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Bibliography

Acland, C. R. (ed.) (2007). Residual Media, Minneapolis, London: University of Minnesota Press.

Benjamin, W. (1999). Illuminations, ed. Hannah Arendt, tr. Harry Zorn, London: Pimlico.

Bennett, R. and Kun, J. (2008). And You Shall Know Us by the Trail of Our Vinyl: The Jewish Past as Told by the Records We Have Loved and Lost. New York: Crown.

Bluestein, G. (1987). ‘Moses Asch, Documentor’, American Music, Vol. 5, No. 3: 291-304.

Bolter, J.D. & Grusin, R. (2000). Remediation: Understanding New Media. Cambridge, Mass./London, England: the MIT Press.

Boym, S. (2001). The Future of Nostalgia, New York: Basic Books.

Carlin, R. (2008). Worlds of Sound: The Story of Smithsonian Folkways, New York: Smithsonian/Collins.

Chanan, M. (1995) Repeated Takes: A Short History of Recording and Its Effects on Music, London: Verso.

Concannon, K. (2013). ‘Cut and Paste: Collage and the Art of Sound’, in D. Lander and M. Lexier (eds), Sound by Artists, Mississauga: Blackwood Gallery: 161-82.

Connor, S. (2011). Paraphernalia: The Curious LIves of Magical Things. London: Profile.

Cooper, D. (2005). The Perfect Portable Gramophone. London: Cavendish.

Creeber, G. & Royston, M. (eds) (2009). Digital cultures: Understanding New Media. Maidenhead: Open UP.

Cutler, C. (2006). ‘Plunderphonia’, in C. Cox & D. Warner (eds), Audio Culture: Readings in Modern Music, New York: Continuum, 2006: 136-56.

Dibbell, J. (2004). ‘Unpacking Our Hard Drives: Discophilia in the Age of Digital Reproduction’, in E. Weisbard (ed.), This is Pop: In Search of the Elusive at Experience Music Project, Cambridge, MA, and London: Harvard University Press: 279-288.

Eisenberg, E. (1988). The Recording Angel: Music, Records and Culture from Aristotle to Zappa, London: Picador.

Elborough, T. (2008). The Long-Player Goodbye: The Album from Vinyl to iPod and Back Again. London: Hodder& Stoughton.

Ernst, W. (2013) Digital Memory and the Archive, Minneapolis: Minnesota University Press.

Gillespie, T., Boczkowski, P.J., Foot, K.A. (eds) (2014). Media Technologies: Essays on Communication, Materiality, and Society. Cambridge, MA: MIT Press.

Gronow, P. & Saunio, I. (1998). An International History of the Recording Industry, trans. C. Moseley, London and New York: Cassell.

Gumbrecht, H.U. and Pfeiffer, K.L. (eds) (1994). Materialities of Communication. Stanford: Stanford University Press.

Hadar, D. (2007). Mingering Mike: The Amazing Career of an Imaginary Soul Superstar. New York: Princeton Architectural Press.

Huhtamo, E. and Parikka, J. (2011). Media Archaeology: Approaches, Applications, and Implications, Berkeley: University of California Press.

Huyssen, A. (2003). Present Pasts: Urban Palimpsests and the Politics of Memory, Stanford: Stanford University Press.

Jenkins, H. (2008). Convergence Culture: Where Old and New Media Collide. New York/London: New York UP.

Jones, A. (2004). Plunderphonics, ’Pataphysics & Pop Mechanics. Wembley: SAF.

Katz, M. (2004). Capturing Sound: How Technology Has Changed Music. Berkeley: University of California Press.

Keightley, E. and Pickering, M. (2006). ‘For the Record: Popular Music and Photography as Technologies of Memory’, European Journal of Cultural Studies 9/2: 149-65.

Kelly, C. (2009). Cracked Media: The Sound of Malfunction. MIT Press.

Kittler, F.A. (1999). Gramophone, Film, Typewriter. Translated by G. Winthrop-Young and M. Wutz. Stanford: Stanford University Press.

Milano, B. (2003). Vinyl Junkies: Adventures in Record Collecting. New York: St. Martin’s Press.

Milner, G. (2009). Perfecting Sound Forever: The Story of Recorded Music. London: Granta.

Morris-Suzuki, T. (2005). The Past Within Us: Media, Memory, History, London, New York: Verso.

Neville, B. & Villeneuve, J. (eds) (2002). Waste-Site Stories: The Recycling of Memory, Albany : State University Of New York Press.

Pickering, M. Keightley, E. (2007). ‘Echoes and Reverberations: Photography and Phonography as Historical Forms’, Media History 13/2: 273-88.

Pinch, T. and Trocco, F. (2004). Analog Days: The Invention and Impact of the Moog Synthesizer. Harvard University Press

Rabinovitz, L. & Geil, A. (eds) (2004). Memory Bytes: History, Technology, and Digital Culture, Durham/London: Duke UP.

Reynolds, S. (2004). ‘Lost in Music: Obsessive Record Collecting’, in E. Weisbard (ed.), This is Pop: In Search of the Elusive at Experience Music Project. Cambridge, MA: Harvard University Press: 289-307.

Reynolds, S. (2006). ‘Society of the Spectral’, The Wire 273 (November): 26-33.

Reynolds, S. (2011). Retromania: Pop Culture’s Addiction to Its Own Past. London: Faber & Faber.

Samuel, R. (1996). Theatres of Memory Volume 1: Past and Present in Contemporary Culture. London: Verso.

Schoonmaker, T. (2010). The Record: Contemporary Art and Vinyl. Durham: Duke University Press.

Sterne, J. (2003). The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press.

Sterne, J. (2012). MP3: The Meaning of a Format. Durham: Duke University Press.

Straw, W. (2000). ‘Exhausted Commodities: The Material Culture of Music’, Canadian Journal of Communication, 25:1, <http://cjc-online.ca/index.php/journal/issue/view/91/showToc>

Taylor, T.D., Katz, M. and Grajeda, T. (eds) (2012). Music, Sound, and Technology in America: A Documetary History of Early Phonograph, Cinema, and Radio. Durham: Duke UNiversity Press.

Tompkins, D. (2011). How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop. Chicago: Stop Smiling.

Turkle, S. (ed.) (2007). Evocative Objects: Things We Think With. Cambridge: MIT Press.

Zielinski, S. (2008). Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means. Cambridge: MIT Press.

Discography

Compilations
Black Mirror: Reflections in Global Musics (1918-1955). Compiled by I. Nagoski. CD. Dust-to-Digital, DT-10 (2007).

Historische Aufnahmen 1 / Historical Recordings 1. LP. Gagarin Records, GR2013 (2011).

…I Listen to the Wind that Obliterates My Traces: Music in Vernacular Photographs 1880-1955. CD/book. Compiled by S. Roden. Dust-to-Digital, DTD-20 (2011).

Rē Records Quarterly. LP/magazine/CD. Compiled/edited by C. Cutler. Rē Records (1985-1997).

The 78 Project. LP. The 78 Project, 78P-001 (2014).

The Secret Museum of Mankind. 9 vols, compiled by P. Conte. CD. Yazoo (1995-1998).

The Stuff that Dreams Are Made Of. Compiled by R. Nevins. CD. Yazoo, 2202 (2006).

Victrola Favorites. Compiled by R. Millis and J. Taylor. CD/book. Dust-to-Digital, DTD-11 (2008).

Filmography

Desperate Man Blues. Dir. E. Gillan (2003).

Last Shop Standing. Dir. P. Piper (2012).

Modulations: Cinema for the Ear. Dir. I. Lee (1998).

Moog. Dir. H. Fjellestad (2004).

Sound it Out. Dir. J. Finlay (2011).

Vinylmania: When Life Runs at 33 Revolutions Per Minute. Dir. P. Campana (2012).

 

Websites

Dead Media
The Dead Media Project: http://www.deadmedia.org/
Media & Materiality Project http://www.wordsinspace.net/media-materiality/2012-spring/

Early Sound Recordings
Antique Phonograph Radio Program http://wfmu.org/playlists/AP
First Sounds http://www.firstsounds.org/

Ethnographic Sound Recordings
Reel to Real http://pittrivers-sound.blogspot.co.uk/

Cassette Culture/Home Recording
Great Bear http://www.thegreatbear.net/blog/
The Living Archive of Underground Music http://livingarchive.doncampau.com/
Taped Rugs http://www.tapedrugs.com/
Lo Finest http://aural-innovations.com/radio/lofinest.html

Reissues and Archives
Companion Records http://www.companionrecords.com/pages/home.html
The Vinyl Factory http://www.thevinylfactory.com/
Open Music Archive http://www.openmusicarchive.org/
Bristol Archive Records http://www.bristolarchiverecords.com/
UbuWeb http://www.ubuweb.com/
Reel to Real: Sound at the Pitt Rivers Museum http://web.prm.ox.ac.uk/reel2real/
British Library Sound Archive http://www.bl.uk/soundarchive

Practitioners
Christian Marclay
Music for Objects http://travisstearns.blogspot.co.uk/2013/11/cfcf-music-for-objects-process.html
Les Structures Sonores http://www.baschet.org/
Ian Helliwell http://ianhelliwell.co.uk/

Fanzines and ephemera
Manchester District Music Archive http://www.mdmarchive.co.uk/
La Fanzinothèque http://www.fanzino.org/
Incite! http://www.lehman.edu/academics/arts-humanities/alborn/incite.php
North-American and Canadian rave archive http://ravearchive.com/about-us

Collectors
Kevin Pearce http://yrheartout.blogspot.co.uk/
The Wonderful and the Obscure http://www.bobpurse.blogspot.co.uk/

2 comments »

  1. debi says:

    Can I also point you to the Great Bear Analogue & Digital Media tape blog I write for – lots of things which are of relevance to your very interesting research project !

    http://www.thegreatbear.net/blog/

    • Richard Elliott says:

      Great, thanks for the link, which I’ll add to the list of resources still to post up here.

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