetics-explanatory-audiovisual-essay\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Grant, Catherine,\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/catherine-grant\/\" target=\"_blank\">\u2018THE AUDIOVISUAL ESSAY: MY FAVORITE THINGS [INTRODUCTION<\/a><\/strong>\u00a0to\u00a0<a title=\"Permalink to Protected: [in]Transition, 1.3, 2014: Videos and Reflections\" href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/\" rel=\"bookmark\">[in]Transition, 1.3, 2014: Videos and Reflections<\/a>]\u00a0as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Keathley, Christian,<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/christian-keathley\/\" target=\"_blank\">\u00a0\u2018On 50 YEARS ON\u2019,<\/a><\/strong>\u00a0as curated at\u00a0<em>[in]Transition<\/em>, 1.3, 2014<\/li>\n<li><strong>Kiss, Mikl\u00f3s,\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/miklos-kiss\/\" target=\"_blank\">\u2018On UN\/RELIABLE UN\/RELIABILITY\u2019,<\/a><\/strong>\u00a0as curated at<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-research-essay-alternative-text-based-scholarship\" target=\"_blank\">\u00a0<em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Lee, Kevin B.,\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/kevin-b-lee\/\" target=\"_blank\">\u2018On\u00a0THE CAREER OF PAUL THOMAS ANDERSON IN FIVE SHOTS\u2019,<\/a>\u00a0<\/strong>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Lindenberger, Henrike<\/strong>,\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/henrike-lindenberger\/\" target=\"_blank\">\u2018<\/a><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/henrike-lindenberger\/\" target=\"_blank\">On ALPHAVILLE \u2013 THE CRYSTAL MAZE\u2019<\/a>\/<\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/henrike-lindenberger\/\" target=\"_blank\"><strong>The Audiovisual Essay as Lego Construction\u2019,<\/strong><\/a>\u00a0as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/idea-concept\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Martin, Adrian,<\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/adrian-martin\/\" target=\"_blank\"><strong>\u00a0\u2018On\u00a0WHERE I COME FROM, WHERE I\u2019M GOING\u2019,<\/strong><\/a>\u00a0as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/inwardoutward-turn\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>Morton, Drew,<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/drew-morton\/\" target=\"_blank\">\u00a0\u2018On<\/a><\/strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/drew-morton\/\" target=\"_blank\">\u00a0<strong>FROM THE PANEL TO THE FRAME: STYLE AND SCOTT PILGRIM\u2019\/ \u2018THOUGH THIS BE MADNESS, YET THERE IS METHOD IN IT:\u00a0Notes on Producing and Revising Videographic Scholarship<\/strong><\/a><strong><a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/drew-morton\/\" target=\"_blank\">\u2018,<\/a>\u00a0<\/strong>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-essay-my-favorite-things\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<li><strong>van den Berg, Thomas<\/strong>,\u00a0<a href=\"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/thomas-van-den-berg\/\" target=\"_blank\">\u2018<strong>On (UN)RELIABLE (UN)RELIABLITY\u2019,\u00a0<\/strong><\/a>as curated at\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/2014\/09\/14\/audiovisual-research-essay-alternative-text-based-scholarship\" target=\"_blank\"><em>[in]Transition<\/em>, 1.3, 2014<\/a><\/li>\n<\/ul>\n<hr \/>\n<p><a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/theme-week\/2014\/35\/journal-videographic-film-moving-image-studies-13-2014\" target=\"_blank\"><strong>[in]Transition, 1.3, 2014<\/strong><\/a>. Online at:\u00a0<a href=\"http:\/\/mediacommons.futureofthebook.org\/intransition\/theme-week\/2014\/35\/journal-videographic-film-moving-image-studies-13-2014\" target=\"_blank\">http:\/\/mediacommons.futureofthebook.org\/intransition\/theme-week\/2014\/35\/journal-videographic-film-moving-image-studies-13-2014<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The below listed essays and videos are published\u00a0here in relation to this website&#8217;s function as a &#8220;companion publication&#8221;\u00a0to issue 1.3 <a class=\"more-link\" href=\"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/reflections\/intransition-1-3\/\">Continue Reading<span class=\"screen-reader-text\">[in]Transition, 1.3, 2014: Videos and Reflections<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":42,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-120","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4VcpT-1W","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/comments?post=120"}],"version-history":[{"count":10,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/120\/revisions"}],"predecessor-version":[{"id":728,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/120\/revisions\/728"}],"up":[{"embeddable":true,"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/pages\/42"}],"wp:attachment":[{"href":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/wp-json\/wp\/v2\/media?parent=120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}