{"id":1062,"date":"2016-09-28T12:32:09","date_gmt":"2016-09-28T12:32:09","guid":{"rendered":"http:\/\/reframe.sussex.ac.uk\/audiovisualessay\/?page_id=1062"},"modified":"2016-11-14T12:33:30","modified_gmt":"2016-11-14T12:33:30","slug":"cinecity","status":"publish","type":"page","link":"https:\/\/reframe.sussex.ac.uk\/audiovisualessay\/cinecity\/","title":{"rendered":"Two Masterclasses at CineCity: The Brighton Film Festival 2016"},"content":{"rendered":"

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Tue 15 Nov 6.00 \u2013 8.30pm
\nSallis Benney Theatre<\/a><\/p>\n

RUTH NOVACZEK AND SARAH WOOD
\nA Masterclass on Collage Filmmaking<\/strong><\/p>\n

Presented by the MA Masterclass Programme of the School of Media, Film and Music, University of Sussex, with CineCity: The Brighton Film Festival and the University of Brighton<\/em><\/p>\n

Collage (or found-footage) filmmaking, a practice in which material appropriated from pre-existing films is edited together to form new works, is very much on the rise in\u00a0this, the era of online remix. But it also has a very long history, from the pioneering archive-film work of Soviet filmmaker Esfir Schub, from the 1920s onwards, through to the film-history films of Jean-Luc Godard and beyond.<\/p>\n

For the first of our two Masterclasses on this form, we have invited two highly-esteemed artist-filmmakers, Sarah Wood<\/strong><\/a> and Ruth Novaczek<\/strong><\/a>, to present and discuss their very different found-footage practice, including its theory and procedures.<\/p>\n

Wood works with the found object, particularly the still and moving image, as an act of reclamation and re-interrogation. We will screen her latest film <\/em>Boat People<\/a>.<\/em><\/p>\n

Novaczek works with found footage, live action, and documentation in mash-ups that challenge \u2018traditional\u2019 avant-garde moving image culture.\u00a0We will screen her latest film<\/em> A Woman Returns from a Journey<\/a>.<\/p>\n

Attendance is free for students and staff of Brighton and Sussex Universities; other\u00a0tickets cost \u00a35.<\/em><\/p>\n

Also see\u00a0http:\/\/www.cine-city.co.uk\/festival-event\/masterclass-on-collage-film-making\/<\/a><\/p>\n

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Tue 22 Nov 6.00 \u2013 7.30pm
\nSallis Benney Theatre<\/a><\/p>\n

CHARLIE LYNE<\/strong>
\nA Masterclass on Collage Filmmaking<\/strong><\/p>\n

Part of the MA Masterclass Programme of the School of Media, Film and Music, University of Sussex, with CineCity and the University of Brighton<\/em><\/p>\n

Charlie Lyne<\/strong><\/a> is a filmmaker and film critic living in London. His first collage film Beyond Clueless<\/em><\/a>, on the American teen movie genre, premiered at SXSW in 2014 and went on to play at more than two-dozen international festivals. His second, Fear Itself<\/em><\/a>, on horror cinema, premiered on the BBC\u2019s iPlayer service \u2014 the platform\u2019s second feature-length commission after Adam Curtis\u2019s Bitter Lake<\/em> \u2014 and went on to screen at festivals including International Film Festival Rotterdam. As a critic, Lyne writes for The Guardian<\/em> and Sight & Sound<\/em>.<\/p>\n

In this Masterclass, he will explore and deconstruct an extract from the more recent of his two essay films about cinema (Fear Itself<\/em>), focusing on the process behind its making and presenting this as a microcosm of his collage filmmaking methods more generally.<\/p>\n

Attendance is free for students and staff of Brighton and Sussex Universities; other tickets cost \u00a35.<\/em><\/p>\n

Following the Masterclass there will be a separate public screening of Lyne’s 2015 film <\/em>Fear Itself<\/a> (tickets \u00a35)<\/em><\/p>\n

Also see\u00a0http:\/\/www.cine-city.co.uk\/festival-event\/masterclass-on-collage-charlie-lyne\/<\/a><\/p>\n

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Click to DOWNLOAD the below PDF of the full CineCity 2016 Programme<\/strong><\/a><\/p>\n

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