SEQUENCE One: Planet Melancholia, 2012-present
- Steven Shaviro, ‘MELANCHOLIA, or, The Romantic Anti-Sublime’, SEQUENCE, 1.1 (2012). Online at: https://reframe.sussex.ac.uk/sequence1/1-1-melancholia-or-the-romantic-anti-sublime/ PDF
- Rupert Read, ‘An allegory of a ‘therapeutic’ reading of a film: Of MELANCHOLIA’, SEQUENCE, 1.2 (2014). Online at: https://reframe.sussex.ac.uk/sequence1/1-2-an-allegory-of-a-therapeutic-reading/ PDF
- Richard Grusin, ‘Post-Cinematic Atavism’, SEQUENCE, 1.3 (2014). Online at: https://reframe.sussex.ac.uk/sequence1/1-3-post-cinematic-atavism/ PDF
- Selmin Kara, ‘BEASTS OF THE DIGITAL WILD: Primordigital Cinema and the Question of Origins’, SEQUENCE, 1.4, 2014. Online at: https://reframe.sussex.ac.uk/sequence1/1-4-primordigital-cinema/ PDF
SEQUENCE Two: We Need to Talk about Maternal Melodrama, 2013-present
- Sue Thornham, ‘A HATRED SO INTENSE….: We Need to Talk about Kevin, Postfeminism and Women’s Cinema’, SEQUENCE, 2.1 (2013). Online at: https://reframe.sussex.ac.uk/sequence2/archive/sequence-2-1/ PDF
- Pam Cook, ‘TEXT, PARATEXT AND SUBTEXT: Reading Mildred Pierce as Maternal Melodrama’, SEQUENCE, 2.2 (2015). Online at https://reframe.sussex.ac.uk/sequence2/archive/sequence-2-2/ PDF
- Mandy Merck, ‘NEGATIVE OEDIPUS: Carol as Lesbian Romance and Maternal Melodrama’, SEQUENCE: Serial Studies in Media, Film and Music, 2.3, 2017. ISSN 2052-3033 (Online). Online at: https://reframe.sussex.ac.uk/sequence2/archive/sequence-2-3/ [Published on August 4, 2017].
SEQUENCE Three: Re/De-Composition: Sampling, Mashups, Remix, Glitch, 2015-present
- Albertine Fox, ‘EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’, Sequence, 3.1, 2015. Online at: https://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/ PDF
SEQUENCE Four: Analogue-Digital, 2016-present
- Paul Atkinson, ‘THINKING WITH DIGITS: Cinema and the Digital-Analogue Opposition’, SEQUENCE, 4.1, 2016. Online at: https://reframe.sussex.ac.uk/sequence4/archive/sequence-4-1/. PDF
SEQUENCE Five: About Silence, 2016–present
- Liz Greene, ‘Silence’, SEQUENCE 5.1, 2016. Online at:
https://reframe.sussex.ac.uk/sequence5/archive/sequence-5-1/ PDF / EPUB / MOBI (click to download)
NEW! SEQUENCE Six: Handling Philosophy – Transforming ideas through creative practice, 2021-present
- Joanna Callaghan, ‘Ontological Narratives: ways of being in film‘, SEQUENCE 6.1, 2021. Online at https://reframe.sussex.ac.uk/sequence6/sequence-6-1/ PDF (click to download)
Each installment in SEQUENCE Serial Studies in Media, Film and Music is sequentially and cumulatively made freely available in a variety of eReading formats in addition to the initial web publication. Please click here to access these.